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#121 | |
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diyAudio Member
Join Date: Aug 2004
Location: US
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John k.... Music and Design NaO Dipole Loudspeakers. |
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#122 | |
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diyAudio Member
Join Date: Aug 2008
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![]() No. We like speakers because we can share the music, even if only with the neighbours. Parties are better though.
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Good Night, and Good Luck. Best regards from Steve in Portsmouth, UK. |
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#123 |
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diyAudio Member
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There're people controlling robotic arms using neural implants. Not many, admittedly, but now that its been shown to work, I suspect expansion into other parts of the body could be rapid.
I don't want to be plugged in - real life is too interesting. Chris |
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#124 |
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diyAudio Member
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What the hell are you screamin' for? Every five minutes there's a bomb or somethin'! I'm leavin! bzzzz! Droggon Attack! |
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#125 | |
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diyAudio Member
Join Date: Nov 2009
Location: Birmingham, UK
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I am still waiting for an explanation where you get the closed box response from. Are you saying that an overdamped (that's what Tannoy call it) second order xover at 1.2k changes the response of a ported box at 50Hz to that of a closed box while a 4th order L-R at 1.2k doesn't? I am very much confused… |
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#126 |
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diyAudio Moderator
Join Date: Nov 2005
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#127 | |
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diyAudio Member
Join Date: Feb 2009
Location: UK
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If the passive crossover design can be churned out with the crank of a handle, well so can a digital crossover design. And the digital crossover can be demonstrated to be more optimal than any passive design ever could be, based on calculations and measurements alone - which is apparently what you're all using to create your scientific passive crossovers. Where's the magic? If there's no magic it seems that the only thing in favour of the passive crossover is sentiment, or superstition, or purely non-DIY considerations like hardware cost or size. Glad we've settled it, finally. |
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#128 |
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diyAudio Member
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I agree that active is theoretically superior just because there are less components in the signal path, however the arguments in favor of active such as damping factor, efficiency and temperature stability is rubbish. People keep parroting these things. Look at the math, do some measurements. The minor differences with passive are not going to matter.
Last edited by cotdt; 18th October 2012 at 07:39 PM. |
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#129 | |||
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diyAudio Member
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There are lots of people that will still try and argue that there's some voodoo involved, but the most respected designers I know build all their designs based off of logic and sound scientific reasoning. I think it's clear from this thread that there's a lot of subjective comments thrown around in favour or against one type or another and this doesn't help the issue. It also doesn't help the issue that active loudspeakers are by no means the norm in audiophile circles. What also doesn't help is that it is a lot easier to put together a good quality system around 2 channels, but then once asked to do it for 6, normally something gives and the quality level drops. One also then compares a stock Behringer inserted in the wrong way to a well designed and put together passive system and that ends in disappointment. It is extremely easy to understand why people can have bad experiences with active xovers and for who the best sound they have ever heard, has been from a passive system. Getting an active system right is quite difficult in terms of making sure the quality of the hardware for the 6-8 channels is of equal quality to that of what would have been a 2 channel system and then to make sure that the active design itself is implemented correctly. The kind of digital system that incorporates all of the system elements in the correct way to maximise performance is not anything close to the norm. Most simple systems made out of the miniDSP or the Behringer unit are inadequate when it comes to the best of what you could actually achieve, they are a compromise, but what you gain is tremendous flexibility for little outlay. Adding Jan Didden's mod to the Behringer unit though helps to improve a lot upon its major short coming. If you want to look at it objectively without any audiophoolery threatening to cloud the issue, then yes active is superior to passive and there is simply no way to argue otherwise because its quite basic to understand why. I don't think anyone has really been arguing against this though, the trouble is that it's a bad question. It's far too simple a question as it doesn't include any of the outside factors that are crucial in assuring that either of the two approaches have been implemented properly and hence arguing ensues. Is active better then passive? Yes. Then someone says - no because if you go active you've got ground loops and noise and XYZ getting in the way. All of the above will no doubt be true if the system is implemented incorrectly and then one someone says it can never be better because you've put an opamp in the way... well then now we're onto the good old subjective vs objective discussions and we all know how those end up. If you ignore what needs to be ignored to save us all from going crazy, then yes active is better. Is it always going to sound better? This much is less clear because even the objective side of things can recognise when a passive crossover is perfectly adequate to the cause and that going active isn't going to bring about any real worthwhile gains. Is going active in this case ever going to sound worse, no, it shouldn't, unless you've done something wrong.
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What the hell are you screamin' for? Every five minutes there's a bomb or somethin'! I'm leavin! bzzzz! Droggon Attack! |
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#130 | |
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diyAudio Moderator
Join Date: Nov 2005
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![]() actually its funny that its called active basicly its still just passive components but positioned in the electronic environment
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