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#1 |
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diyAudio Member
Join Date: Apr 2005
Location: Cheltenham, Glos.
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I am considering active bass equalisation - the kind of device like the (now obsolete ?) Golden Flute. These are fitted between pre and power amplifiers with the specific aim of providing low frequency extension / boost.
I'm aware that these (Golden Flutes) are now out of production, but has anyone got any recommendations for similar devices I can obtain to achieve the same effect ? Happy to DIY [to a certain extent] No effect above 100hz required (or even 60 to be honest !) Thanks
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The older I get, the fitter I was ! Last edited by clubsport911; 3rd October 2012 at 09:08 AM. Reason: Spelling mistakes corrected |
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#2 |
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diyAudio Member
Join Date: Aug 2012
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I have had a bit of a look on the net and can't find reference to the golden flute, exactly what did it purport to do?
rcw |
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#3 |
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diyAudio Member
Join Date: Apr 2005
Location: Cheltenham, Glos.
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The GF sits between pre and power amp and added a carefully engineered amount of low frequency equalisation. It did this with ( In theory) no effect to upper bass, midband or hf.
It was possible to adjust extension, curve and point of operation. Interestingly, I only heard about these a few weeks back and found information pretty quickly ! In summary, it's a very high quality LF only tone control.
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The older I get, the fitter I was ! |
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#4 |
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diyAudio Member
Join Date: Sep 2010
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#5 |
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diyAudio Member
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Allison seems to have had a similar device. It was called the Alison Electronic Subwoofer. I've heard one with an Allison speaker. Went quite low but didn't have 'slam' !
You could rig up a Linkwitz transform circuit. Look here for the theory and the project and a spreadsheet for calculations. ESP - The Linkwitz Transform Circuit Linkwitz Transform Subwoofer Equaliser
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#6 |
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diyAudio Member
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Check this link for the Allison Equaliser . Scroll down .
http://www.roger-russell.com/equalizers/equalizers.htm
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#7 |
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diyAudio Member
Join Date: May 2002
Location: Switzerland
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The "Bassis" thing is actually something like the Linkwitz transform with adjustability via pots.
The main use of the LFT is closed boxes. There are of course other schemes as well like shelving filters, parametric EQ, Highpass filters with a hump etc. The highpass for instance can be of advantage when protection from overexcursion is higher on your list than group-delay distortion. I once derived a circuit that did dynamically alter the height of the hump and the cutoff frequency. Regards Charles |
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#8 | |
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diyAudio Member
Join Date: Jan 2008
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Quote:
By inserting the DSP in a tape loop available on most receivers, separate power amps for the bass are not needed to effect the change. |
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#9 |
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diyAudio Member
Join Date: Aug 2012
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Perhaps you can indicate what sort of a set up you have.
The difficulty with and equalization of this sort is that you can very quickly run out of cone excursion and amplifier power. Just taking any old thing and boosting the bass to fix it doesn't work very well at all. rcw |
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#10 | |
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diyAudio Member
Join Date: Apr 2005
Location: Cheltenham, Glos.
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Quote:
I could search forever to find a KUBE 200 or perhaps take advantage of higher capability (lower cost ?) more modern electronics that have even less insertion loss. I definately do not want to touch the midband. On my system, it's great. Thanks
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