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#11 | |
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diyAudio Member
Join Date: Nov 2010
Location: North Lanarkshire, UK
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Quote:
What are the characteristics of a better material for enclosure? Funnily enough I had forgotten it was planet10 he was responding to back then.
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- Simon |
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#12 | |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Quote:
I assume there is some facetiousness involved in that comment ![]() Usher seem to own the rights to using the good Doctors name and of course in that context will use as much as they abuse it. The actual design lacks baffle step compensation. So it needs to be near walls. Fine for most AV fans. But near wall screws up the lower midrange and always will and most don't care. In my book it goes into a good AV speaker, not a good hifi speaker. rgds, sreten.
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There is nothing so practical as a really good theory - Ludwig Boltzmann When your only tool is a hammer, every problem looks like a nail - Abraham Maslow |
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#13 |
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diyAudio Member
Join Date: Apr 2004
Location: MN
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The cab does have a vertical brace in it - http://www.parts-express.com/pdf/302-732s.pdf
and this is the foam -Acoustic Foam 1-1/2" x 24" x 18" UL 94 260-516 One thing I had noticed earlier was that the kit comes supplied with speaker caulk to be put around the drivers to isolate them from the baffle. But the pre-built version did not have it. No isolation. So I just grabbed some length of weather stripping I had lying around (not sure if that was a good choice or not) and put it around the drivers and mounted them again. |
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#14 |
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diyAudio Member
Join Date: Aug 2008
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Can't agree with you there, sreten. There's HUGE bafflestep built into that crossover.
![]() The Usher 8945A Woofer has Le of only 0.46mH. That's a standmounter. I think it's broken and unfixable really. You are getting the usual 1kHz peak from the cabinet and driver. You can't really damp more with reflex. You can't put it near a wall because of the rear reflex. You can't notch without knowing the driver frequency response. Just gotta live with it.
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Good Night, and Good Luck. Best regards from Steve in Portsmouth, UK. |
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#15 | |
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diyAudio Member
Join Date: Jan 2007
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Quote:
You could do some iterative listening. First just double top and back, then if still boxy sounding, triple top, finally triple back. I've done this and the port output is not affected much. Just keep a clear path between port and woofer. Another thought is you may have a strong port resonance, meaning there's a midrange peak at the port output. This can screw up the midrange as well. It's easy enough to place your ear near the port output to check for this. I've noticed I can reduce this resonance behavior by placing a brace between the woofer and port, so most of the port is not in a direct path from the woofer output. I've also placed a foam block around the port itself which seemed to reduce it. I'm not sure of the physics behind it though. If none of that works to your satisfaction, then you may need to address panel resonances with bracing. |
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#16 |
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frugal-phile(tm)
diyAudio Moderator
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THe big one is that the energy available to excite the resonance is inversly proportional to the square of the frequency althou it can be argued that this could approach the 4th order above some point.
A high Q resonance will also be less likely to be excited by music, since to get it going you have to pump energy into it continuously within its bandwidth. A brace should never be placed at the centre of a panel to avoid the situation you describe. ![]() ![]() dave
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community sites t-linespeakers.org, frugal-horn.com, frugal-phile.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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#17 | ||
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diyAudio Member
Join Date: Oct 2008
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Quote:
Addressing Planet10, a good wad of fibreglass may somewhat reduce the transmission of those higher frequencies to the panels making your suggestion workable, but on the issue of bracing I'll fall back on the recent discussions as Simon has highlighted. Quote:
Usual? I don't think damping material in a reflex box should be such an issue. Texts refer to box losses reducing the reflex action, maybe so, but this is a lower priority here I would think and I'd damp it as much as practical, as necessary, and/or as workable. Last edited by AllenB; 17th June 2012 at 05:45 PM. |
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#18 | ||
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diyAudio Member
Join Date: Nov 2010
Location: North Lanarkshire, UK
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Quote:
All irrelevant though, because it's the ratio between the direct signal from the driver and the re-radiated signal from the resonating panel that determines its audibility. The panel might vibrate far less at high frequencies in terms of excursion, but so does the drivers cone so the ratio isn't changing just by pushing the frequency higher. So the "less energy to excite resonances" is bogus. The excursion of both cone and panel vibrations are just less at higher frequencies, thats all. Quote:
A mechanical high Q resonance usually can't be corrected electronically because it's too unstable to be accurately targeted, while a low Q resonance is often easy to fix in the network or with EQ. There is no time when a high Q mechanical resonance sounds preferable to a low Q resonance. It may not be excited in all music all the time, but when it is excited it is usually very obnoxious sounding. It doesn't matter where you place the brace, you are suppressing different resonant modes to varying degrees, not simply pushing the resonant frequency up like stiffening the panel would. As I said, bracing a panel is not equivalent to stiffening the panel nor is it equivalent to multiple separate panels of the subdivided sizes, because the different parts of the panel are connected together. Your diagram above actually demonstrates this well as none of the above are fundamental modes, they're all 2nd order and higher modes as the brace has suppressed the fundamental. Much like placing multiple subwoofers around a room can suppress certain modes without actually changing what the fundamental modes of the room are. The reference you show there doesn't make a lot of sense as it only lists a single resonant frequency for each configuration, but any rectangular panel braced or unbraced will have different resonances in each axis. More likely they mean lowest measurable resonance not fundamental resonance, as when the box is subdivided in half the lowest measured resonance is not the fundamental resonance but the 2nd harmonic resonance.
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- Simon Last edited by DBMandrake; 17th June 2012 at 06:07 PM. |
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#19 | |
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diyAudio Member
Join Date: Oct 2008
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Quote:
I think everyone knows that when a resonance is pushed it can cause extraneous noise or harmonics, be it creaking in the walls or simply a level dependent non-linearity in them as a medium, which could lead to the common misconception (IMO) that a certain amount of energy is needed to start a cabinet resonance, or that more energy makes them more loud/noticeable. Speaker Dave was refuting this as well if I remember correctly. A high Q resonance may be harder to 'find', if this is what you are saying but a good speaker really doesn't leave many places for something like that to hide. |
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#20 |
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diyAudio Member
Join Date: Aug 2008
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Quite interesting to look at the basic cabinet dimensions internally.
400 H x 216 W x 270 D Not your classic golden ratio cabinet (5x8x13) by any means. Doing the sums for speed of sound at 340 m/s, you get 850 Hz with a wavelength of 400 mm. Exactly right for a strong resonance on the height and width. You need some mass of wadding in the middle of the cabinet to fix that. Can't do it with reflex really. Broken and unfixable. Eat that, Dr. D'Appolito!
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Good Night, and Good Luck. Best regards from Steve in Portsmouth, UK. |
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