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#31 | |
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diyAudio Member
Join Date: Sep 2006
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#32 | |
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Account disabled at member's request
Join Date: Apr 2009
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Quote:
The nice thing with both midrange speakers working up to the same crossover is that it matches the sensitivity of the TPL150, so it not only eases the crossover network but not having to attenuate the TPL150 is good for sound quality. By the way, our setup is open baffle woofer - MTM bi-amplified. |
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#33 |
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diyAudio Member
Join Date: Sep 2006
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#34 |
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Account disabled at member's request
Join Date: Apr 2009
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Here is my friends set up; open baffle bass still under development.
He prefers the TPL150 horn loaded (actually more a waveguide); I prefer it without. |
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#35 | |
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diyAudio Member
Join Date: Sep 2003
Location: SiliconValley
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Quote:
I'm still a fan of using a wide bandwidth midbass to cover more of the vocal range, roughly 80 Hz to 1100 Hz (that is, E2 to C6) for normal male and female voices together. There are several physical limitations in using one standard speaker over a wide bandwidth. 1) Frequency response and quality of sound. 2) horizontal and vertical polar response (beaming) 3) IMD Intermodulation distortion (doppler) from summing low and high frequencies 4) adequate SPL levels STILL.. there is a large full range speaker group that accepts these compromises over crossovers. When you run through the equations, it looks like 3-way with an 8" or 10" midbass speaker is the best option to cover a low of (80-100Hz) to a high of (1,200, 1,500Hz). IMD start to increase rapidly even with the xover dropping just from 100 to 80Hz. Constant directivity degrades rapidly with the xover increasing from 1,000 to 1,500Hz. A midbass with a curvelinear cone profile has ~10% superior directivity. Several 98-100 db/watt high efficiency old school speakers with a 300Hz crossover used two 15" woofers, a 10" midbass like the JBL 2012H, and a 1" compression driver with a 90 x 40 constant directivity horn. I have found that accepting a 94-95 db/watt SPL efficiency and a 1,400-1,600Hz crossover to a suitable tweeter allowed me to use a light cone 8" midbass to pull detail over the vocal_range, or a 10" midbass to put more weight behind vocals with additional compromise in dispersion. I have Tang Band W8-1808 and Lambda TD10M. As you would expect, a full range 8" with decent Xmax can be used as a wide bandwidth, good dispersion midbass. |
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#36 | |
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diyAudio Member
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I used this same approch a few years ago, and intend on going back to it. Sounded really nice. (ps disregard the MTM video speakers in the pic, and then notice the similarities) |
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#37 | |
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Account disabled at member's request
Join Date: Apr 2009
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Quote:
Maybe some kind of U or H frame might have done the bass job, but I am not sure if that sounds good up to some 200 - 250 Hz. |
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#38 | |
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diyAudio Member
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Since then, however, I have lowered the x-over to 250hz and changed over to a single 10" midrange. The 10 inch moves a lot more air, which IMO is required at that low of a crossover frequency. I am mulling over whether to lower the x-over freqency even more, say to 190Hz. |
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#39 |
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diyAudio Member
Join Date: Sep 2006
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i have positioned the TPL-150 horizontally, instead vertically, as usual. I did not perceive any dispersion difference or deterioration. That would make it possible to bring the two midrange cone drivers closer together.
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#40 |
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Account disabled at member's request
Join Date: Apr 2009
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Not for sweet spot listening, but off-axis there will be HF drop IMHO.
Having the midrange speakers further apart than theory predicts, but nevertheless sounding and blending that well was a surprise. We have a "don't touch anymore" thing with this
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