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#1 |
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diyAudio Member
Join Date: Jan 2004
Location: Toronto, ON, Canada
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How bad is it really, e.g. on a speaker baffle with sharp 90 degree edges? Let's assume that the response where the listener is located is flat - does diffraction still negatively affect sound quality?
And why does diffraction not seem to affect the Pluto's woofer, even though centered-on-cylinder has one of the most egregious levels of diffraction? Pluto specs Is it because the measurement distance is too small? With a woofer that size, somewhere just over 1 kHz the response should show more pronounced peaks and dips... which are not visible.
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Building a 2.1 system out of a 3/4"x4'x8' sheet |
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#2 |
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frugal-phile(tm)
diyAudio Moderator
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Just found this Understanding Cabinet Diffraction.pdf - File Shared from Box.net - Free Online File Storage (not read it yet)
Edge diffraction has different properties as the frequency goes down. At high frequencies there is time delayed reradiation transitioning to baffle step loss at low frequencies. What is high or low frequency is a function of edge sharpness (round over) and baffle width. Even at the baffle step around over or champher size affects the ripple in the baffle step transition. ![]() ![]() For some real world measures of how big to get how low: "Acoustic Diffraction: Does It Matter?" James Moriyasu (Feb 2003 aXp). Its been a long time since i read it, but what i took away was that the bigger the better and that a champher is almost as effective. As a 1st hand example, I have both Mar-Ken12t and CGR Mar-Ken12 here. Basically the same box in different formats, the latter with a big champher, and the former with a token champher. It is pretty easy to hear the difference. dave
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#3 |
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diyAudio Member
Join Date: Jan 2004
Location: Toronto, ON, Canada
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I have seen this before - I understand the shape affects the response. But, if the response is then flattened, how does the speaker sound?
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Building a 2.1 system out of a 3/4"x4'x8' sheet |
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#4 |
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frugal-phile(tm)
diyAudio Moderator
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What do you mean by flattened? It is not possible to EQ out edge diffraction, one might be a bit more successful with the ripple at the BS but i doubt it.
dave
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#5 | |
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diyAudio Member
Join Date: Aug 2008
Location: Black Forest
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Quote:
Pluto electronics There is your baffle step and diffraction ripple. But that is measured from the top (0°). All this diffraction does not even ocurr at 90° (listener direction), which is not shown here. But that is typical for diffraction. The greatest response changes are mainly on the main sound propagation axis. As a result, the listener is only exposed to it in vertical direction where we are less sensitive and the baffle step peak is even already in the stop band (>1KHz) where the response is down > 10dB. Here is another good read. Frequently Asked Questions
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2Pi-online.de Last edited by 6.283; 16th September 2011 at 08:43 AM. |
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#6 |
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diyAudio Member
Join Date: May 2004
Location: Pensacola, Florida
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The figures shown here come from [1] and the paper [2] by the same author.
Regards, WHG [1] Acoustical Engineering,” Harry F. Olson, D. Van Nostrand Co., Inc., 250 4th Street, New York 3, NY 1957 BKPA1 - Acoustical Engineering [2] Direct Radiator Loudspeaker Enclosures Even though a direct radiator loudspeaker mechanism produces a uniform acoustical output with respect to frequency the diffraction effects of the enclosure may introduce wide variations in the frequency response. To determine the diffraction effects, a small direct rdiator loudspeaker mechanism was designed and constructed to deliver uniform sound output with respect to frequency. This loudspeaker mechanism was mounted in twelve enclosures of different shapes and the frequency response characteristic was determined experimentally. The experimental results agree with the theoretically predicted performance in the cases where the performance can be determined by theoretical considerations. A cabinet has been developed which exhibits a smooth frequency response characteristic and still retains an exterior which is acceptable from the standpoint of appearance. Author:Olson, Harry F. Affiliation:RCA Laboratories, Princeton, NJ JAES Volume 17 Issue 1 pp. 22-29; January 196 AES E-Library Direct Radiator Loudspeaker Enclosures |
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#7 | |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Quote:
Hi, Its because to see it in action requires a small source compared to the baffle, such that path lengths to the edges are quite similar and reinforce. (Why the Olson studies are as symmetrical as possible, with a small source.) (Why you offset midranges and treble units, to vary the path lengths.) A large pistonic source on a similar sized baffle has very varied path lengths which smooths the effect leaving the 6dB baffle step effect + usually a mild hump of around 2dB above that before settling to +6dB. rgds, sreten.
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There is nothing so practical as a really good theory - Ludwig Boltzmann When your only tool is a hammer, every problem looks like a nail - Abraham Maslow Last edited by sreten; 16th September 2011 at 03:10 PM. |
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#8 |
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diyAudio Member
Join Date: Nov 2009
Location: Birmingham, UK
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I was under the impression that baffle edge diffraction and baffle step compensation are two different problems with different solutions.
Baffle edge diffraction can largely be fixed by rounding over the edges. It affects tweeters. http://www.silcom.com/~aludwig/images/diffdem.gif Baffle step compensation affects bass or low mids because the speaker goes from full space to half space radiation. Can be fixed in the xover or by soffit mounting the speakers. |
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#9 |
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Custom Title
diyAudio Member
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One note, often missed, on roundovers-
They're useful even when they're smaller than ideal. The reason is, trace the rays- the further from 90 degrees the angle of incidence to the baffle, the longer a given roundover/bevel takes to complete. a 1" roundover could look like 3" if it's the portion on the bottom of a floorstanding 6.5" "average" tower (bottom being far from the midwoof)
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#10 | |
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frugal-phile(tm)
diyAudio Moderator
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Quote:
dave
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