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#1 |
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Account disabled at member's request
Join Date: Apr 2010
Location: Between cities!
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A pair of Dyanudio active 2-ways, Acoustic Energy AE1's, collectible JBL's and a couple of full range drivers sit in my spare room collecting dust while a pair of $30, 1980's mid-fi celestion ditton 100's take prime position in my lounge room set-up.
You ask why? Broken ears? Probably. But if you ignore the ringing of the paper thin particle-board cabinet and the tipped up response with shouty midrange (first order crossover without BSC or tweeter lpad!) there is something these little fellas do that the others cannot; Articulate, detailed and natural sounding mid bass. Drums are so taut, well defined and clear even at low volumes. The sealed box starts to roll off from 90 odd hertz so there isnt much happening down low (I use a sub anyway) but what is there is just done so well. It reminds me of the open baffle bass sound yet more dynamic. I have tried plugging the ports of the other speakers but alas I dont get the same effect. I guess the ditton paper midbass was designed to sing in a sealed cabinet. So while I do like the sound of the dittons (after a bit of EQ) I would like to see if there is anything else out there can match their low-end and do better in the upper registers, with a little more SPL's. I am looking for builds, kits, and even commercial offerings that anyone can recommend. I just ask that your suggestions come from personal experience rather than specualtion unless there are certain driver specs or set of "numbers" that can predict this kind of low-end characteristic I am hopeless with passive crossovers and have sold my DCX2496 so I wont be able to dive into my own 2-way design with much confidence. Though I would be happy to try a simple (first order?) crossover with any 2 drivers that are partial to it and are easy to work with. As long as the bottom is taut, I am willing! Last edited by dabbler; 20th June 2011 at 01:01 PM. |
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#2 |
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diyAudio Member
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#3 |
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diyAudio Member
Join Date: Aug 2003
Location: Cheltenham
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Just wrote a large reply and lost it
![]() Snell K Yamaha NS1000 Linn Kan k2 (very fussy about partnering equipment and needs a subwoofer) I've just built a design using the same 8" paper midbass driver as the Snell K and a large waveguide tweeter, but it's work in progress. |
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#4 |
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diyAudio Member
Join Date: Feb 2003
Location: Columbus, Ohio
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#5 | |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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Quote:
But I think it is not about number (hertz). The impression of deep and taut bass may come from a gentle slope of a sealed enclosure, but surely may come from a perfect blend of the drivers (in a good crossover). So what you can do is: (1) Build a TL speaker. (2) Build a perfect speaker from good designers. This speaker is rare, you have to pay attention on its "reviews", or those that win some kind of speaker building competition. Lately I read that thread about Mark K's ER18DXT speaker. I don't have "personal" experience with the design, but my experience tell me that you will not be disappointed. (Well what if I were inexperienced but I had "personal" experience with a poor speaker that I thought had a remarkable bass?) The Mark K's speaker is 2nd order (acoustical). It is not easy to build a speaker with simple crossover like this. Many top quality commercial speakers use simple 1st order crossover because the driver is specially designed for that. Most commercial DIY drivers are not suitable for 1st order filter. |
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#6 | |||
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Account disabled at member's request
Join Date: Apr 2010
Location: Between cities!
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Quote:
Quote:
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A few observations and ramblings: Tapping the paper cone of the ditton midwoofer gives a dry sound unlike the dynaudio polycone or aquaplas cone of the JBL (which have a higher pitch when tapped). The ditton cone is fairly stiff but not very thin and has no shiny coating i.e the texture is soft to the touch like tightly stretched fabric. There is a very slight coloration to the sound but certainly nothing close to the fostex full range drivers I own. It is not objectionable in any way. A frequency response measurment shows nothing out the ordinary, just typical gentle roll-off from the sealed cabinet. It would be interesting to measure driver TS parameters but I dont have the equipment. Im staring to feel that the 400hz and down range is very important. Quick transients here hold the frequencies above together and keep the sound cohesive. The search continues |
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#7 | |
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Account disabled at member's request
Join Date: Apr 2010
Location: Between cities!
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Quote:
do you have the link to Mark K's project? |
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#8 |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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#9 |
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diyAudio Member
Join Date: Aug 2003
Location: Cheltenham
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If you do look for some Kans make sure you get the Mk2 version. The mk2s have a flatter frequency response than the mk1. They are very revealing and can sound harsh or bright with the wrong electronics. I used mine with modified Naim gear.
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#10 | |
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diyAudio Member
Join Date: Nov 2010
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AVI ADM9.1 active speakers have one of the most open revealing sounds Ive ever heard at any price. The treble and mids are to die for, the bass initially sounds a little thin until you realise its actually very taught and defined. By comparison my passive speakers now, whilst generally very good, sound comparatively coloured.
Just thought Id offer my experiences ![]() Quote:
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