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#1 |
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diyAudio Member
Join Date: Jun 2005
Location: Singapore
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I was reading about the Galactica, incredible design and implementation!
Humble Homemade Hifi My burning question is, how does one design a bass enclosure (sealed or BR) for two separate woofers of different T/S specifications? Is it a pure trial and error process, or are there some guidelines to start from, and then adjust subsequently based on actual measurements? I recall reading something about this previously but cannot find it. What are the benefits of using two different woofers for the same frequency range through the same crossover? Thanks. |
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#2 | |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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Quote:
Different woofers to produce same frequency range might have issues, but in very low frequency the issue is not critical, especially if the phase tracking is good. The benefit is we can get the good character from each of the woofers. Subwoofers usually have good low end but something wrong in the upper bass. Usually we need at least 4 ways if we want each critical range is handled by suitable drivers. Using different woofers for the same frequency range will give the same effect. |
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#3 |
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diyAudio Member
Join Date: Jun 2005
Location: Singapore
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So we calculate the enclosure separately for each woofer, and then just combine the volume? That's all, an arithmetic sum of the volume from both woofers calculated separately using each woofers T/S parameter?
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#4 |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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I mean different enclosures. Two enclosures, one for each woofer.
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#5 |
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diyAudio Member
Join Date: Jun 2009
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If you're referring to the speakers in the link above, they use two separate chambers, one for each woofer. In that speaker, one is ported and the other one sealed, even. There's definitely no way of using a single chamber that is both ported and sealed.
Nice build, though. |
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#6 | |
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diyAudio Member
Join Date: Nov 2009
Location: Toronto
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Quote:
Even with seperate enclosures there is the chance that the units aren't in phase at low frequencies and outputs cancel rather than add. This might have happened with one cabinet sealed and the other vented. In this case his response curves seem to show that he is okay in that regard. David S. |
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#7 |
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diyAudio Member
Join Date: Feb 2002
Location: Sydney
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I can't find the link to Thorsten's page where he gives a method to do this, but you calculate the combined parameters as follows:
Re is the series or parallel sum depending on how you want to connect them; Sd & Vas is the sum of the two parameters Fs, Qe, Qm is the geometric mean of the two parameters (multiply the two parameters together then find the square root) I have tried this & it works very well (the drivers in question were reasonably close in parameters though)
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‘today… there lives alongside the twentieth century the tenth or thirteenth. A hundred million people use electricity and still believe in the magic power of signs and exorcisms” Trotsky |
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#8 |
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diyAudio Member
Join Date: Jun 2005
Location: Singapore
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I see, it was not obvious from the pictures and descriptions that the 12" and 15" were in different chambers. They were electrically in parallel, which got me scratching my head.
Thanks PeteMck for the formulas. I'll try them out. |
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