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#321 | |
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diyAudio Member
Join Date: Feb 2003
Location: US
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Quote:
You do realize that you have just gone from one extreme to another, now placing great faith in the Clark article. (..more than a little ironic IMO. ) It too is also subjective - if trying slightly harder to obtain those subjective assessments *objectively*. Honestly the man is just trying to share his passion with the rest of the world, and maybe make some money doing it. The intent is obvious - passion 1st, making money a far distant "2nd". As far as "Holy Grail" and "extraordinary claims" - that is base hyperbole. So too is a claim from SL that dipoles are "inherently superior". In fact even a cursory reading of his website provides more than enough detail that SL is quite flexible in regard to loudspeaker design (..with of course the Pluto as the most obvious example). The 2 quotes you have used are not extraordinary. In fact Toole has been saying something very similar for a little more than 2 decades.
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perspective is everything |
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#322 | ||||
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diyAudio Member
Join Date: Aug 2006
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I was 'disputing' any broad statement like 'eq will damage dynamics and image size' (or whatever the exact words were) In fact almost as a matter of principle I object to virtually ANY broad statement. ![]() I do however, as I said, respect that that has been your experience. Quote:
Quite the opposite in fact. On a side note, I too heard the orions after reading everywhere about 'how close they come to the real thing'. I was decidedly unimpressed. I mean they did not make you run from the room screaming, but I sure did think and wonder what the fuss was. I have since heard other dipole designs, and think they simply 'are not for me'. In some ways I guess I can see the attraction, if you like diffuse vague sound. What I certainly did not do was attribute the 'blame' to the use of eq. I'll take your word that they are poorly designed, in fact it would be interesting if you expanded on that. Poor design as a dipole?? Poor design because it is dipole? I'd like to get your thoughts on your statement. Quote:
Cause you see, it came across to me that you were passing off as the only way to have a system is NO eq. Ironic really. After all, here is your passing off worded in a different way Quote:
What's it like up there in the clouds all by your godlike self? I really do suggest you at least keep open as an option the possibility that an eq'd system can at least match what you call a 'good speaker'. Admittedly I must admit that by using the deqx it is possible we are moving past what could be called 'mere eq'. To that degree your observations might have a tad more merit than I have conceded yet. So, is there NO situation where any sort of eq could make an improvement? What about putting your perfect speaker in a room. There could be no circumstances ever that eq could help? |
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#323 | |
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diyAudio Member
Join Date: Apr 2007
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I'm with Wayne: DSP kills in whichever way
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#324 | |
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diyAudio Member
Join Date: Apr 2007
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language ) one being the negation of the other, so the brain will accept the right one and reject the wrong one. |
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#325 | |
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diyAudio Member
Join Date: May 2010
Location: somewhere by the border..
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19 "audiophiles"? ![]() Ok, it's published in the AES, but hey, it's not the bible either! You have to see through it! Did you see SL's own tests after the results? Were is your own sense of critic? I would be surprised if the money made pays off all the expenses that goes with a new design. How many drivers have been bought and tested in the last 20 years? Naive, yes, indeed, the rule being to always check by yourself. 150$ a lot of money for a licence? You must be joking really, go and visit an audio shop and get some sense of reality.. Remember what you pay for with SL's designs is mostly superior drivers. I really do not understand your anger. You must have some french roots to moan in such way! ![]() As for the Orions being a "bad design from the start", how many other dipoles designs where built and compared with to come with such an assessment? The only thing that maybe one could argue, is that better could be made with less money, and we all know what the result is now. I suspect a lot of negative comments come from people that are just looking for something else in music reproduction. HT style music has unfortunately made it's way there I think.. I just cannot listen to a double bass on something else than a dipole, sorry guys. That's my taste because I know the real sound of instruments and have been used to it. One audiophile came to my place to audition the Orions last summer, I started with a solo violin that did not put him at ease, he found the sound not "mellow" enough, but when asked admitted he never heard a real violin before. Maybe this is just an anecdote, maybe not.. Go to a live concert and try to pack 120 musicians playing dynamically in your room with the Behringer and report back, I am very curious. The recording anyway makes or brakes it, whatever the speaker..
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#326 |
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diyAudio Member
Join Date: Aug 2006
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Have no idea, twas not me that said they were poorly designed from the start.
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#327 | |
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diyAudio Member
Join Date: Nov 2011
Location: Maryland
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#328 |
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diyAudio Member
Join Date: May 2008
Location: Switzerland
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"Science is religion for intellectuals"? That's deception.
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Markus |
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#329 | |||
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diyAudio Member
Join Date: Nov 2011
Location: Maryland
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Quote:
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Wd = Wm*((k*b)^2)/3 Wd = dipole power Wm = monopole power k = wave number (2*pi/wavelength) b = distance between dipole point sources, oscillating at the same frequency but 180 degrees out of phase. |
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#330 |
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diyAudio Member
Join Date: May 2010
Location: somewhere by the border..
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Well, seems like a lost battle. Go with the 19 "audiophiles" conclusion then..
Any others throwing their LX or Nao away for a Behringer? :-) Last edited by lolo; 21st February 2013 at 10:30 AM. |
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