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#1 |
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diyAudio Member
Join Date: Apr 2009
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i bought one commercial 4 th order linkwitz passive crossover. But there is almost 20% shift in crossover frequency.
It is designed for 1.8k & it is showing 2.4k at -3db. . The MKP capacitors are +/- 5%. Anybody here built 4 the order passive crossover. All suggestions to make this properly are welcome. |
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#2 |
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diyAudio Member
Join Date: Nov 2002
Location: Destiny
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What's the -6db point?? That's where you should be looking. What about the driver impedance??
Rob
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"I could be arguing in my spare time" |
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#3 |
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diyAudio Member
Join Date: Apr 2009
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U means to say that for 4th order -24db, we hv to see -6 db point?
The driver impedance is 8 ohms |
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#4 |
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diyAudio Member
Join Date: Nov 2008
Location: Devon UK
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You Probably need to add a zobel network to the low frequency driver to keep its impedance constant at the crossover frequency.
Rob Elliot has a good article on passive crossovers here. Passive Crossover Network Design Basicaly this means adding a resistor and capacitor to the crossover circuit. You may not need to do this with your HF depending on its design. It might be useful to post any detais you have of the crossover, and the drivers that you are using. |
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#5 | |
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diyAudio Member
Join Date: Feb 2006
Location: Cascais
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Quote:
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#6 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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a Butterworth is a single pole filter. The Q is 1/sqrt(2) = 0.707
A two pole Linkwitz Reilly is two Butterworth cascaded to give a Q=0.5 When you cascade two Butterworth together (ensuring that both filters are correctly loaded) the -3dB at the roll off frequencies add up to -6dB (that I believe is equivalent to saying Q=0.5). Now combine an LC for a 2pole Butterworth filter. This still has the same Q=0.707 (that's what makes it Butterworth) but it rolls off out of the passband at 40dB/decade. Cascade a pair of these 2pole Butterworth and you get a 4pole Linkwitz with Q=0.5 and the rolloff frequency again has a cut off of -6dB. But there is a problem. The standard formula for modeling a filter assumes that the source impedance is zero and the load impedance is infinity (equivalent to an open circuit). Loudspeaker crossovers modify the component values to allow for an 8ohm load impedance. If you cascade two of these filters the component values need to be corrected further to take account of the incorrect source and loading assumptions. Finally, if the 4pole LR filter has been designed for that particular driver then it has already had it's component values altered to suit the changing impedance presented by that matching driver. If you buy a generic crossover and fit any substitute driver, the loading will be different and as a result the crossover will be inaccurate. This is where a speaker designer (box & drivers & crossover) earns his keep.
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regards Andrew T. Last edited by AndrewT; 10th June 2010 at 10:39 AM. |
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#7 |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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I'm confused as of how you "measure" the -3dB. Are you sure you have measured what you wanted to measure? If you have the equipment for measurement, you should be able to redesign the crossover, no?
Okay, let's assume you don't have any equipment. I haven't seen a ready-made crossover in detail. I hope I'm not wrong but let me guess that the woofer filter will have ONLY 4 components (Lw1/Cw1/Lw2/Cw2), and the tweeter filter will have also ONLY 4 components (Ct1/Lt1/Ct2/Lt2). The drift you mention is most probably due to drivers incompatibility in impedance and sensitivity, so this is what you should do: 1. If your woofer (nominal) impedance is (said) 8 Ohm, how about the tweeter? If the tweeter nominal impedance is 6 Ohm, add a 2.2 Ohm resistor in series with the tweeter (just before the tweeter) so to match them. 2. Now you want to match your tweeter sensitivity with the woofer. The tweeter is almost always more sensitive than the woofer. You add a series resistor before Ct1. The value is based on your listening (the tweeter should not be louder than the woofer). 10, 8.2, 6.8, 5.6 or 4.7 Ohm are possible. 3. Now you want to fix the bump in the woofer just before the crossover frequency. Add a resistor in series with Cw1. Most probably 4.7 Ohm or 3.3 Ohm or 2.2 Ohm. |
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#8 | |
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diyAudio Member
Join Date: Sep 2008
Location: "Space Coast" Florida, USA
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Quote:
Commercial off-the-shelf crossovers are useless. Unfortunately, you need to design one from scratch or you will have the problems you are experiencing. The reason for the shift is probably due somewhat to component variation, but more likely due to the drivers connected to it. The drivers are not at fault, but how can you expect to design a universal crossover when every driver sold has a different impedance and inductance curve vs. frequency? The answer is, you can't. the reason is that the driver's impedance and inductance vary with frequency. The amount of variation and where they vary are different for every type of driver, almost like fingerprints. You may be able to shift the crossover point, but I guarantee you that you will never get it to sound anywhere near HiFi quality. The difference between a properly designed crossover and what you have is going to be like night and day. |
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#9 |
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Banned
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It's a bit like saying 'I told you so', but this is one very good reason for bi- or tri-amping and splitting the signal in a known environment with little reactance to affect the filter performance.
Perhaps even at this stage it's not impossible to change course... w |
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#10 |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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Relax, everyone. Don't scare Jayam000
Actually, it is not "that" bad. Fourth order Linkwitz-Riley has a unique property that make it possible to be a "universal" crossover. The phase tracking is the most important one. You can have a good speaker with ready-made LR4 crossover as long as you match the impedance and sensitivity using resistors. It is true that the difference between it and a properly designed crossover can be like night and day. But "properly designed" crossovers are very rare. It's like comparing a parallel crossover with series one. While I strongly believe that properly designed parallel crossover will beat a properly designed series crossover, in practice many cannot prove it. The LR4 and the ARSXO (Audio-Reality Series Crossover) are two examples of quick design with acceptable result (tho not the best). |
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