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#1 |
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diyAudio Member
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Of late I have had discussions with friends about moving a lot of air gently vs moving a lot of air vigourously. This stemmed from comparing modern small (10" and less) high BL and Mms woofers with huge motors and Xmax (12mm+) to the older larger (15" and more) woofers that did not have such large Xmax or motors (lower Le) but often sound more musical.
The arguement put forward by the high BL, Mms, Xmax camp was that the smaller woofers had better WAF. Point taken. WAF (we agreed) for apartment dwellers means a floorstanding loudspeaker that is less than 12" wide and occupies less than 1.5 sq. ft. of floor space (plinth and feet included). We sorta also agreed that this WAF speaker's internal box volume (after bracing, etc..) would not exceed 4 cu. ft. If we were to fit a 3 way into this box the woofer system would have about 3 cu. ft. So we compared 8", 10" and 15" woofers. A 10" being as big a woofer one can fit into a box that is 12" wide (atleast on the front baffle) and a 15" being the biggest woofer we can fit on a box 18" deep. Any wider or deeper and WAF would be compromised. The most recent system we had built was the Zaphaudio SB12.3. John Krutke of Zaph Audio seems to like SB Acoustics so we decided to see how much bass we can produce from 3 cu. ft. using simple woofers from SB Acoustics. Obviously we did not have access to these woofers (we live in India). Would the bass from a 15" woofer be more musical than from 2 10" or 3 8" woofers? The Sd of a 15" woofer is about the same as that of 2 10" or 3 8" woofers (650cm2). Has anyone compared the 15", 10" or 8" woofers from SB Acoustics? Madisound lists an F3 of 45Hz for the SB42, a F3 of 48Hz from the SB29 (in less than half the volume of the SB15) a similar F3 from the SB23 is also possible. Room gain would push the in room F3 to the mid 30s - adequate for almost all music at sane SPLS save some large scale organ works and maybe hip-hop. SB Acoustics SB42FHC75-6 15" Woofer from Madisound SB Acoustics SB29NRX75-6 10" Woofer from Madisound SB Acoustics SB23NRXS45-8, 8" Woofer from Madisound Now we are not related to SB Acoustics, I am sure SEAS's Prestige series or ScanSpeak's Discovery series woofers would perform similarly (neither SEAS nor ScanSpeak have a 15" in their portfolio though). We just chose SB Acoustics so that our discussions were based on real world drivers and not any hypothetical drivers.
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...still looking for the holy grail. Last edited by navin; 3rd June 2010 at 06:18 AM. |
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#3 | |
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diyAudio Member
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Quote:
That said I think the author forgot about modern wide range drivers (Fostex, Feasterx, PHY, Visaton, and Lowther) as well as smaller 'fullranges' (Jordan, CSS, Alpair, etc..) when he discussed the '3 octave rule'. Many of these wide/full range drivers can be linear over 5 octaves (200-6kHz) needing only a subwoofer (3 octaves) and helper tweeter (2 octaves).
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...still looking for the holy grail. |
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#4 |
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diyAudio Member
Join Date: Sep 2008
Location: "Space Coast" Florida, USA
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For one thing you assume that all three smaller woofers move the same. Theoretically, they might, but driver-to-driver variation will produce somewhat different results out of each. Ideally, they should be in independent chambers to minimize effects from each other.
Polar dispersion, both horizontally and vertically, is not something you can just throw off the table, either. It impacts power response. When you add multiple drivers they interact with each other's dispersion pattern, which causes lobing. You also introduce different diffraction patterns from multiple drivers and different baffle sizes, so you really do not have an apple to apples comparison. Lastly, the large woofer is a different driver than the smaller one. Again, you are not comparing apples to apples, just combined cone area, which is just one attribute of very many for a loudspeaker. |
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#5 |
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diyAudio Member
Join Date: Feb 2008
Location: Lyon
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I'm interested too by this question. I can say about multiply drivers
Pro - Faster transient - Better high frequency Con - Price - surface used - higher resonance |
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#6 |
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diyAudio Moderator
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Why? Wouldn't having them in the same chamber couple them more closely and reduce the differences in the output (assuming that's even a problem)?
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“Listening to records is like ****ing a picture of Brigitte Bardot.” - Sergiu Celibidache |
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#7 |
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diyAudio Member
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There's a very interesting thread about this by Geddes.
Loosely speaking, he finds that multiple subs at different positions sort of 'average out' the room modes leading to more balanced reproduction at any listening position. Although, beyond 4 woofers in a room, you get into diminishing returns. jd
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/Another new issue: Linear Audio Volume 3! |
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#8 | |
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diyAudio Member
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Quote:
jd
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/Another new issue: Linear Audio Volume 3! |
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#9 | |
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diyAudio Member
Join Date: Sep 2008
Location: "Space Coast" Florida, USA
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Quote:
I agree with the Dr. Geddes on the multiple sub approach, but that wouldn't apply here. |
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#10 | |
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diyAudio Member
Join Date: Sep 2008
Location: "Space Coast" Florida, USA
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Quote:
You hit one of the reasons why a multiple bass driver approach would be preferred in the first post. That is aesthetics. It just depends where your requirements lie and what you are willing to trade off. |
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