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#1 |
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diyAudio Member
Join Date: Oct 2008
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I have been reading Dr. Geddes, and I want to try some waveguides to control dispersion. This also means I will want 1" compression drivers (like the Geddes ones) but this seems conflicting in a home situation.
Will they respond well to low power, like SET? I've heard these drivers sound effortless due to their ability to play loud, but I feel I could only take advantage of this by forcing them to cross low. I want them to take the place of Fostex drivers that are doing mid-bass and up, but to me it just seems chalk and cheese. |
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#2 | |
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diyAudio Member
Join Date: Nov 2002
Location: Destiny
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Quote:
Rob
__________________
"I could be arguing in my spare time" Last edited by Robh3606; 5th May 2010 at 12:59 AM. |
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#3 |
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diyAudio Member
Join Date: Oct 2008
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Good point, but that's OK, I could cross higher if necessary.
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#4 | |
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diyAudio Member
Join Date: Nov 2002
Location: Destiny
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What are the crossover points for your Fostex drivers now?? Are you considering droping the waveguides on top of the Fostex's for a 3 way??
Quote:
Rob
__________________
"I could be arguing in my spare time" Last edited by Robh3606; 5th May 2010 at 01:55 AM. |
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#5 |
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diyAudio Member
Join Date: Oct 2008
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I wil be listening from 3-4m so 104dB is a good start. I should be able to pick up a few dB as I have some amp options.
I wasn't thinking of going 3-way, but I might consider it while I learn the new driver's capabilities and find a way to go 2-way. Any idea how the CD would sound above a fostex? |
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#6 | |
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diyAudio Member
Join Date: Nov 2002
Location: Destiny
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Quote:
What driver are you using? Rob
__________________
"I could be arguing in my spare time" |
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#7 |
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diyAudio Member
Join Date: Oct 2008
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fe108ESigma. Although I am leaning towards 2-way to eliminate a crossover, maybe in the back of my mind I just feel bad chopping up the 108's spectrum because it is such a good driver. Still, it does leave me longing for something a little more nimble in the top end.
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#8 | |
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diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
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I don't see what the compression driver has to do with the crossover point. To me this frequency is dictated by two things: The directivity of the woofer at its upper end and the low-end directional control of the waveguide. The compression driver is pretty much irrelavent.
Now in Pro apps this is different because you are using the compression driver near its limits, but in home use these drivers have so much extra capacity that over extending them is simply not going to happen. And I do not see what limits any driver at low levels: Quote:
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#9 |
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diyAudio Member
Join Date: Apr 2006
Location: Melb
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Try using, B&C DE250 compression driver with RCF horn H100(get it from loudspeaker plus, quite well priced less than $50 each) every good matched combo, little or no equalization required.
I have both, very dynamic and smooth. |
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#10 |
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diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
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I've said this before, but it is worth repeating. Any CD device must have equalization. That's because with CD its power response must be falling along with its axial response. If it "doesn't require EQ" then it is not CD.
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| Thread | Thread Starter | Forum | Replies | Last Post |
| Compression drivers in horns or waveguides | 454Casull | Multi-Way | 6 | 1st December 2008 12:41 PM |
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