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#31 | |
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diyAudio Member
Join Date: Mar 2008
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Quote:
Just a test sheet with node lines made visible using couscous from the kitchen ... |
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#32 | |
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Hi George,
Quote:
In real speakers you will find that many of the terms that are shown as simple capacitors and inductors and even resistor in electrical equivalent schematic will change significantly with frequency and level. In my view the main issues are in no particular order are: Suspension Nonlinearity [aka Km(x)] Magnet Field Nonlinearity [aka BL(x) and BL(i)] Voice coil inductance Nonlinearty [aka Le(x) and Le(i)] Voice Coil Resistance nonlinearity [aka Re(i)] In this notation, i denotes nonlinearities are a function of voice coil current and x denotes those that are related to mechanical excursion. Once we look at the coupling of of the mechanical system to electrical system we note the coupling is not wholly linear and rigid, but lossy. So the fact that we generate a "microphone" Voltage by moving the voice coil (aka Back EMF, see Lenz), we must understand that the magnet field in the gap is being modulated by the field created by the voice coil and there are the coupling losses so there are complex intermodulations happening. Hence the so called Back EMF is more or less heavily distorted and not a good representation of what actually happens at the cone. In fact, getting involved with voltages where speakers are concerned is counter-productive and misleading, hence you see no voltage related terms at all. Most of the non-linearity terms are monotonic, meaning the fall proportionally to the exciting quantity(except mechanical suspension hysteresis), so testing speakers for their (TS) parameters is often done at low power levels (like 1mW). The problem is that the small signal model is not very representative of the the large signal conditions, as they deliberately exclude or at least drastically minimise all the non-linearities. On the surface it seems trivial to model speakers, yet those sufficiently well educated to actually understand the matter deeper find it a complex and difficult thing. As another note, all the ..(i) distortion terms may be cancelled out by switching from voltage source drive of the speaker to current source drive and addressing the other consequences of doing so (frequency response changes). All ..(x) terms require fundamental adjustments to driver design, but they can of course be minimised by simply minimising (x)... I tend to quip that if you can see the driver moving for bass frequencies you should have used more drivers or larger ones... So using large size pro drivers and current drive could for example make for a system with dramatically better linearity than common "High End" or "High Fidelity" systems. Maybe that is why I liked my 15" Tannoy Corner Yorks and Tube AMp's so much... Ciao T |
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#33 | |
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diyAudio Member
Join Date: Nov 2002
Location: Athens-Greece
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Thorsten
Thank you for dropping in. I appreciate your comments. I have purchased the book Amazon.com: Current-Driving of Loudspeakers: Remedy to the Fundamental Fallacy of Sound Reproduction Technology (9781448695324): Esa Meriläinen: Books written by our forum member ETM. The first 4 chapters helped me understand much better what is really going on inside the motor part of a driver, all these crucial details like you write above. As for the Back EMF Signal, I remember there is at least one article in one of the early volumes of AES Anthologies and Monographs that deals with methods of isolating and monitoring this signal. I haven’t dealt with it (yet), so I have nothing to add. Now for the subject under investigation here: Quote:
Then, restricting ourselves working with a constant amplitude and small excitation level, which is the way to get a well representative – if not exact – model from the electrical impedance data ? I mean, do you know of some method that takes in Impedance data and generates an equivalent electrical model (furthermore assigning values to the various L, C, Rs ) as an output? Or is this bound to remain an iterative – solely - manual process, where one adopts a model, assigns element values to it, simulates it, and readjusts, until the simulated impedance data comes close to the measured impedance data? Regards George
__________________
"Second Law is a bitch." - SY |
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#34 | ||
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Hi,
Quote:
Any other resonances may need additional such systems. So this gives you the basic electrical schematic of the network. The values of most items can be calculated based on the usual formulas (that is what textbooks are for, I normally use the stuff from Ted Jordans article in WW...). And as all these resonant and other impedance modifying systems are lossy you need to account for these losses. This all may have to be iterative as there are invariably variables that if they change require others to be adjusted which in turn force the original value to corrected again. It is not that difficult to program suitable curve fitting algorithms that you can simply crunch numbers until things converge to your set limits. Non-convergence simply means you have to add more elements to the equivalence circuit or set a greater tolerance on your acceptable limits. My question would be what the purpose of this model is. If it has a practical purpose (other than intellectual curiosity and too much time to engage in lucubrations) knowing this purpose may be usable in understanding what level of complexity and precision your model needs. For example, in the simulation software I use no attempt in the traditional sense is made to create a model of the impedance, but impedance data is taken directly, as impedance and impedance phase and used in calculations. Quote:
The alternative is to use a more primitive model and accept it's shortcomings, know them and work around them (which is what most professionals do - we like better models, but we are okay with what we got). Ciao T |
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#35 | ||
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diyAudio Member
Join Date: Nov 2002
Location: Athens-Greece
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Hi Thorsten
Thanks for the input. Quote:
What a *@#$%^& Idea! Shoot him! Quote:
George
__________________
"Second Law is a bitch." - SY |
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#36 |
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Hi,
Any model that is more than a crude first order approximation is going to be very complex. For DIY it may be easier to just measure the darn driver and use the data directly in suitable programs. If you want to do a basic feasibility study, normal small signal TS stuff may be used for a good first order approximation. If you want to test amplifiers with speaker equivalent loads, take a page out of respectively Matti Ottala's and John Atkinson's books (or maybe it's my book?). Take two real speakers, make sure pair matching is good (see Blowtorch thread on how I do that) and then place face to face and test with mono-test signals where one channel has inverted polarity. This keeps the noise fairly down and you can test almost anything, including listening to the residue of cancelled music (e.g. SE Amplifiers are very interresting). It is important to invert test signal polarity and not the speaker cables polarity for this, BTW... Ciao T |
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#37 | |
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diyAudio Member
Join Date: Nov 2009
Location: Toronto
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Quote:
At KEF we would always divide the two curves (measured and optimized) and multiply times 10 to examine the error. Generally the error curve is due to an oversimplified model. For the woofer box there were always two residual errors when using the standard model. There was an s shaped error around the tip of resonance and there was poor fit to the inductance rise. The first error is from a phenomonon known as "creep" which is a low speed stretch of the suspension elements that makes the resonance slightly non-symmetrical (hence the "S" shaped assymetry). The inductance rise can't be well fit with a single L and R, but can be better fit with a series of Ls and shunting Rs. It can be exactly fit with inclusion of a frequency dependent resistor. I would think you could manually fit to an impedance curve to an adequate degree. The curve is simple and you can soon learn how each component impacts the model. The comment was made that most woofer box calculators model the equivalent circuit. I suspect that most manipulate the equations behind the circuit. There is no reason to deal with Farads and Henrys. (A fine point) Regards, David |
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#38 | ||
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diyAudio Member
Join Date: Nov 2002
Location: Athens-Greece
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Thank you David (sorry for this late response)
Thorstern: Quote:
Quote:
Regards George
__________________
"Second Law is a bitch." - SY |
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#39 |
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Hi,
Sorry, no time yet to write them. I have outlines for a few novels, what holds me back is that I am probably an excellent reader, but that does not make an equally excellent, or even good writer... Usually the SPL cancellation is greater that way, due to speaker nonlinearities... Ciao T |
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#40 | ||
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diyAudio Member
Join Date: Nov 2002
Location: Athens-Greece
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Quote:
Do you mean "due to speaker cable nonlinearities" ? Quote:
George
__________________
"Second Law is a bitch." - SY |
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