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#1 |
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diyAudio Member
Join Date: Apr 2008
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Hi Guys,
I plan to build an OB in dipole mode (i. e. a couple of mids and subs, but the tweeters, one looking to front the other to rear, out of phase from each other). I already have the ribbons tweeters and the woofers for the subs (Dayton 12" RSS315-OH 4). I miss the mids drivers for now... I'll use an active xover and obviously separated amps. I would appreciate any help for the design of a "single" panel with the mids and the lows. If this is not advised, since the major drawback of this design remains the wave cancellation, I probably would try the "Linkwitz H or W" dipole for subs. The question is : "how do you derive the best size for the OB panel if there are on it: - only the mids, - both mids and lows. TIA for any feedback, Last edited by ondesx; 16th April 2010 at 02:57 PM. |
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#2 | ||
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diyAudio Member
Join Date: Feb 2008
Location: Lyon
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Hi,
A new post might be better. Quote:
Quote:
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#3 | ||
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diyAudio Member
Join Date: Jun 2003
Location: Menlo Park, CA
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Quote:
An open baffle speaker only approximates a cosine alpha polar response up to an octave below the first dipole peak. It broadens and then collapses into multiple lobes an octave past the dipole peak. John Krevosky (equalized for flat on-axis response) Dipoles and Open Baffles and Siegfried Linkwitz (unequalized) Constant directivity loudspeaker designs have illustrations on open baffle polar response. To provide good polar response at higher frequencies the baffle must be narrow. But to keep displacement requirements reasonable it must be wide. The common flat or shallow midrange baffle plus a similar width H, U, or W frame addresses that while keeping the entire thing in a visually attractive package. Quote:
Prototype Test Results Last edited by Drew Eckhardt; 16th April 2010 at 10:10 PM. |
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#4 | |
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diyAudio Member
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Quote:
So it's not ideal to have 5" mid with 10" woofers. But 8" and 10" woofers is great (hence Orion). If your mid is small see my avatar pic ...
__________________
http://gainphile.blogspot.com |
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#5 | |
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diyAudio Member
Join Date: Apr 2008
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Quote:
I'm not sure to understand why active xovers aren't usable with ribbons... My active xover is presently followed by the dedicated amp for each ribbon, and it work pretty good indeed. Passive or active limitation of the frequency range wouldn't affect the behavior of the following driver IMHO. But perhaps do you have some precision on this particular point. |
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#6 |
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diyAudio Member
Join Date: Apr 2008
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Thanks to Drew and gainphile for the inputs and the links...
It seems clear that mids and lows must be separated in two different size and form panels. The mids will be reproduced by 8" drivers. I contacted John and he kindly answered my first questions about DP/OB design. I now have to define if I go for only a driver in the middle of a rectangular panel or 2 in an opposite arrangement (i. e. one looking to front the other to rear out-of-phase from each other). And in this case, the final size and position of the drivers in the panel for the best result... Last edited by ondesx; 18th April 2010 at 08:12 AM. |
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#7 | |
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diyAudio Member
Join Date: Feb 2008
Location: Lyon
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Quote:
Are you sure you have real ribbon tweeter ? Perhaps you put a 10uF capacitor on them ? I already used Fountek JP3 with active crossover, a nightmare ! 1. You cannot connect directly the ribbon, DC resistance = 0, short circuit for the amp. 2. Switch off the amp, plof ! I had two ribbons to repair. 3. The sonic advantage of ribbon in active crossover disappears. A dome does as well. |
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#8 | ||
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diyAudio Member
Join Date: Feb 2008
Location: Lyon
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Quote:
Quote:
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#9 |
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diyAudio Member
Join Date: Apr 2008
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Re Jerôme,
Of course, my ribbons are 4 ohms minimum impedance, than they could be directly connected to the amps as explained in my previous post. Otherwise, I agree with you that, depending of the amps, this is not advised... They are the "only true" AMT ribbon from Dr Oskar Heil. With 24 dB slope they can be used from 700 Hz to more than 23 kHz for very high power inputs !... This is an important point for me : the power handling. Most ribbons only accept 30 to 60 W as continuous power input. I plan to use 2 to 300 W for mine (presently driven by 150 W amps). I will go for separated panels for mids and lows, since the development appears to be largely simplified. What is "an MTM" arrangement ? Do you mean either for the mids or the subs, or even both ? |
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#10 |
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diyAudio Member
Join Date: Feb 2008
Location: Lyon
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