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#21 |
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diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
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Are you talking about the electrical impedance? Certainly not the acoustical impedance. And just what "impedances" are being matched?
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#22 |
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Account Disabled
Join Date: Apr 2009
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Both - the conversion of electrical to acoustic energy involves BOTH. If a resonant cavity that's coupled to a driver resonates at the driver's peak resonance distribution frequency, the electrical impedance is reduced substantially at the resonant frequencies in question and the resistance to the transfer of acoustical energy both in front of and behind said transducer is also reduced. This is what is meant by achieving critical damping. I suggest you read Augspurger or Shutz's published papers for evidence of this phenomenon. I'm not the one who invented or discovered this - many others have documented this most basic and fundamental characteristic of TL's. Improved deep bass response is only one part of the equation. Critical damping allows increased output with less distortion and more linear response to applied signal input. Again, I cannot believe someone with your background is either not familiar with this phenomenon or not willing to acknowledge its existence.
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#23 |
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diyAudio Member
Join Date: Jan 2009
Location: Canada
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I witnessed this trainwreck at the last site the OP
barraged.Any lurkers should pull up a chair, stay tuned, and grab a ... I forsee bin time.
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Jarrett DIY addict
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#24 | |
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diyAudio Member
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Quote:
Now, a TL speaker is a completely different animal, the far end is not match terminated and therefore there are reflections and resonance on the line. The behavior around l/4 is much like that of a lumped vented system. What makes a transmission line is the fact that it is not a lumped parameter system, there are both capacitance and inductance distributed down the line and partial differential equations are required to model such a system. A horn _IS_ a special case of a transmission line where the characteristic impedance varies down the line due to the taper and it does therefore act as a matching impedance transformer within its passband. But this is not the TL that you are talking about. You talk like you are an engineer but I have to wonder where the basis for your understanding comes from. I suggest that you build a TL speaker and probe with a mic down the line. Read up on VSWR in electrical lines that is what you can measure by probing. The first, and one of the best papers on TL speakers was published in the 1930s, 1936 IIRC, covering the Stromberg Carlson labyrinth speaker. There is also a patent from that time: http://www.google.com/patents/about?...lson+labyrinth They knew that it was a TL and probed down the line - they were probably RF engineers and knew what they were doing. http://en.wikipedia.org/wiki/Stromberg-Carlson Last edited by PB2; 24th February 2010 at 02:37 AM. |
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#25 | |
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frugal-phile(tm)
diyAudio Moderator
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Quote:
dave
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community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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#26 | |
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Account Disabled
Join Date: Apr 2009
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Quote:
If you read Augspurger's extensive testing results and published papers, and if you build a proper TL with either a 4:1 taper OR an offset design of significantly greater length with a non tapered tube, you will find improved bass response overall. Unfortunately, most of the current TL designs combine offsets with tapers - like the poorly performing Thor design. Augspurger clearly states that this results in designs that are overdamped - worse performing than many bass reflex designs. This is one of the problems I have with King's designs - offset is combined with taper with very little science and engineering to account for negative effects of mixing the taper with the 5th to 9th resonant multiple cancellation that the offset produces. And by science or engineering - I'm not talking about equations with numerous fudge factors applied - I'm talking about putting desensitized microphones in resonant cavities and measuring the results - directly correlating them with changes in structure and configuration and modeling the actual results in equations. With most of the "new" TL designs, you effectively have an overdamped bass reflex. If you stuff it sufficiently and taper it to ridiculous levels (approaching 20:1) you wind up with a bass reflex that is so overdamped - it's almost the equivalent of an acoustic suspension design. |
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#27 |
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diyAudio Member
Join Date: Jan 2009
Location: Canada
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If anyone cares to get any background on what to expect...
HTGuide Forum - Issue Versions of Augspurger Tables
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Jarrett DIY addict
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#28 | |
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frugal-phile(tm)
diyAudio Moderator
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Quote:
Here the big tube amp is 20 or 40 w (triode/pentode). The others are closer to 5W. dave
__________________
community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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#29 |
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diyAudio Member
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I think the fundamental misunderstanding here is that the acoustical impedance simply coupling to the speaker and affecting the electrical impedance is being mistaken for some kind of "matching". As was pointed out a short acoustic TL is usually terminated with an open or short as far from a match as possible.
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2012, our time is running out. |
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#30 |
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diyAudio Member
Join Date: Nov 2009
Location: Cape Town
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