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#101 | |
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diyAudio Member
Join Date: Apr 2003
Location: Melbourne
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Quote:
Better than going to 4 way trouble, IMO. |
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#102 |
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diyAudio Member
Join Date: May 2006
Location: City of Angles
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Yes, you did!
![]() Bratislav - I'm still on the fence about whether I should change the mid setup - as far as I can tell, the mid's aren't actually having any issues. Adding another W4-1320 is one possibility - its all about cost versus complexity. I'm leaning towards a 4-way, and the primary reason is because of the tweeter - it may need a higher XO point. It seems to be the limiting factor when it comes to max SPL output. I may make that a whole new design though. As it is now, the three drivers give plenty of SPL output (well, I guess it's 10 actually...).
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double complete rainbow all the way!! |
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#103 |
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diyAudio Member
Join Date: Dec 2008
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Impressed by your listening impressions for linear phase eq and computer xo. Is there a budget way to do this? (the software)
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#104 |
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diyAudio Member
Join Date: Jun 2009
Location: Orygun
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The Linux+BruteFIR+Octave solution discussed a page or two back is free in dollar terms. For Windows Allocator (USD 150), PLParEQX3 (USD 50), and some sort of host (USD 50-75) is the cheapest option I know. Don't know of any Mac solutions which I'd call low cost. |
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#105 |
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diyAudio Member
Join Date: Sep 2002
Location: Oregon, USA
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What about sound cards, what are the minimum requirements? Any specific characteristics to look out for, beyond the 6 or 8 channels?
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#106 | |
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diyAudio Member
Join Date: Mar 2009
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Quote:
![]() Maybe the M-audio Delta 410 is good enough? |
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#107 |
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diyAudio Member
Join Date: Jun 2009
Location: Orygun
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There's an M-Audio Firewire 410 lots of folks use and a Delta 44. Not sure about a Delta 410. Generally speaking I'd suggest an interface with balanced outputs. But you can cost reduce a bit if you're fine with unbalanced. My experience is USB interfaces are best avoided, but your mileage will vary.
I use a Focusrite Saffire Pro 40 I eBayed new for USD 350 shipped. As a DAC it edges out my Wolfson 8740 based Cambridge Azur 640C, so I'd say it's possible to get good results under $400. If you only need three way I've seen the Saffire Pro 24 routinely eBay new for USD 225 shipped. In comparision my software stack costs USD 275. Besides, you know you want a good interface for measurements, right? If you really want to shave bucks and don't mind a bit of a wait, Thuneau tends to run Black Friday deals. If you have a bit more budget the Motu Ultralite has a box spec that suggests all warped phase operations can be offloaded to its DSP. Interesting option for reducing CPU load or running standalone without the PC if need be. Last edited by twest820; 19th March 2010 at 05:10 AM. |
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#108 |
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diyAudio Member
Join Date: May 2006
Location: City of Angles
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I do things pretty cheap - but there is always a little sacrifice when it comes to usability.
I use the Asus Xonar D2 - 2 in, 8 out. Its about $125. The only thing is its quirky, and not quite meant to be used like other 'prosumer' cards. For software, I use Reaper. Its basically free, and comes with the basic plugins needed to do XO and EQ. The only thing is the 'linear phase' EQ - I haven't found a free version, but I haven't looked. I'm guessing a thorough search might turn something up. But then again, using linear phase EQ might not be necessary to doing phase correction.
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double complete rainbow all the way!! |
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#109 |
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diyAudio Member
Join Date: Jun 2009
Location: Orygun
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Reaper supports linear phase crossovers? I had the impression the plugins were all warped phase.
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#110 |
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diyAudio Member
Join Date: May 2006
Location: City of Angles
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twest - they seem to. What makes you think otherwise?
The last few days, I've been working on a tangent. I got a bug in my bonnet - my memory of the Orions were as a little on the warm side, with a pretty smooth character - almost too smooth in the treble. Listening to my Plutos, I get the same impression. But listening to the Violets, I feel like they sound relatively analytical, with some emphasis or hardness in the treble, and I was wondering why (if it is actually true). In the past, I had postulated that the smooth/warm character of the Orions and Plutos was due to some aspect of the ASP (analog signal processor) - lots of opamps? Simple power supply? So what I've done the past few days was hack into one of the Pluto ASP boards, install a DPDT switch, and then recreate the ASP's filter function in my DSP (digital signal processor) computer. I can then switch between the ASP and DSP, and instantly compare the analog and digital versions. After a bit of fussing, good news - no difference! I was concerned, but apparently there is no need to. I'm pretty glad - if there were differences, that would require a bit of reevaluation. I think one of the important points here is that, while both routes are doing a lot of signal manipulation, they are doing it fairly different ways - but the final results end up audibly the same. One less thing to worry about! Of course the necessary qualifier - these results only apply to my listening under the specified circumstances - generalize at your own risk! I did some measurements I could post, showing that the filter functions are virtually the same. I did learn one thing that is of concern - both types of filters have relatively limited S/N ratios - like 50dB. I'll probably try to address that at some point.
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double complete rainbow all the way!! |
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