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#6711 |
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diyAudio Member
Join Date: Jun 2004
Location: the thermionic past
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Apparently a crew that disapproves of a fern being referred to as an attractive plant of green colour with scent and texture instead of fixed-term biological oxygen generator in fractal form of determinate reflective spectra. In what staid, dead terms should sonic impressions be expressed? 7? X? That of which we cannot speak? Is this a global principle in life - descriptions of taste, people, art - or just applicable to descriptions of audio impressions?
cbdb, commercial broadcast production. The talent pools runs the gamut from an former heyday Motown mastering engineer with a bathroom papered in Cleo awards to grinders who refused to mix on anything but Horrortones, which I eventually removed for the damage it was causing our sound. Ironically, they used the Monotones instead of the JBL production monitors as the latter hurt their ears. One thing they all had in common was singular focus onproduct over the tools, to the degree that one (now at a top LA station) treated the studio as a magic mystery box with knobs that changed the sounds.
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#6712 |
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diyAudio Moderator
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rdf, we're not talking about music, we're talking about wire, for FSM's sake!
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"...we stumble and get up, we are sad, confident, insecure, feel loneliness and joy and love. There is nothing more; but I want nothing more.” - Christopher Hitchens 1949-2011 |
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#6713 |
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Banned
Join Date: Nov 2005
Location: McKinney, TX
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#6714 |
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diyAudio Member
Join Date: Oct 2008
Location: Vancouver
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RDF: OK advertising. Then wouldnt the "producers" be your clients at the ad agencies? In my experience in the studio "producer" usually means the people with the money. They have the final say. They get what they want or they go away. For us (TV and movies) its the show producer or the director, for music its the record label. If the "producer" wants to use the dialoge line thats distorted, or the music cue that sounds like crap, thats what we give him.(we may try to talk him out of it, but often they just think your questioning there authoritiy). I guess my point is that often in studios the engineers hands are tied by the producer, and so you cant always blame him for the quality, when content is more important.
Sorry for once more taking this off topic. |
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#6715 |
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diyAudio Moderator
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I've seen a lot of that in pro audio. Also in the fine art print world. Always surprises me what good results these folks get. Well, you don't have to know how to build or tune a piano to be a great musician....
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#6716 | |
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diyAudio Member
Join Date: Oct 2008
Location: Vancouver
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#6717 | |
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diyAudio Member
Join Date: Oct 2008
Location: Vancouver
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#6718 | |
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diyAudio Member
Join Date: Jun 2004
Location: the thermionic past
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cbdb, I'm not blaming you for the state of modern music production but raising the point that being behind the board all day doesn't defacto map over superior equipment expertise. Doesn't discount it either.
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#6719 |
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diyAudio Member
Join Date: Oct 2006
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For hearing,listening and enjoying music,"nature" has chosen the ear/brain tools.Use them.
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#6720 | |
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diyAudio Member
Join Date: Oct 2008
Location: Vancouver
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