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#6211 | |
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diyAudio Member
Join Date: Aug 2003
Location: Santa Cruz, California
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What got up my nose double was that I've been working on a big multiway system, yet these theoretically compromised things did such an excellent job on small groups that, for a moment, I reconsidered my love of large-scale music. The impulse passed, but the single drivers at BAF 2007 were an education. The only thing I heard which matched them for vocal coherency was a triamped rig with linear-phase crossovers, but that's a whole other level of complexity. Sometimes less is more. |
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#6212 |
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diyAudio Member
Join Date: Aug 2003
Location: Santa Cruz, California
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#6213 | ||
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diyAudio Member
Join Date: Jun 2003
Location: Dallas,TX
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I rest my case. John Last edited by jlsem; 30th September 2009 at 11:35 PM. |
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#6214 | |
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Banned
Join Date: Nov 2005
Location: McKinney, TX
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#6215 | |
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diyAudio Member
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With room gain, all that is missing is the 30 to 20 Hz region and mid 30's and up are very satisfying. I am, trust me, very surprised by these little things. And then, there is the bell like clarity and a full 90 db of clear, coherent information. Bud |
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#6216 | |
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Banned
Join Date: Nov 2005
Location: McKinney, TX
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I do think that single drivers offer some advantages over multi-way for vocal and jazz music and small small ensembles. No they are no where as dynamic, but they have coherency in spades. I believe that they are an acquired taste. They also offer a great speaker system for the SET crowd where hi efficiency is a plus. I heard one pair with a SET system that I thought were very natural and definitely cohesive. Very musical if I must say! Scott and Dave in the Full Range forum look like that they are creating some great speakers that seem to have the single driver fans really excited. I was considering give one of the designs a try and build a SET that I have some transformers for laying around here somewhere :-) Last edited by Curly Woods; 1st October 2009 at 12:19 AM. |
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#6217 |
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diyAudio Moderator
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One of the most interesting single driver systems I ever heard used some WWII vintage drivers and pentode SE amps from the same era. It pretty much fell apart on large ensembles and dynamic music, but wow was it ever sweet on string quartets and small-scale vocals! Not real, but very attractive and easy.
Having lived with an unconventional single driver system (full range linesource ESL) and a multiamped 5-way system (though admittedly the midrage driver covers the vast majority of where the music is), I have to say that it would be tough to give up the sheer dynamics and ease of the Big Boy. Though maybe it was the change of cables from orange to black that did it....
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"...we stumble and get up, we are sad, confident, insecure, feel loneliness and joy and love. There is nothing more; but I want nothing more.” - Christopher Hitchens 1949-2011 |
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#6219 |
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diyAudio Member
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These were Planet 10 Fostex Fe 127 eN drivers.... the dreaded EnABL process leaking out into the sort of mainstream....kinda.
I have to say, that on an organ recital, some of Bach, these little things filled a 30 by 60 by 12 foot room, with very convincing bass. Not the floor shimmer that truly powerful systems will provide. But for quality, depth of field and sheer dynamic presentation, they were just amazing. It seemed ridiculous to me that this could be so, and then Rene' put on Contate Dominae, with organ, and male and female chorus hammering away. The Fonkens just brushed aside all seeming effort and provided a room full of very detailed, very beautiful and powerful music. And then I had Rene' play Ferd Groffe's orchestration of Gershwin's Rhapsodiy in Blue, conducted by James Levine and sporting the Chicago Symphony Orchestra. I hope you have heard this, it is stunning. Even the fortissimo piano passages, with full tilt CSO, playing at loud levels, didn't seem to be any thing difficult. Quite a few witnessed this too, one Terry O, a noted skeptic on this forum, comes to mind. I suppose I could get folks to come and provide praise, but that really sort of misses the point, since none of you could be there to be personally surprised. I had no idea they could play at this level, they never get above 80 dB in my living room, and usually much quieter than that, so I was not prepared for what they delivered. Bud |
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#6220 | |
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diyAudio Moderator
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dave
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community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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