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#5281 | ||
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diyAudio Member
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I hope that it's not the word 'intelligence' as such that ticks you off? I could also have given the following example: "Similarly, in group tests where you tell one group that they are in a lower-than-average-intelligence group, they will tend to perform worse than when they are not told this." Is this more politically acceptable? (And no, I'm not making this up). Or do you feel that ANY reference to one's intelligence is taboo? No problem, I can also give illustrations about sportsmen where the power of suggestion is also very strong. Just let me know what you are comfortable with. Edit: Frank, do you interprete the very first sentence as my suggestion that I'm not subject to it and therefore better? If so, let me tell you that I never meant this; it only says I'm aware of the effect, not more, not less. I find it curious that you could interprete it otherwise. jd
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/Another new issue: Linear Audio Volume 3! |
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#5282 | |
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diyAudio Member
Join Date: Jul 2005
Location: New Zealand
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#5283 | |
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diyAudio Member
Join Date: Jun 2004
Location: germany
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Normally the basic description should be a possible (or impossible ) difference after exchanging an interconnect or a speaker cable in an existing sound reproduction system.Normally the bottom line since the beginning of this discussion in the 70´s was, that differences had to occur in the audio band to be audible and if these difference were below the known hearing thresholds than it was concluded that they must be inaudible. That is a somewhat more general definition because it includes effects based on RFI/EMC and amplifier instabilities as well. While the latter could be grounded on ´LCR´ the RFI/EMC issues wouldn´t be covered by simple ´LCR´discussion. |
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#5284 | |
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diyAudio Member
Join Date: Sep 2007
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My problem is with some that claim accuracy by quoting freq response and THD measurements taken while driving a resistive load. These measurements will not tell you much about SQ or accuracy in a real system. I've listened to a system that is widely known for it's excellent specifications but if that is what real instruments should sound like, I would rather not listen to music. I believe good sounding systems will also measure good but all systems that measure good will not necessarily sound good. |
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#5285 | |
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diyAudio Moderator
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1. Unusual environment (e.g., right next to a 50kW broadcast station antenna) or extremely long (30m or more) runs of cable. 2. Poor amplifier design. #1 is a vanishingly small subset. It's certainly not a factor in the superhuman claims of the high end tale-spinners who can tell silver from copper or Teflon from polyethylene. #2 is a reasonably small subset, but in any event, it is trivially easy to provide a competent amplifier. That's why I've made the qualification again and again that the driving amp not be pathological. Completely personal anecdote: Since getting serious about audio, I've lived in at least 15 different locations. I have never, not once, ever experienced RFI/EMC through my speaker cables (though it must be admitted that I do not tolerate poor quality driving amps). Interconnect wire is a different issue because of signal level and impedances.
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“Listening to records is like ****ing a picture of Brigitte Bardot.” - Sergiu Celibidache |
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#5286 | ||
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diyAudio Member
Join Date: Sep 2007
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#5287 | ||
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diyAudio Member
Join Date: Sep 2007
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#5288 | |
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diyAudio Member
Join Date: Jun 2003
Location: Dallas,TX
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John |
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#5289 | |
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diyAudio Member
Join Date: Sep 2007
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#5290 | |
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diyAudio Member
Join Date: Jun 2004
Location: germany
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That´s still a bit surprising; at the beginning the discussion was not about the point of "superhuman hearing capabilities" but more about known thresholds. At least from now looking back the categorical character of the conclusion doesn´t seem to be justified. It is hard to predict what an effect in specific gear a RFI/EMC problem will have. It could be just sort of demodulation, moving of dc offet or working points, alteration/modulation of balancing currents over unbalanced connections and so on. I know it is easy to be sarcastic over a lot of arguments in audiophilic discussions, but one sometimes has to remember where this comes from. Quite often the reason is a categorical statement from someone regarding the general impossibility of audibility of something due to physic related reasoning. At further analysis it often happens that this reasoning is just based on pure psychoacoustics which by it´s nature doesn´t really provide reasons for categorical statements about impossibilities.
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