|
|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Multi-Way Conventional loudspeakers with crossovers |
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
|
![]() |
|
|
Thread Tools | Search this Thread |
|
|
#11851 | |
|
diyAudio Member
|
Quote:
Would something be determined if others begin posting about how nice my speakers sound and disparaged how multi-way designs sound in comparison to them at a GTG here like you just did for Terry's speakers? Would this disagreement somehow be settled or won if either Terry or I have the most posts saying our type of design sounds better than the other's? When will people learn every speaker design has it's own unique sets of pluses and minuses? If any of the different types of speaker designs be they, multi-driver, electrostatic, single fullrange, planar-magnetic, horn or ribbon, was the best we'd all hear it sounded best and we'd all be using that design. Why do you think there are people who swear electrostatics are best at replicating music, while another will swear only a multi-way all horn system makes music. Still others swear only an all ribbon speaker will sound like real music. Then there's people who swear there's a best type of speaker at every spectrum and only a ribbon/electrostatic/dynamic driver based speaker will really make music. Still others swear by single fullrange drivers as the way to replicate music. Finally I'll ask the real question that needs to be asked, what was the intended purpose of your post and what the heck does any of this have to do with providing any input on cables and whether or not they make a difference? You know the actual topic of this thread... Thetubeguy1954 ~Rational Subjectivism. It's An Acquired Taste!~
__________________
Central Florida Audio Society--SETriodes Group--Space Coast Audio Society---Full-range/Wide-range Drivers---Front & Back-Loaded Horns.
|
|
|
|
#11852 | |
|
diyAudio Member
Join Date: Apr 2005
Location: KyOhWVa tristate
|
Quote:
here's a hint. It wouldn't remain a "monocrystal" for very long.
__________________
"...His brain is squirming like a toad..." Jim Morrison |
|
|
|
#11853 |
|
diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
|
Nobody has ever said that you should abuse a 'monocrystal' cable by excessively bending it. In fact, VDH warned me decades ago that I could no longer twist my power supply wires with an electric drill, as I had been taught to do in industry. That puts us about 20-30 years ahead of your research on wires.
|
|
|
#11854 | |
|
diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
|
Quote:
When twisting is done right (i.e. on a machine using spools or bobbins such that the spools or bobbins turn as the wire is twisted), the wire is only bent. When you use a drill, it twists the wire and the insulation. se |
|
|
|
#11855 |
|
diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
|
AMPEX Research Division.
|
|
|
#11856 |
|
diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
|
|
|
|
#11857 | |
|
diyAudio Member
Join Date: Apr 2005
Location: KyOhWVa tristate
|
Quote:
never did that vacancy calculation, did you?
__________________
"...His brain is squirming like a toad..." Jim Morrison Last edited by auplater; 8th February 2010 at 10:22 AM. |
|
|
|
#11858 |
|
diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
|
Seems to be news, here. But not to real wire designers. You see, we have addressed these problems and have even gone beyond, using isomorphic designs in several cases, for this very reason.
When it comes to vacancy, I am glad that you brought the subject up. While unavoidable completely, it would appear that you get less vacancies, with: material purity, and proper annealing. Lowering resistance proves this. |
|
|
#11859 | |
|
diyAudio Member
Join Date: Feb 2008
Location: East Midlands, England
|
Quote:
The NS's are ruthlessly revealing, you'd definately know you were listening to a class B or AB amp due to the NS's tweeter which is pistonic up to 27Khz. Funny that top manufacturers (Focal JM lab, Paradigm etc) have only cottoned onto Beryllium as a driver material in the last 5 or so years when Yamaha where using it in the late 70s.Yes i'd suggest that given the opportunity you get to listen to a pair on the valve poweramp of yours, i'm sure you'd be pleasantly surprised.. Back to the wires, sorry ![]() Mark.
__________________
"Never let your morals prevent you from doing what is right!" Salvor Hardin |
|
|
|
#11860 | |
|
diyAudio Member
Join Date: Apr 2005
Location: KyOhWVa tristate
|
Quote:
Nominal 10 gauge annealed type 102 copper (wire copper) would yield at a few tens #'s stress, not hard at all to achieve in normal use. pretty limp stuff. Ever here of work hardening? Can't figure out the calculation, eh? Thought so.
__________________
"...His brain is squirming like a toad..." Jim Morrison |
|
![]() |
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
|
|
| New To Site? | Need Help? |
| Page generated in 0.24360 seconds (70.85% PHP - 29.15% MySQL) with 11 queries |