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#81 | |
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diyAudio Member
Join Date: Oct 2006
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Quote:
Remember how some people didn't believe that HOMs existed, because they were difficult to measure? And subjectively, I have personally noticed that the foam makes a more audible improvement in horns than in waveguides. My hypothesis is that bad horns generate more HOMs, and therefore the foam is more effective on bad horns. And the response plots reveal the story - there's a greater attenuation in a bad horn than in a waveguide, because a greater percentage of the horns energy is due to HOMs. One way to visualize this is to compare it to a device where distortion is a significant percentage of output, for instance an amplifier that is being driven to it's limits, and a significant chunk of the output is harmonic distortion. Anyways, that's the hypothesis. Measurements will tell the whole story. To demonstrate my hypothesis, I will measure four devices:
Stay tuned for the results. |
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#82 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Have you considered breaking up HOMs with absorptive septums (balsa or foam??)
rather than non-directional foam full plug that absorbs -2dB of the dominant mode. I'm not suggesting a cellular horn of exponentially shaped septums, just a plain conical waveguide divided by thin flat septums. Where cutoff frequency of the lowest possible HOM has been pushed slightly above the audible limit. Does this make any sense??? Last edited by kenpeter; 20th November 2009 at 11:55 PM. |
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#83 | |
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diyAudio Member
Join Date: Oct 2006
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Quote:
With a bit of math: In the pic above, we have a graph of the same horn. One is fully treated, one is not. The bottom graph is shifted by ten db. At 4khz, we see that the treated horn is 6db less efficient. This demonstrates that at least 50% of the energy at 4khz in the untreated horn is due to reflections. The difference is particularly noticeable in the purple curve, which is 45 degrees off axis. At 2800hz there is an extraordinarily strong reflection, and the untreated horn is fully 10db more efficient at that frequency. Keep in mind that this horn would not behave in such a strange manner if it was properly sized. Due to the strange dimensions, it's all but impossible to simulate in software, and conventional horn theory just isn't designed to predict how this thing will behave. It is my hypothesis that this horn has particularly severe HOMs, and that is why the diffraction treatment is so noticeable in the plots. As noted in the previous post, I intend to explore if that is true by comparing it to a waveguide. |
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#84 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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You wanna break up HOM in a really bad horn??? Plug up a Karlson.
Gonna need even more Eq I think... They used to Laquer inside of them things to deliberately sustain said reflections. Wide waveguide, parallel walls, what better worst case can you ask? Though it may be a HOM that builds up behind the central slot that makes the thing work at all, foam might just kill it completely... Last edited by kenpeter; 21st November 2009 at 12:19 AM. |
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#85 | |
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diyAudio Member
Join Date: Oct 2006
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Quote:
But I have another solution for the problem. Here's what I am working on at the moment. A conventional horn that plays to 150hz needs to be very big. For instance, the length should be at least 23 inches, and the mouth needs to be very large... A diameter of 92 inches isn't "out of the question." Now we can reduce the mouth size, but the frequency response goes to hell. The typical solution is to find a "happy medium", where ripple isn't too bad, and the box size isn't too big. Danley stumbled across a novel solution to the ripple problem, which is basically to "tune" the ripples to smooth out the response. It works quite well for subwoofers, but not so great at high frequencies. The reason that it doesn't work at high frequencies is that a "notch" is introduced into the passband, and that sets the upper limit. For over three years I've been trying to figure out how to get a tapped horn to play full range, and I think that I'm very close now. To demonstrate how close I am to the goal of a "full range" tapped horn, here's a distortion measurement of an Aurasound NS4 in a sealed box, along with my "full range" tapped horn. In the measurement you'll see some interesting things:
Like the HOMster, the device above has lots of HOMs. The difference is that this device is generating reflections in a very calculated manner, and then using polyfill to "soak them up." So you wind up with the low distortion of a horn, in box which would normally be far too small. (The entire enclosure is less than two liters.) |
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#86 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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I've seen that shape before... What was it "Jensen Laboratory Standard"???
Drawing ripped from Radio Electronics April 1955 pg 31. "Horn Type Speaker Systems" by George L. Augsperger There was a PDF of that article floating about recently, but I've lost track of the link. The text of the article describes just what you were saying. Last edited by kenpeter; 21st November 2009 at 01:32 AM. |
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#87 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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The Lab Standard was model RS-100, there was also an Imperial PR-100.
I'm having trouble digging up anything more informative... |
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#88 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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OK, not the link I was looking for, but plenty of infos here...
The second one takes a while to load. http://www.geocities.ws/footstony/audio54.pdf http://www.superbadcat.com/jensen/imp_diy.pdf |
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#89 | |
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diyAudio Member
Join Date: Feb 2008
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Quote:
You should mesure the attenuation caused by the foam plug when a wave passes through it once (direct wave), and conpensate your fuly threated curve to really show reflections attenuation. Only then you could deduce the amount of energy from reflections. Last edited by pos; 21st November 2009 at 08:57 AM. |
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#90 |
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diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
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I have considered this as conceptually it makes sense. Its the implimentation that is problematic. Compared to foam its a nighmare to invision how to make such a thing.
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