|
|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Multi-Way Conventional loudspeakers with crossovers |
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
|
|
|
Thread Tools | Search this Thread |
|
|
#1 |
|
diyAudio Member
Join Date: Dec 2005
Location: west lafayette
|
Excuse me if this question is obvious.
Do mechanical waves propagate through loudspeaker diaphragms (whether they be elastic or rigid) in the same way that acoustic waves propagate through waveguides? As far as I understand, reflections occur at the boundaries of the diaphragm due to an impedance mismatch in the same way reflections occur at the mouth of a waveguide. Could diaphragm geometry be conceived in such a way to optimize its mechanical diffraction / reflection pattern to minimize and distribute the energy over a wider bandwidth? Thanks, Thadman
__________________
"It is a profound and necessary truth that the deep things in science are not found because they are useful; they are found because it was possible to find them." |
|
|
|
|
#2 |
|
diyAudio Member
Join Date: Dec 2005
Location: west lafayette
|
Assuming this is true, where would the source of the mechanical wave occur in a driver where the motor force is distributed uniformly over its surface and for a driver whose motor force is not distributed uniformly?
__________________
"It is a profound and necessary truth that the deep things in science are not found because they are useful; they are found because it was possible to find them." |
|
|
|
|
#3 |
|
diyAudio Member
Join Date: Jun 2005
Location: Taiwan
|
I think of the Quad. They claimed the center region got larger driving force thus slightly bigger amplitude then the surrounding. So the wavefront is more spherical than planar.
Correct me if I'm wrong. I'm wondering how this can be done within an ordinary cone/dome driver. Maybe some kind of coaxial with a relatively large center portion? But how to use such a monster? |
|
|
|
|
#4 | |
|
diyAudio Member
Join Date: Dec 2005
Location: west lafayette
|
Quote:
__________________
"It is a profound and necessary truth that the deep things in science are not found because they are useful; they are found because it was possible to find them." |
|
|
|
|
|
#5 |
|
diyAudio Member
|
May not be what you are thinking of... look into the design concept behind the Manger driver.
_-_-bear
__________________
_-_-bear http://www.bearlabs.com ...ur feeback please - like/dislike my what I have written? PM/email tnx. -- |
|
|
|
|
#6 |
|
diyAudio Member
Join Date: Jul 2005
Location: sydney nsw
|
The subject of cones was researched in the 70,s by Philips and such people as KEF and various BBC workers.
The model used was generally that of an aperiodic transmission line, and it was found that a hyperbolic cone shape smoothly decouples as frequency goes up, this minimising the surround reflections. B&W for instance say that their Kevlar cones further reduce surround reflection effects because the woven structure results in the outgoing and incoming wavefronts being a different shape. rcw |
|
|
|
|
#7 |
|
diyAudio Member
|
could we define "aperiodic transmission line"?
_-_-bear
__________________
_-_-bear http://www.bearlabs.com ...ur feeback please - like/dislike my what I have written? PM/email tnx. -- |
|
|
|
|
#8 |
|
diyAudio Member
Join Date: Jul 2005
Location: sydney nsw
|
Aperiodic just means having no resonaces.
rcw |
|
|
|
|
#9 |
|
diyAudio Member
Join Date: Dec 2005
Location: west lafayette
|
In acoustics, if we placed a point source at an arbitrary location in a room of arbitrary dimensions, it would pressurize the room uniformly below the room fundamental and excite modal resonances above the fundamental due to reflections at the walls (ie boundaries, the mechanism is due to an impedance mismatch between the air and the walls). However, if we were to place an infinite number of sources in a particular plane, a modal structure could not be supported in that plane and as a result it would be uniformly pressurized. I believe this is the knowledge behind Dr. Geddes' theory of multiple subwoofer arrangements.
How can we relate this acoustic example to a loudspeaker diaphragm? As far as I understand, when diffraction occurs at a boundary, a new source is created. If we diffract the mechanical wave as it passes through the diaphragm, new sources are created, distributing the sources over the surface of the diaphragm analogous to Dr. Geddes' approach to subwoofer arrangements.
__________________
"It is a profound and necessary truth that the deep things in science are not found because they are useful; they are found because it was possible to find them." |
|
|
|
|
#10 | |
|
diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
|
Quote:
I think that you mean "reflection" since "diffraction" of the mechanical wave in the diaphragm is not an issue. The "geometry" of the cone (straight, exponential) has a minimal effect, but no shape can have no resonances. In fact it can be shown that all shapes of the same material will have the same lowest resonant frequency that depends only on the area (the shape is irrelavent) The surround and the edge treatment has a major effect however. Usually the most serious cone resonance is the first one where the cones edge begins to "flap". It does this first in phase with the drive, but then as the frequency goes up and the edge reflection gets greater the outside edge of the cone quickly reverses its phase relative to the main body and goes out of phase. This leads to the classic peak and then a dip at the upper edge of the drivers piston range, usually called the "edge hole". How this critical range is controlled is IMO the key to the driver. Its very tricky to get right and still have a large excusion capability. Not many drivers do get this right and it seriuosly limits there usefulness. Above this first "mode" the cone is basically out of control no matter what you do and it is resonating all over the place - its pretty much useless at these frequencies. Its either highly resonant or its dead with no sound radiation at all. There aren't really any other options. |
|
|
|
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
|
|
|
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Wave Diffraction & Kharma Loudspeakers | Triode Junky | Multi-Way | 3 | 3rd August 2009 07:18 PM |
| Sine wave - Square & Triangle wave generator using Transistors / OP-Amps | lineup | Solid State | 20 | 9th October 2006 12:15 AM |
| Microphone turns triangle wave into square wave? | Circlotron | Analogue Source | 18 | 25th January 2003 06:44 AM |
| New To Site? | Need Help? |
| Page generated in 0.13621 seconds (75.63% PHP - 24.37% MySQL) with 10 queries |