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#1 |
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diyAudio Member
Join Date: Mar 2008
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So I'm trying to gauge which of Zaph's Bargain Mini Monitor (ZBM4), Bargain MTM, or L18/27TBFCG would be best for running full-range without a subwoofer.
From the Measured Response chart, it seems like the monitors are good between 100 Hz and 20 kHz. (1) At what distance is the SPL of about 80 dB measured and (2) what is the input power? Now I'm looking at the modeled low end response and from what I can gather, the blue curves are just the frequency responses at different input powers with the lowest blue curve being 1 W and increasing in multiples of 2. However, (3) how come this frequency response curve is different from the "Measured Response" curve. For example, now the usable range for +/- 3 dB seems to be from 60 Hz to 1 kHz. My guess is that this Frequency Response is for the woofer alone, not the 2-way ZBM4 as a whole. (4) How does one find the data on the Frequency Response for the woofer? I couldn't find a data sheet on MCM's page for this woofer. Zaph mentions "If run full range, all it takes is about 10 watts to drive the woofer into distortion at 70 to 80hz." (5) From what I can see, this 2-way cannot be run full range at any power level if full range is full audible range, i.e. 20 Hz to 20 kHz as per Wikipedia. I know this is unreasonable, so how else is "full range" defined? (6) How does Zaph conclude that at about 10 watts, the woofer is driven into distortion at 70 to 80 Hz. Is it because the excursion for the 16 watt red curve exceeds 3mm which is some maximum excursion? If so, where does one find the specs for a maximum excursion. On the other hand, is it because the excursion curve isn't flat enough? If the latter, how flat does it need to be in order to not distort? (7) What is excursion? I'm guessing it's the horizontal displacement of the voice coil in the woofer, but I can't find absolute verification. From the looks of it, all of Zaph's speakers that I'm looking at can not really give me 20 Hz to 20 kHz without a subwoofer at any SPL. (8) Ballpark how much power would I need to put in a subwoofer as compared to the power into the bookshelf speakers. For example, if I were to put 10 watts into each of the ZBM4, what wattage would give me the subwoofer output to fill the low end at the same SPL. I know this depends on the efficiency of the subwoofer, but I'm just wondering, do I really need a 100 watt plate amp or can I get away with a TDA1554Q based amp. Thanks for getting through the post and for any help you may be able to offer. |
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#2 | ||||||
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diyAudio Member
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HTH Doug
__________________
Scienta sine ars nihil est - Science without Art is nothing. (Implies the converse as well) Mater tua criceta fuit, et pater tuo redoluit bacarum sambucus |
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#3 | |||
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diyAudio Member
Join Date: Jul 2006
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For 6), I figured the same thing. Seen here: http://www.mcmelectronics.com/product/55-1853 Xmax (ie. maximum excursion on X axis) is 2.75mm. So in that graph, the 4th red line (8 watts) goes just above 2.5mm excursion. So John/Zaph estimates about 10 watts would reach the 2.75mm excursion limit, after which you get distortion (ie. the woofer 'bottoming out'). I'm pretty sure it's just that the red line exceeds the xmax rating of the speaker, since that would introduce physical clipping (and maybe speaker damage, maybe?), which is distortion. I don't think the flatness of the curve has anything to do with it. Also, as a note, I think that the Quote:
All of this could be wrong, I'm just learning and don't know much. Hopefully someone else will correct me. |
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#4 | |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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#5 |
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diyAudio Member
Join Date: Oct 2006
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20 - 20k is a great spec for an amplifier, and not hard to accomplish. For a speaker, it's VERY hard to do and generally overkill. There isn't much musical content below 40 Hz unless you're listening to huge pipe organs or Mickey Hart (yes, I'm generalizing, I know), and movie soundtracks with explosions and the like are intended for sub-equipped systems. As DougL says, speakers are all about compromise.
In fact, I'd have a hard time believing that any reasonable pair of two-way or 2.5-way speakers could do 20 Hz at any usable level. I'm sure someone will chime in with a counter-example, but I'm betting they'll be something enormous and exotic like Altec A-7 horns or something. On a bookshelf, forget it. All of this is without considering the effect of room interaction... You want to add a sub? Cross the ZBM4's over at 80 or 100 and they'll handle a fair amount of power - 50 watts or so according to Zaph's graph. I've never measured, but I drive mine pretty hard. I use a 300W BASH amp driving an RSS265HF with my ZBM4's, and have no power shortage. Using a 44-watt chip amp might be underkill. I wouldn't go less than 100W of plate amp, bass takes power and headroom is your friend. Me, I like the ZBM4s. They sound good, are inexpensive, and are easy to build except for the tweeter mounting. They also benefit from a sub at any listening level, IMHO. I've built 5 for myself (two in T-line cabinets based on MJK's spreadsheets), helped friends build 4 more, and have more friends lined up to build another 20 or so. Haven't heard the other two you mentioned, but I'm also in the process of a group build of Zaph's Waveguide TMMs - two pairs complete, 8 more pairs to go. They sound very nice, but much more dough and more complicated build. Note: much of the above is opinion. Audio is like that. |
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#6 |
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diyAudio Member
Join Date: Dec 2008
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I have built both ZBM4 and BAMTM. ZBM4 has little bass and low effency, so it must have a lot of power , which means it hits distortion quickly. BAMTM has High effency and can take 20 watts without distortion. So, in my 16x12 room, it plays fine without a sub. I built 33L sealed, cabs. I play with output from a HTPC running Windows XP and use Windows Media Player with Equalizer. I boost the 31HZ tab up 4-5db and it sounds great. The BAMTM has great sound. The ZBM4 sounds good, but must be crossed at 100hz active. Nowhere near the volume,(or sound stage).
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| Thread | Thread Starter | Forum | Replies | Last Post |
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