|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Multi-Way Conventional loudspeakers with crossovers |
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
|
|
|
Thread Tools | Search this Thread |
|
|
#1 |
|
diyAudio Member
Join Date: Mar 2003
Location: Bielsko-Bia?a
|
I just wonder - what are the best materials and constructions that make sound of loudspeaker more narural. What are your preferences (and why).
Woofer: A) cone 1) paper * 2) polipropylen 3) glass fibre 4) carbon fibre 5) kevlar B) coil 1) aluminium 2) copper * 3) other C) suspension 1) gum * 2) textile Midrange same posibilities as woofer Tweeter: A) cone 1) paper 2) polipropylen 3) silk * 4) carbon fibre cone I marked with asterisk my preferences but I might be wrong. I've never heared about glass fibre and carbon fibre cons before
|
|
|
|
|
#2 |
|
diyAudio Member
Join Date: Apr 2002
Location: Newcastle, Australia
|
... its not that simple...
(disclaimer ...VERY general answer) Every driver has different characteristics which can be useful in different circumstances. Paper woofers are usually fairly detailed with a smoothish rolloff, and cope well with 1st or 2nd order x-o Poly's sometimes lack a bit of detail but can generally cope with 1st order x-os.. The harder cone types generally have harsh breakup points, but are more detailed, hence are good drivers with steeper slopes. in other words, different driver materials have different properties, and can be used in different situations. Surrounds: rubber surrounds generally give better linearity, but less sensitivity and protection, read HiFi speakers. Rolled cloth surrounds are usually linked with concentric ribs on the cone, this is designed to protect the cone from over excursion and damage (the cone can actually flex), this introduces non-linearities, but usually provides higher sensitivity ; read PA drivers !! The tweets, again each type has its pluses and minuses, my preference being textile (silk) or metal dome. |
|
|
|
|
#3 |
|
diyAudio Member
Join Date: Mar 2003
Location: Bielsko-Bia?a
|
Thanks for answer
|
|
|
|
|
#4 |
|
diyAudio Member
Join Date: Mar 2001
Location: Melbourne, Australia
|
If you haven't already read this, the loudspeaker design guide discusses many of your questions in detail.
See http://www.snippets.org/ldsg/sect-1.php3 Mick |
|
|
|
|
#5 |
|
diyAudio Member
Join Date: Mar 2003
Location: Bielsko-Bia?a
|
THX - I was looking for something like this.
|
|
|
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
|
|
|
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Driver construction quality | siming.guo | Multi-Way | 5 | 12th July 2008 12:06 PM |
| Fibreglass loudspeaker construction | ShinOBIWAN | Multi-Way | 33 | 2nd February 2008 04:22 PM |
| DIY Loudspeaker construction | sonu | Multi-Way | 3 | 10th May 2005 04:03 PM |
| Quality Control differences = variations in sound quality? | KT | Class D | 0 | 14th November 2004 07:51 AM |
| Cureved loudspeaker construction page started | Andy G | Multi-Way | 33 | 1st February 2004 12:57 AM |
| New To Site? | Need Help? |
| Page generated in 0.09416 seconds (78.30% PHP - 21.70% MySQL) with 10 queries |