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#1 |
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diyAudio Member
Join Date: May 2003
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In reading through this forum, I've managed to confuse myself.
Some folks advocate wide dispersion, sometimes through small drivers and baffles, other times through dipole. Others advocate controlled directivity. So before I run a bunch of wood through the saw, can someone help clarify these for me? Maybe, let's start with what these terms mean, and then I'd like to try to understand what the relative importance is. Many thanks! |
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#2 |
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diyAudio Member
Join Date: Sep 2003
Location: Sunny Tustin, SoCal
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Start with www.linkwitzlab.com, and once you're through that, you can check out http://www.musicanddesign.com/ If you read through their stuff, you'll have enough of a foundation to delve into more specifics. What you've asked is a complex enough subject (dispersion) to fill a book, so you're not likely to get a lot of answers.
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I write for www.enjoythemusic.com in the DIY section. You may find yourself getting a preview of a project in-progress. Be warned! |
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#3 |
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Speakerholic
diyAudio Moderator
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Off topic post removed.
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#4 | |
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diyAudio Member
Join Date: Jun 2003
Location: Menlo Park, CA
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Quote:
The two ways to get there are to make sure there's nothing reducing off-axis output (omni, with small drivers and low cross-over points so you don't have a big dip in total power at the cross-over point or suffer from beaming as you move higher into the lower frequency drivers' pass bands) or to uniformly reduce it through acoustic cancelation (dipoles) or a wave guide. More directivity means less sensitivity to nearby objects, better clarity farther in the room, and perhaps a very wide imaging sweet spot (three seats on a couch) because you can aim the speakers so you receive less direct sound from the nearer of the stereo pair which compensates for its sound ariving sooner. That comes at the expense of more drivers with higher displacement to reach a given SPL (dipoles dump a lot of energy into the acoustic short circuit, with an Orion needing 4X the displacement as a conventional speaker to reach the same SPL at 30Hz) or getting decent waveguides which are harder to make than boxes and can cost as much as drivers to buy. I own Orions and Plutos. I've heard other dipoles and omni designs like the RAALs. They're more similar than different but the speakers with more directivity work better where walls are nearby and seating distances farther. Some time I'll try a modern waveguide. |
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#5 | |
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diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
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Quote:
Did I read this wrong? Are you saying that more directivity means more "expense of more drivers with higher displacement". One of the things that I like about waveguides is that they allow fewer drivers and fewer crossovers. I usae two drivers and one crossover. And even though the waveguide can be expensive, the amount that you save on amplifier number and power along with the electronic crossover would more than make up for the waveguide cost. In the end I find a waveguide system to be far lower cost than the other approaches when all extraneous factors are taken into consideration. For example all my amps and electronic processing cost me $150. Thats a big savings over several seperate power amps and electronic crossovers. |
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#6 | |||
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diyAudio Member
Join Date: Jun 2003
Location: Menlo Park, CA
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Quote:
Obviously "more directivity" means a directivity index at most 4.8dB better than a conventional speaker. Quote:
A second driver low-passed at 6dB/octave or line-level equalization (especially if you can tolerate some insertion loss) would be alternatives for people who have a strong preference for building with sawdust over silicon. Quote:
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#7 |
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diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
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The more you do yourself the cheaper it is, but the simpler the starting design the lower the cost everything is going to be. It all depends on how much you want to do. Is the goal to DIY or to get a great system and listen to it? There are extremes either way.
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