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#1 |
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diyAudio Member
Join Date: Feb 2007
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Has anyone had a "conflict" between what test's good (imperical) and what sounds good (subjective)? And did the test indicate the characteristic that caused the conflict?
Might slight variations in freq. response be something some of us desire ? Just curious... |
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#2 |
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diyAudio Member
Join Date: Dec 2005
Location: the north
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there is no better listener
than one good hi-fi test microphone even if some, strictly subjectively, likes to think the human mind is so superior to everything in determine true signal quality
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#3 | |
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diyAudio Member
Join Date: Jan 2006
Location: Avalon Island
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Quote:
While measurements are a good guide, they don't measure everything. Some things are ignored. It is assumed by some that it's inaudible.
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Just because you can't hear it doesn't mean no one can. |
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#4 |
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diyAudio Member
Join Date: Dec 2007
Location: Sibiu, Romania
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The best testing is made with yout built in ears
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Any solution is a compromise. |
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#5 |
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diyAudio Member
Join Date: Feb 2007
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I'm not "asking which is better". I realize there are often "un-measurables" and wonder if anyone had isolated aspects that may account for this ... Time alignment, freq. response(as stated earlier. Some like overstated bass, etc ...)
Re: "ears are best" - I take issue when I consider much of what people listen to these days. |
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#6 |
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diyAudio Member
Join Date: Dec 2005
Location: the north
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Nobody can deny that
Linkwitz is one authorithy in LoudSpeakers. We use his name to refer to the Linkwitz-Riley speaker x-over filter. Though the years he has produced numerous papers & investigations on the subject. some stuff at his personal website. A dozen ways to evaluate a loudspeaker. http://www.linkwitzlab.com/Loudspeaker%20evaluation.htm PHOENIX. Build your own open-baffle loudspeaker system. System Test. Including test microphone construction and shaped toneburst testing. http://www.linkwitzlab.com/sys_test.htm By www.diyaudio.com member ..... Here is the correct way to do speaker testing Photo by fotios our man in Greece (Hellas)
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#7 |
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diyAudio Member
Join Date: May 2004
Location: Sydney
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I trust my ears more than a microphone when judging the sound of loudspeakers. However, my ears don't help as much as the microphone when designing loudspeakers.
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#8 |
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diyAudio Member
Join Date: Dec 2001
Location: Romania
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I have this kind of dilemma, every time when I work at a new loudspeaker design.
First of all, it is vey important to know what it really happen. Hearing it is a little bit tricky, and it isn't the best way to start a project, in my opinion. It is true, we make loudspeakers for music, but when we make something like that, we need more than a "golden ear" . Almost everybody run for a linear response but I am not sure if it is the best way to design a good loudspeaker. For me, a non linear loudspeaker sound better than ultra linear cabinets. Sometime, for classic music, a linear response sound better, but for pop music or jazz, a little deep ( - 1,5dB to 3dB ) will be a very good idea. Anyway, to be on topic, the measurement don't exclude other ways to design a cabinet. I know few people how made very good loudspeakers, without any kind of measurement. |
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#9 | |
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diyAudio Member
Join Date: Jun 2007
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Quote:
You would assume if you had a reference standard speaker, and compared all speakers against it for sound, then you would be OK, but your mind will always prefer the speaker that is slightly louder. Psychologically, people will immediately prefer a speaker that has heavier bass. Though upon extended listening they may discover that it is an exaggerated one-note bass. Some times a speaker with a tweeter that is a little louder, will jump out and be presumed to sound better. Even people who listen to and review hundreds of speakers every year, still have to struggle to rein in the instinctive psycho-acoustic effects that can bias them with regard to a speaker. I concede that some speakers that test right, don't sound right. And some speaker that sound right, don't test right. Consequently I think the truest test is BOTH measure and listen. Measuring give you some assurance that nothing is out of order. Listening verifies that a theoretical or technical idea was able to be translated into a working practical idea. Just some random thoughts. Steve/bluewizard |
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#10 |
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diyAudio Member
Join Date: May 2004
Location: Sydney
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Yes, sort of "been there, done that".
For the same speaker, I could find that at one time it sounds perfect, then the next day awful. When tuning a XO, I would keep trimming down the tweeter until I thought the harshness and brightness were completely gone, then the next day found them sounding terribly dull. So the tweeter was tuned up and up again, until the speakers sounded really "phenomenal" with a lot of presence and I was very happy. Then the next day I found harshness again. This cycle was repeated many times, sometimes tunning the bass, sometimes the treble, sometimes the BBC dip, etc, etc. But still, eventually, experience can be gained during the repeated processes. I listen to live classical music and that serves as the reference. I play music CDs of string quartet and walk around the rooms and also listen to the music from the next room and ask myself: "does it sound like a real quartet play in the next room?" if it doesn't, something still needs to be done. The recordings could be at fault so multiple good recordings must be used. I found it very educational to listen to my familiar music while adjusting an equalizer (you can do it from Wimamp from a PC with a good earphone) and understand the effects of the dips and peakers of frequency response and different sets of response profiles. This helps identify the peaks and dips of my speakers. It is extremely tedious to do it this way and it took me a few years to tune a pair of speakers to near perfection. It could have been substantially easier if the tunning was based on accurate measurement. Regards, Bill |
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