|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Multi-Way Conventional loudspeakers with crossovers |
|
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
![]() |
|
|
Thread Tools | Search this Thread |
|
|
#1 |
|
diyAudio Member
Join Date: May 2007
|
Hi all,
I'm a newbie looking for answers. I am about to either choose or build the tweeters for my line array project. Most DIY ribbon tweeters I have seen have "open backs" to radiate sound both ways. Is this a suitable design for a tweeter, meant to match midrange and bass speakers that are boxed in a traditional way? Or should all drivers in a speaker be "open baffle" for best results? I am a bit suspicious about dipoles in general, since I don't really see how they can reproduce recorded sound correctly, but feel free to convince me! /Magnus |
|
|
|
#2 |
|
diyAudio Member
Join Date: Sep 2002
Location: Oregon, USA
|
If you're interested in learning about dipoles, I would start by reading and digesting these two websites:
www.linkwitzlab.com www.musicanddesign.com |
|
|
|
#3 |
|
diyAudio Member
Join Date: May 2007
|
Ok, I have looked into the concept before and found both sites quite interesting.
I understand that dipoles won't suffer from "box distorsions", and perhaps I shouldn't worry about all the delayed reflections, since it is explained that the human brain automatically ignores them... But is it wise to use dipole tweeters together with boxed mids and bass? Any comments? |
|
|
|
#4 |
|
diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
|
Dipoles are not a panacea. What about edge diffraction and baffle resonances. Dipoles have as many problems as boxes do. And the claim that they "excite few modes" have been totatly debunked. There are a lot of false claims out there about dipoles. I am not totally opposed nor totally on board, but I do look at all the problems with my eyes open.
|
|
|
|
#5 |
|
diyAudio Member
Join Date: Sep 2003
Location: Sunny Tustin, SoCal
|
Always best to pattern match as much as possible, to get consistent power response. This means horns with horns, direct with direct, dipole with dipole, etc. Sometimes you can mix and match, like a midrange/treble horn matched to a 12" or 15" that's already beaming. This is possible because the beamwidth tapers as the 12" or 15" becomes directional, but does so slowly, rather than an abrupt transition at the crossover freq.
Another (becoming more common) combination that has some promise is dipole at lower frequencies and directional (horns, waveguides) in the higher frequencies where horns are more modest sized. This saves you the need for huge enclosures.
__________________
I write for www.enjoythemusic.com in the DIY section. You may find yourself getting a preview of a project in-progress. Be warned! |
|
|
|
#6 |
|
diyAudio Member
Join Date: Sep 2003
Location: SiliconValley
|
Hi Magnus,
Only your ears can provide the final dipole vs. monopole answer, but you can avoid mistakes and do-overs if you can find local audio stores or friends that have dipole line sources like Magnepan or Apogee, mixed monopole bass and dipole ribbon tweeter like DALI MegaLine, monopole bass and planars like VMPS or kits that follow Jim Griffin's line array design rules. The easiest DIY might be copying a well reviewed closed box Jim Griffin line array design using planar tweeters. http://www.audiocircle.com/circles/i...hp?board=127.0 http://www.audioroundtable.com/misc/nflawp.pdf http://audioroundtable.com/ArraySpeakers/ If you DIY a monopole ribbon tweeter, you will need to have extensive rear sound absorption material to keep the rear waves from reflecting back upon the ribbon foil.. If you DIY a dipole ribbon tweeter, a full 3-way dipole line array design would match the best products. |
|
|
|
#7 |
|
diyAudio Member
Join Date: Dec 2001
Location: rocklin, CA
|
It's important to note that the "rear wave" issue is often looked at incorrectly.
A monopole radiates sound rearward as well-this is a key point that gets lost. However, it's rear radiation is limited to below the bafflestep region. Above, it only goes forward into 2 pi space. This is the source of the on axis/power response problem of a monopole. The dipole solves this, however, more energy is radiated higher up in the spectrum, making placement/rear wall interaction more important. If you read SL's and John k's site, as well as the thread/comments by Dr. Geddes and John k on cardioid bass, you'll see that the simulations below 100 Hz have trouble showing a clear advantage to a dipole vs a mono or cardioid. (That doesn't mean that one doesn't exist-but hey, we're scientists. There may be a subjective difference in dipole bass, but...) However, there is a clear difference between a monopole and a dipole in the 100-1.5k range or whatever is the practical upper limit to dipole radiation. The radiation pattern/power response is more uniform (not considering the space into which the radiation is occurring). Rear wave absorption is not an issue with dipoles. Panel resonances are difficult to assess. The motion of a dipole panel will likely be higher, but there is generally less panel to radiate in a dipole. I think the winner would be design specific. Which way to go? Difficult question. You have to build and listen to better examples of each to decide. No design is inherently better. Maybe we can get a set of Orion's or NaO's at the next Burning Amp festival, as well as one of Dr. Geddes DIY horns. I will bring my RST panels if they are finished by then. ![]() A well done line array would be cool as well
__________________
http://www.audioheuristics.org/ aka Mark's Speaker Page |
|
|
|
#8 | |
|
Banned
Join Date: Feb 2004
Location: Portal 2012
|
Quote:
This is taking the 'simulations' too far. There are clear, measurable and audible advantages in using a dipole bass system over a monopole. |
|
|
|
|
#9 | |
|
diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
|
Quote:
Prove it - don't just spout nonsense. |
|
|
|
|
#10 | |
|
diyAudio Member
Join Date: Dec 2001
Location: rocklin, CA
|
Quote:
Well, I guess that's open to debate. I don't disagree that dipole bass sounds different. But this is subjective. Nothing wrong with that. And, simulations are fraught with error. I think you have to accept that the jury's still out. You can choose dipole bass over monopole if it suits you, but how clear the "measureable" advantages are is still a bit uncertain. I think if anything, proponents of dipoles have more ground to stand on in the 100-1000+ hz range. Or, at least that's the way I see it. PS- I'm in my dipole phase. See my project at RST dipole So, I'm not against dipoles. But let's try to not overgeneralize or state a preference, however based in science, as science/dogma
__________________
http://www.audioheuristics.org/ aka Mark's Speaker Page |
|
|
![]() |
| Thread Tools | Search this Thread |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Dipole Ribbon tweeter isolation from dipole mid-woofer array | Bent | Planars & Exotics | 5 | 21st May 2009 12:10 PM |
| (WW) MMTMM dipole – 4 vs 3 way / dipole benefit frequencies? | charliemouse | Multi-Way | 25 | 7th July 2007 11:19 PM |
| 2 way vs 2.5 way vs dipole? | AudioGeek | Multi-Way | 0 | 23rd January 2007 10:58 PM |
| Dipole Sub in car?can I? | mikee55 | Subwoofers | 9 | 2nd January 2006 04:06 PM |
| When is a dipole not a dipole anymore? | Bas Horneman | Multi-Way | 5 | 5th December 2003 03:02 PM |
| New To Site? | Need Help? |