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#1 |
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diyAudio Member
Join Date: Jan 2005
Location: Brighton
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Thinking about building a compact bass cab using the Eminence DeltaLite II 2510, for monitoring myself whilst recording the rhythm section. I always DI the bass so this is purely so the drummer and I can hear me. I'm thinking a simple single speaker cab should work ok for this as the directionality in the treble will reduce bleed into the drum mics. Two (hopefully) neat ideas I have are having two tube ports the size of a tennis ball, so with both open the cab is tuned to 50Hz, one closed the cab is tuned to 35Hz, both closed and its sealed. The idea behind this is to combat boominess due to boundary reinforcement and room gain when we're in a smaller space. The second idea is to use some crossover components to reduce the increasing on-axis output from the 10" and particularly the break-up peak and therefore gain flatter response more similar to my usual woofer+midrange cabs. The obvious way to do this at the moment is a notch filter.
Any thoughts or suggestions? Alex |
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#2 |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Hi,
Rather than a passive crossover, doing it actively before the power amplifier might be a more straightforward idea in terms of headroom. (or for the more advanced modding the power amplifier feedback.) /sreten.
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#3 | |
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diyAudio Member
Join Date: Jan 2005
Location: Brighton
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Quote:
Predicted results of first attempt at a filter: And the three cab alignments vs my 15" cab: Alex |
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#4 | |
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diyAudio Member
Join Date: Jan 2002
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Quote:
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#5 | |
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diyAudio Member
Join Date: Jan 2005
Location: Brighton
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Quote:
Alex |
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#6 | |
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diyAudio Member
Join Date: Jan 2002
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Quote:
FWIW, there is no devil, there is no hell. |
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#7 | |
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diyAudio Member
Join Date: Jan 2005
Location: Brighton
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Quote:
Alex |
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#8 | |
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diyAudio Member
Join Date: Jan 2002
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Quote:
A single 10 is still going to struggle in the same room as a drummer as it won't be able to put out anywhere near the acoustic power of a set of drums unless you only play tepid audiophile jazz. |
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