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#1 |
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diyAudio Member
Join Date: Jun 2006
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Can anyone see any problem with this sort of design? I'm getting a quote to get made up a pair of speakers similar size and shape (widish baffle) to the HarbethM40 or Spendor SP100. I have a DEQX to do the crossover and for drivers I'm thinking of the W26FX001 for the woofer and the Crescendo tweeter. Not sure which mid would be best, the W16NX001, the W15CH001 or the W12CY001. I'm thinking more the 15 at this stage. I just thought I'd stick with all Seas as the supplier has the range and doesn't have Scan Speak etc, plus he makes great cabinets for commercial speaker companies here in Australia.
I know you'll say go plywood, but this guy uses mainly 32mm MDF and bitumen lining, so I'll just go with that. So yeah, I guess I just want advice on the drivers and whether you think its a flawed idea going wider baffle in this narrow baffle universe these days. |
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#2 |
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diyAudio Member
Join Date: Nov 2003
Location: N. Virginia
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#3 |
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diyAudio Member
Join Date: Jun 2006
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Thanks for that. He does seem to like the Seas Magnesium drivers. So hopefully I'll end up with a more refined but simply less sensitive version of his classic 3-way. Hopefully!
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#4 |
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diyAudio Member
Join Date: Nov 2006
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Obiwan-
Go for the 12's. In my experience, the breakup mode of metal domed woofers will cause audible nasties at 1/3 the of the breakup resonance peak. By setting the crossover below the frequency that is 1/3 of the breakup peak, you will (hopefully) have no problems. I have a pair of ODIN's that I found to be unlistenable due to this problem. JJ |
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#5 |
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diyAudio Member
Join Date: Jun 2006
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Hi JJ,
Thanks for that advice. So do you feel this 1/3 rule applies even with DEQX's steep (up to 300dB per octave linear phase crossovers)? And if I understand you properly, you're saying that with the W12 which looks to have its resonance peak at 10kHz then you need to cross at 3.3kHz or less. And with the W15 I'd need to cross under 2.67kHz (8/3), and with the W16NX under 1.6kHz (4.8/3). I was planning on crossing around 2kHz anyway so looks like the 12 or 15 should be OK, but I'd guess the 12 would have greater dispersion, but conversely, lower sensitivity and power handling. OB1 |
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#6 |
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diyAudio Member
Join Date: Jun 2006
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Actually, in the 700 to 2kHz range, looks like the 12 and the 15 are similarly sensitive, its only the 16 that jumps up in sensitivity.
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#7 |
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diyAudio Member
Join Date: Jun 2006
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And do you think it would be better to just go the standard TMW arrangement (HarbethM40 style) or place the tweeter between the mid and the woofer (Spendor style).
Having the tweeter in the centre makes things perhaps a little easier measuring the speaker at 1 meter with DEQX ,given that the mid and the woofer will be closer to microphone axis, as opposed to the TMW where the woofer is significantly further off axis if the mike is placed at tweeter height, potentially adding a source of error to DEQX's automatic time alignment. Or is it more important to have the woofer closer to the midrange? Questions questions. |
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#8 | ||
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diyAudio Member
Join Date: Nov 2006
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Obiwan-
Quote:
I believe George Short and Zaph have pretty much the same view on those drivers. Check out the designer's comments: http://www.northcreekmusic.com/Pegasus/Pegasus.htm Regarding the crossover frequencies, yes that is what I meant. Quote:
Having the woofer and mid far apart should cause a dip off axis. But in this case the axis is the vertical plane, where you are much less likely to be listening "off axis". Hey--do you know Lord Vader -- I think he is down your way on the globe. JJ |
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#9 |
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diyAudio Member
Join Date: Jun 2006
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No I don't know Lord Vader. Wonder what city he's in?
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#10 |
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diyAudio Member
Join Date: Nov 2006
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Obiwan-
I don't know what city LordVader is in (use the force!) I do really like small metal coned drivers. I think they give a level of detail that is unmatched by 'paper or plastic'. Keep us posted on how the DEQX works out. JJ |
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