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#21 |
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diyAudio Member
Join Date: Dec 2001
Location: rocklin, CA
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I know I won't change Danny's mind, but a few comments to everyone reading this thread are in order.
Again, windowing an impulse is a very unnatural event. There is significant error introduced by the windowing process. Due to the way the impulse is chopped up, subtle changes are just as likely due to the way the impulse is windowed as anything else. For example. None of the CSD's offer much relevant information below 1k. Most of what you see is heavily distorted by the windowing. Making audibility judgements based on measurement like this are questionable. Most of the CSD's behavior above 1k can be more or less predicted by the FR. Now Danny has made some subtle points about resonances that "don't show up in the FR curve." Well, if they don't show up in the FR curve, and the FR and impulse are one and the same, perhaps we should wonder if the effect is artifactual. I have spent a lot of time looking at CSDs, SL style tonebursts, and as detailed FR curves as I can on my site. I think you'll find a careful analysis will show the majority of what you need to know about stored energy will be found in a detailed FR curve. You're better off going outside and making a 12 ms FR measurement than post processing your 3ms in room measurement and thinking you can pick out the stored energy in any detail. Also, be aware that what "looks bad" on an FR curve or CSD is not exactly what sounds audibly offensive. Google O'Toole's whitepapers at harman and read about resonance audibility-how they measure it and study it's audibility. Anyway, forget about what Danny and I have to say and look at the links/research it yourself.
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http://www.audioheuristics.org/ aka Mark's Speaker Page |
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#22 | |||||||
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diyAudio Member
Join Date: Mar 2005
Location: Canton, MA
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[QUOTE]Maybe you would like to rub your crystal ball and tell us what the spectral decay will look like from looking at a frequency response curve? I could post a few for you if you'd like to decipher them for us. Quote:
Dave |
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#23 | ||||||||||
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diyAudio Member
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Now that is funny.Quote:
The only way you can alter or chop up the impulse response where as to alter the data is to not catch all of it. If the impulse is 2ms long then chopping it at 1.8ms would alter it. Looking at a 4ms time window will not. Quote:
Just look at the examples I posted from Zaph's measurements. There are differences in the amount of stored energy from one driver to the next where both drivers show a flat response with no breakup at all. Quote:
So if a made a subtle point about resonances that you do not see in the frequency response measurement then how do you know they are there only by looking at the frequency response? Are you kidding? Good grief! Quote:
Oh gee! The frequency response curve only displays maximum amplitude per frequency range. It does not display a time element. Quote:
Dave, you are just playing semantics and missing the point. Quote:
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I know you have seen a lot of them and you probably won't need to see these, but for the sake of everyone else here are the CSD's again.
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www.gr-research.com |
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#24 |
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diyAudio Member
Join Date: Aug 2006
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Well, I at least, am very inexperienced in this whole area of 'reading FR graphs', and I must say that I've learnt a lot about them in this thread, and have learnt a lot about 'reading' csd graphs as well.
I most certainly do NOT want to get into (what seems to be developing as) the unfortunate debate that is going on, but now after reading this thread (and the links within it) I am grateful for what I have learned and would like to say that at my very limited level of experience of looking at FR's that I can see a LOT of worth in seeing the results displayed in csd format. So, they have value at least for us dummies in the field. I must be honest though and say that the series of graphs displayed by Danny of csd's vs fr's seemed pretty convincing to me that we can, at times, glean 'extra' information form viewing the data in a different way. Perhaps it's a little like architectural drawings, the info a builder gets from viewing the data in 'plan' can be more valuable to him than the information he gets from 'elevation', and at times vice-versa. To complete the imperfect analogy, both plan and elevation (and of course end elevation, isometric view etc etc) are all aspects of the same measurement if you will, and all are used simply because over time they have been found to be useful! Nonetheless, this has been a very educational thread for me, thanks. I hope it does not deteriorate because I want my education to continue. |
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#25 |
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diyAudio Member
Join Date: Mar 2005
Location: Canton, MA
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It's as I said. Below 1K with an FR that is limited to 300Hz, there is no way to say with any assurance exactly what the true response is below 1K. The CSD's shown are not those of the FR's shown, since the FR is shown down to 10, but the CSDs are limited to 300Hz. The FR is probably a splice, so it's a good indicator, but not reliable for any absolute analysis. The FR above the splice point and I suspect that it is, given the low end extension, is still only as precise as the sampling length will allow. This is likely still only precise (or nearly so, not necessarily absolutely) for integer multiples of the low limit, possibly 300Hz.
Likewise, the CSD is limited in that it's resolution is 300Hz. Anything between the FR points of 300, 600, 900, etc. are representative approximations. Any resonances that might actually exist between any of those points will be missed. Those particular CSDs are not fully reliable below about 1KHz because of this. Change the window type and you'll see a change in the FR and the "resonances". Some might actually "disappear". I would have thought that you'd know all of this. I'll let Mark respond to the points that you make to his, with one exception. If you think that an impulse taken outdoors and in such a way as to lengthen a clean impulse without reflections is still only good for 2-3 msec, you do have a bit more to learn about impulse testing. I'm surprised at your comment. Remember, it's the length of the impulse used (the windowing) that determines both the low end extension and the FR resolution from that impulse. You did know this, didn't you? Dave |
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#26 | |
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diyAudio Member
Join Date: Dec 2001
Location: rocklin, CA
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What? I'm going to respond.? I doubt I will change Danny's mind. dlr's points are well taken. What good is 2-3ms at looking at the midrange. The period of a 500Hz signal is 2ms. How much decay will there be in one or 1.5 cycles... Anyway, as I mentioned before, those of you that want a better understanding, check out the references.
__________________
http://www.audioheuristics.org/ aka Mark's Speaker Page |
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#27 |
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diyAudio Member
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I would say there is no extra information in a CSD plot, however for someone inexperianced it might make things easier to interpret. If this is the case you need to be careful because as Danny has clearly evidenced with his examples, the information can easily be mis-interpreted.
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#28 | ||
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diyAudio Member
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Also while accuracy is limited below 1kHz in a spectral decay is does give some approximation as to any problems. As one comes up from 400 to 600 to 800 and 1000Hz the SCD gets closer and closer to good reliable figures. Quote:
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www.gr-research.com |
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#29 | |
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diyAudio Member
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Several here are making valid points viewing these drivers as linear time invariant systems, however when one asks to compare the L18 and the P18 we have to look at the distortion performance also. Zaph you make the valid point that if notch filters are used to match the frequency response then the linear characteristics are the same. Let me point out that I think it is rare when all the resonance modes are notched, and so the FR is often more of an approximation to the target. Let's move on to the non-linear comparision, interesting that the L18 has peaks in F3 between 2 and 3kHZ, in F5 between 1 and 2 kHZ, and more peaks between 6 and 10 kHz. Here we enter the world of non-linear analysis and where notching cannot possibly fix these distortion issues. One should also keep in mind that while these are harmonic distortion tests, they are indicative of a non-linearity, and that non-linearity will also produce intermodulation distortion. It is important, from my view to step back and ask why a driver has various peaks and dips in the amplitude response, since if it is a perfect piston with a simple small chamber, as in a tweeter, it should follow a simple 2nd order filter function. Cone breakup, pole vent and rear chamber resonances, and reflections are most of the reasons for deviations in the FR, and often especially with cone breakup peaks are also seen in the distortion plots. The CSD tends to magnify FR issues, makes them easy to spot and also find points where there might be distortion issues. Seems the trend is that distortion is usually low, or at least well behaved when the CSD is clean. The clean CSD of the D26NC55, T25CF001, and the K1 is a quick identifier of some of the top performers. I think the CSD is helpful from this perspective. Some might prefer the P18 from the perspective of THD performance. Pete B. |
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#30 | |
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diyAudio Member
Join Date: Jan 2002
Location: Wellington, New Zealand
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In other words, I need to really bend my head to understand how 2 different drivers with identical dB output at a specific frequency can end up with identical CSD information... David. |
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