|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Multi-Way Conventional loudspeakers with crossovers |
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
|
|
|
Thread Tools | Search this Thread |
|
|
#3141 | |
|
diyAudio Member
Join Date: Aug 2006
|
Quote:
BTW Lynn, what made you decide to use teh LeCleach profile over a Geddes waveguide? |
|
|
|
|
|
#3142 | |
|
diyAudio Member
Join Date: Jul 2004
Location: Northern Colorado
|
Quote:
I remember reading the Summa has a complex crossover - 22 parts, or something like that. That's more complex than I'd like to do, and I don't want to go down the digital-EQ route for the main part of the audio spectrum. There's also a big element of personal taste here - I've heard Le Cleac'h horns sound very good with minimalist systems, and that's encouraging in terms of keeping overall complexity down. I've designed complex-crossover systems before (my first commercial speaker designed in 1976 used 46 parts in the crossover), and am not enthusiastic about going back down that route. The Ariel has a much simpler crossover, and I found chasing out cap-coloration a nuisance with that speaker. With more revealing high-efficiency drivers, I expect the parts-coloration problems to be worse, not better, so that's a strong incentive to avoid crossover complexity. I usually draw the line at one notch filter per driver, and try to avoid them if at all possible. As mentioned earlier, this is a personal-taste matter, and there are plenty of others who have no problem at all with complex crossovers (multiple notch filters etc). P.S. Nice little find today - Al Klappenberger makes a nifty little transformer tweeter attenuator. These gizmos are way better sounding than L-Pads, since the tweeter sees a low source impedance instead of the series resistance of the L-Pad. By putting a TTA between the compression driver and the crossover, and putting an 8-ohm resistor across the primary of the TTA, it is possible to buffer out almost all of the wild impedance variations of the compression driver from the crossover network. Highly recommended for all horn speakers with passive crossovers - I certainly plan to use a transformer or autoformer for just this purpose. P.P.S. Al's discussion on elliptical filters, or extreme-slope crossover networks, is well worth reading. Horn/waveguide drivers are in a special position to benefit from these types of networks, since the increase in excursion below horn cutoff is so extreme for compression drivers. You really want the electrical power to be very greatly reduced at frequencies at driver resonance or below, since the horn is outside its passband and no longer providing any diaphragm loading. That's why professionals use 24 dB/octave crossovers, for example - not just to protect the drivers, but keep distortion within reasonable bounds. Yes, there is a price to be paid in terms of impulse response, but the reduction of IM distortion is a worthwhile tradeoff. |
|
|
|
|
|
#3143 |
|
Custom Title
diyAudio Member
|
Nice attenuator and only 1/4 the price of the equivalent Fostex. Pretty sweet!
__________________
I write for www.enjoythemusic.com in the DIY section. You may find yourself getting a preview of a project in-progress. Be warned! |
|
|
|
|
#3144 | |
|
diyAudio Chief Moderator
Join Date: Oct 2002
Location: Athens-Greece
|
Quote:
|
|
|
|
|
|
#3145 | |
|
diyAudio Member
Join Date: Oct 2006
|
Quote:
It would be excellent to see his gear sold in more markets. Could you imagine how much he'd sell if his products were available in a boutique in Santa Monica, New York or Bellevue? |
|
|
|
|
|
#3146 |
|
diyAudio Member
Join Date: Feb 2008
|
Hi all.
Its superb project... |
|
|
|
|
#3147 | |
|
diyAudio Member
Join Date: May 2004
Location: Toronto, ON
|
Quote:
The Geddes' profile, from what I know isn't patented. The overall design might be but the profile is prior art according to what I've read what Geddes himself says. A few of us DIY'ers have built excel tools for graphing the Oblate Spheroid for different parameters and Geddes himself had a look at a tool I helped write. In his book I beleive he argues that he OS profile has the minimum HOMs and so that is what he uses. The foam insert is to further reduce HOMs and could be used on the Le'Cleach just as easily as the OS. Or the corollary, the foam insert could be excluded from the OS just as it would with your Le'Cleach and theoretically still obtain better results. The complexity of the crossover is, I think, a biproduct of Geddes optimizing the whole power response and not just the axial response. Conceivably you could approach the crossover with the OS profile just as you would the LC profile. Basically, all I am saying is that I don't think your arguements rule out using the OS based on complexity, patents or foam plugs. I think the real issue is trying to find a manufacturer who can make a large enough OS waveguide to use as you would like to use the LC. Josh |
|
|
|
|
|
#3148 |
|
...truth seeker...
diyAudio Member
|
If we could narrow down the parameters of the desired LC or OS, maybe some intrepid soul would knock one off.
To my knowledge, Geddes' only reservation about the routine Josh refers to was that the throat entry shown was perpendicular to the axis. The driver Geddes used has an angle of 6 degrees. So, Geddes' point was that the entry angle of the throat needs to match the driver.
__________________
...call me Ed...Special Ed... http://www.diyaudio.com/forums/swap-...enabl-kit.html http://www.diyaudio.com/forums/swap-meet/177054-omron-g6h-2-12vdc-relays-14.html#post2587758 |
|
|
|
|
#3149 | ||
|
diyAudio Member
Join Date: Dec 2003
Location: San Diego
|
Quote:
I say a technicality, as I don't suggest that people take advantage of Dr. Geddes ideas without compensation or permission. He sold me some foam. He might be willing to license individuals for a modest fee. Quote:
Sheldon |
||
|
|
|
|
#3150 | |
|
diyAudio Member
Join Date: Oct 2005
|
Hello,
I think that inside Earl Geddes's OS waveguide the foam ensures 2 functions: 1) reducing the residual HOMs 2) absorbing reflected waves resulting from a poorly terminated mouth. For a Le Cléac'h horn (the name was first given by David Mc Bean when introducing that profile in Hornresp), with a mouth opening at more than 180 degrees there is very few reflected waves from the mouth to the throat and the second function seems irrelevant. About the first function, Lynn as others reported no horn colouration from both the OS waveguide and the Le Cléac'h horn so to use a foam infilling of the later horn seems seems not very useful, even it can be detrimental if the foam possess some variation of absorption coefficient with frequency (something that can be useful to linearize passively the OS waveguide frequency response which one is far from being constant without equalization). Best regards from Paris, France Jean-Michel Le Cléac'h Quote:
|
|
|
|
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
|
|
| New To Site? | Need Help? |
| Page generated in 0.15694 seconds (64.87% PHP - 35.13% MySQL) with 11 queries |