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fas42 fas42 is offline


About Me

  • About fas42
    Probably worth mentioning I'm an EE, but life took me elsewhere after graduating ...
    NSW, Australia
    Achieving totally convincing sound. As well as universal happiness, world peace, etc, etc ...
    Retired from the computing industry


Total Posts
General Information
  • Last Activity: 11th October 2015 10:19 AM
  • Join Date: 19th June 2012


Showing Friends 1 to 2 of 2


View fas42's BlogRecent Entries
Latest Blog Entry

Posted 17th April 2015 at 12:38 AM by fas42 Comments 28
Posted in Tweaking
As mentioned elsewhere, now have a laptop with reasonable internal sound, a HP Compaq 6830S (not a Pavillion, sorry!) of quite some vintage. My mainstay Dell over many years prior lost its sound many years ago, a USB port got cooked, and took down the sound circuitry at the same time; and what I was using as an interim, another Dell of nominally very good quality, had downright faulty sound, buzzed and rattled - was plain sick ...

OK, so the exercise here will be to see how good I can get the newly "installed" HP unit's sound to be, by my measures, using minimal or zero internal hardware tweaking - essentially working out what factors impact the sound, and whether the negatives can be circumvented. This gives an idea of how I go about things, what I use to "measure" with, what I'm listening for.

Trying a couple of CDs that I use often the signs were good - obviously no bass, and the volume is very restricted, but otherwise the sound was 'correct'...

Posted 26th March 2015 at 12:13 AM by fas42 Comments 0
Posted in Tweaking
A thought has popped into my head ... I enjoy the process - well, most of the time, :D! - of refining systems so that they deliver what I call convincing sound - a quality beyond what people typically achieve with audio systems assembled and "optimised" in conventional ways. And I've been able to help others at times move in the right directions, to advance what they're currently achieving.

So, I'm curious whether there are any out there, lurking :), interested in having a one to one interaction with me in having a go at getting something better out of their systems. Before wasting any more time on pursuing a silly idea, I would be curious if anybody is interested? And if you don't like to "expose" yourself to the great unwashed, :D, just send me a PM!


Posted 30th July 2014 at 02:44 AM by fas42 Comments 10
Posted in Tweaking
Provoked into Yet Another Project, fiddling with the Yamaha PSR-6700 Portatone we bought over 20 years ago, for my wife to have fun with. This is a solid unit, quite heavy, well thought of even now, with 76 keys - was top of the range, and was the best sounding of the brands and models we looked at the time, in that type of thing. Sometimes called an arranger keyboard, because it can do fancy backing accompaniments, the one-man band thing ... ;)

For those who are not into such, this is an all in one box, very sophisticated synthesizer with internal amp and speakers. Think of it like a reasonable hifi system, where the source material is computer generated, and can get as fancy and realistic as one wants, especially these days. Even in bygone decades remarkable music was created using such devices - Peter Gabriel's well thought of 4th album, Security, was based extremely heavily on sounds from the Fairlight CMI, an Australian made pioneer of this technology.


Posted 2nd June 2014 at 08:25 AM by fas42 Comments 5
Posted in Tweaking
I've mentioned a few times the difficulty in using the software tool, DiffMaker - and others have experienced similar issues. So, I'm thinking seriously about attempting to put together a "better" utility, something that will be more intelligent in correlating between different versions of sampled waveforms, wherever they came from. And it will be specifically aimed at trying to ferret out the deep down differences, not the obvious stuff like frequency response, phase shifts and the like - but rather the low level, detail variations that seem to be so important in subjective quality evaluation.

To give an idea of the "challenge", consider taking 2 recordings from 2 vinyl plays of a particular record. Having already seen what results, this is impossible for the likes of DiffMaker to handle - the constant speed variation between the 2 captures completely defeats it. But this what I would aim to be able to deal with, to synchronise in meaningful ways between...

Posted 12th April 2014 at 03:40 AM by fas42 Comments 3
This will be a collection of ideas developed and experiences encountered in my personal foray into the world of audio. In part, this is to counter much of the negativity and beliefs out there about the limitations of bog-standard, [I]vin ordinaire[/I], reproduced sound from conventional recordings, heard via a normal pair of speakers.

First of all, the sound can get very, very, [I]very[/I] good. Far beyond normal hifi, better than "live" much of the time ... so how can that be so? Because, typically for the recording session the positioning of the microphones, and acoustics, are optimised and tweaked by the sound engineers to pick up a "quality" well beyond what you as an ordinary audience member, concert goer, would experience.

So, how good? Well, for a start you can get "invisible" speakers, meaning that they can't be perceived as being the source of the sound; even if you go up to them and stare at them very closely, and move...
Recent Comments
Obviously, lost momentum...
Posted 4th July 2015 at 08:33 AM by fas42 fas42 is offline
Next round of this has...
Posted 9th June 2015 at 11:27 AM by fas42 fas42 is offline
Since foobar player...
Posted 14th May 2015 at 12:32 AM by fas42 fas42 is offline
Just to emphasise, yet...
Posted 13th May 2015 at 01:15 AM by fas42 fas42 is offline
Some things to note...
Posted 11th May 2015 at 05:50 AM by fas42 fas42 is offline
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