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Posted in Instrumentation
I am using a USB sound card for measurements. It's a pain, but I have nothing better yet.
The sound card is the E-MU 0204. I've chosen it for the specs:
The sound card is intefaced to the real world by Pete Millett's sound card interface.
The software is SpectraPLUS 5.0 by Pioneer Hill Software (PHS). (No link because my antivirus says their web site is infected.) The software runs on an old MacBook running Windows 7 in Boot Camp.
The results do not seem to be affected by nearby computers, flurescent lights, switching power supplies, etc.
The results are affected by:
The greatest source of...
The sound card is the E-MU 0204. I've chosen it for the specs:
- Dynamic Range (A-weighted, 1kHz, min gain): 113dB
- Signal-to-Noise Ratio (A-weighted, min gain): 113dB
- THD+N (1kHz at - 1dBFS, min gain): -101.9dB (.0008%)
The sound card is intefaced to the real world by Pete Millett's sound card interface.
The software is SpectraPLUS 5.0 by Pioneer Hill Software (PHS). (No link because my antivirus says their web site is infected.) The software runs on an old MacBook running Windows 7 in Boot Camp.
The results do not seem to be affected by nearby computers, flurescent lights, switching power supplies, etc.
The results are affected by:
- Windows Mixer settings (levels and sampling rates)
- Software settings (levels and sample rate)
- Grounding of the sound card, the interface, and the device under test
The greatest source of...
Posted in Solid State Power Amps
This is a project developed by Douglas Self and published in the Elektor in October and November 2010.
The idea is rather unusual: "An interesting power amplifier can be made by connecting enough 5532s in parallel, how about 32 for a start? This may sound like a radical course of action, but it actually works very well, making it possible to build a very simple amplifier that retains not only the excellent linearity but also the power-supply rejection and the inbuilt overload protection of the 5532, which reduces the external circuitry required to a minimum."
Elektor used to sell PCBs for this project, which I used. I modified the circuit slightly to incorporate an active volume control along the lines of Douglas Self's preamplifiers.
Here is the result:
The idea is rather unusual: "An interesting power amplifier can be made by connecting enough 5532s in parallel, how about 32 for a start? This may sound like a radical course of action, but it actually works very well, making it possible to build a very simple amplifier that retains not only the excellent linearity but also the power-supply rejection and the inbuilt overload protection of the 5532, which reduces the external circuitry required to a minimum."
Elektor used to sell PCBs for this project, which I used. I modified the circuit slightly to incorporate an active volume control along the lines of Douglas Self's preamplifiers.
Here is the result:
Posted in Solid State Power Amps
My first solid state amplifier build, in 2009, was The Penultimate Zen, aka Zen Variations Part 4, aka ZV4. It was built with the parts I could find back then, without knowing where to look. It ended up big, heavy with two 400VA toroidal transformers, ugly inside with some electrical tape here and there, without proper grounding, etc., etc. I was as disappointed with the sound as my wife was disappointed with that heavy black metal brick gathering dust.
My first mod on ZV4 came after I turned my disappointment into finding better part suppliers. I returned to my ZV4 and replaced the output caps with something marginally more decent from eBay. The sound improved a notch. Aha!
My second mod was to rebuild the power supply. I threw away one of the toroids, added a softstart circuit from Hypex, and put in a CRC filter with some Mundorf HC caps. One power supply for two single ended channels forced me to learn about grounding and add input transformers and balanced...
My first mod on ZV4 came after I turned my disappointment into finding better part suppliers. I returned to my ZV4 and replaced the output caps with something marginally more decent from eBay. The sound improved a notch. Aha!
My second mod was to rebuild the power supply. I threw away one of the toroids, added a softstart circuit from Hypex, and put in a CRC filter with some Mundorf HC caps. One power supply for two single ended channels forced me to learn about grounding and add input transformers and balanced...
Posted in Solid State Power Amps
I built this one a while ago but could not find time to post.
This is a Class B power amplifier that follows the Ultra-LD Mk.3 amplifier design published by the Australian Silicon Chip magazine in 2011, which in turn draws heavily from the concept of a Blameless amplifier devised by Douglas Self. I used a different power supply and speaker protection, and changed the grounding scheme vs what was published.
The distortion at 1 kHz is below my measurement capabilities, and the amplifier does sound very nice, although it seems to give more sibilance than my Class A amplifiers.
The acid test I use is the dual CD "The Very Best of Placido Domingo" album published by EMI Classics. Many amplifiers I have heard cannot deal well with Domingo's tenor, esp. on louder and higher tones. Class A amps, particularly those using simple internal structure like the Zen series, perform well in this test. This amplifier seems to do better than any other...
This is a Class B power amplifier that follows the Ultra-LD Mk.3 amplifier design published by the Australian Silicon Chip magazine in 2011, which in turn draws heavily from the concept of a Blameless amplifier devised by Douglas Self. I used a different power supply and speaker protection, and changed the grounding scheme vs what was published.
The distortion at 1 kHz is below my measurement capabilities, and the amplifier does sound very nice, although it seems to give more sibilance than my Class A amplifiers.
The acid test I use is the dual CD "The Very Best of Placido Domingo" album published by EMI Classics. Many amplifiers I have heard cannot deal well with Domingo's tenor, esp. on louder and higher tones. Class A amps, particularly those using simple internal structure like the Zen series, perform well in this test. This amplifier seems to do better than any other...
Posted in Solid State Power Amps
Big, hot, and heavy! Just completed it and adjusted for distortion, have not had yet a real chance to listen to it.
The build is in a 4U/400 case from modushop; each side has two 200mm heatsinks, each holding six MOSFETs (three complementary pairs) and a biasing circuit.
The construction is dual mono (separate transformers for each channel) with CRC filtered +/- 18V rails, quiescent current is 3A per channel. Eight Mundorf MLytic® HC High Current Power Caps and two 300VA toroids occupy the most of the chassis, while the actual electronics is mounted on the sides.
Now I need a balanced preamp. I contemplate building some variant of BoSoZ, but am also thinking about a SuperSymmetric balanced preamp using JFETs or tubes...
The build is in a 4U/400 case from modushop; each side has two 200mm heatsinks, each holding six MOSFETs (three complementary pairs) and a biasing circuit.
The construction is dual mono (separate transformers for each channel) with CRC filtered +/- 18V rails, quiescent current is 3A per channel. Eight Mundorf MLytic® HC High Current Power Caps and two 300VA toroids occupy the most of the chassis, while the actual electronics is mounted on the sides.
Now I need a balanced preamp. I contemplate building some variant of BoSoZ, but am also thinking about a SuperSymmetric balanced preamp using JFETs or tubes...
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