alexcp
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Posted in Uncategorized
Just finished fine tuning my First Watt F5 clone.
I built it about a year ago out of parts that I had on hand back then, including a power supply reused from another project. The resulting sound was rather disappointing. Now I spent time matching transistors and tuning the feedback network. The amplifier now is very close to the performance described in the original service manual.
I am listening to F5 (the music is Tchaikovsky performed by Wiener Philharmoniker and von Karajan) and realizing that it is so good that if this was my first amplifier, I might not be interested in building anything else.
I built it about a year ago out of parts that I had on hand back then, including a power supply reused from another project. The resulting sound was rather disappointing. Now I spent time matching transistors and tuning the feedback network. The amplifier now is very close to the performance described in the original service manual.
I am listening to F5 (the music is Tchaikovsky performed by Wiener Philharmoniker and von Karajan) and realizing that it is so good that if this was my first amplifier, I might not be interested in building anything else.
Posted in Speakers
Bruno Putzeys posted:
About power ratings, well... Normal "critical listening" levels hover around a long-term average of 85db SPL at the listening position. If we're assuming uncorrelated signals (rather inaccurate assumption but it'll do for the purpose) that is 82dB SPL for each speaker alone. Crudely calculating back from a 2m listening distance to the 1m standard measuring distance that's 88dBSPL, one speaker, one meter. It's not unusual for speakers to have an efficiency of 88dB/1w/1m so 1W is roughly the required amplifier power....
The current crop of unlistenable hypersquashed pop music has a peak to average range of around 4dB. So all it takes to reproduce pop at a reasonable level without clipping is a 4dBW (2.5W) rated amp.
Before the loudness war got into swing (say until the early 90's) peak-to-average ranges up to 14dB could be found in mainstream music. To play Sultans of Swing at the same average level requires an amp rated at 14dBW
Posted in Solid State Power Amps
Now that Nelson Pass published the details of the JFET upgrade to First Watt F2 and that Newark sells power JFETs from Semisouth, there was no excuse not to upgrade my Zen V4 with the new active device.
I replaced Q1 (see the original schematic) with SJEP120R100A; increased R5 to 130 kohm to bias the JFET correctly with Vgs of approx. 1.5V; and reduced R8 to 22 ohm.
The measured result is a nice reduction in THD+N; attached are the graphs for THD+N @ 1W into 8 ohm vs frequency, before and after the upgrade. With IRFP044 as Q1, the distortion was mostly 2nd harmonic (at -65dB), plus some traces of the 3rd harmonic. With the JFET, it is still mostly 2nd harmonic, which is now at -80..85dB, with the 3rd below my measurement floor.
Subjectively, the improvement is remarkable! With my Exposure 2010S CD player, B1 clone preamp and Heresy III speakers, there is additional detail and depth of the scene. I will post an update after I spend more time listening...
I replaced Q1 (see the original schematic) with SJEP120R100A; increased R5 to 130 kohm to bias the JFET correctly with Vgs of approx. 1.5V; and reduced R8 to 22 ohm.
The measured result is a nice reduction in THD+N; attached are the graphs for THD+N @ 1W into 8 ohm vs frequency, before and after the upgrade. With IRFP044 as Q1, the distortion was mostly 2nd harmonic (at -65dB), plus some traces of the 3rd harmonic. With the JFET, it is still mostly 2nd harmonic, which is now at -80..85dB, with the 3rd below my measurement floor.
Subjectively, the improvement is remarkable! With my Exposure 2010S CD player, B1 clone preamp and Heresy III speakers, there is additional detail and depth of the scene. I will post an update after I spend more time listening...
Posted in Solid State Power Amps
In 2009, Penultimate Zen aka Zen V4 was my first solid state build. I used the parts that were available, did not know much about making it work well, and did not have test instruments beyond a cheap multimeter. Also, I did not have a preamplifier to work with it or speakers sensitive enough to enjoy its 25W. As a result, the amplifier turned out not quite satisfactory and for two years has been gathering dust and my wife's complaints. I was thinking about scrapping it and reusing the enclosure for something more useful. Instead, I reworked it.
I removed one of the two power transformers (moving from dual mono to stereo configuration), replaced my original dodgy Chinese PSU filter caps with Mundorf M-Lytic HC, replaced internal low voltage wiring with thick speaker wire, reconfigured grounding (so it is finally safe!) and installed balanced inputs with input transformers. What a change in sound! With my Exposure CD player, B1 clone preamp and Heresy III speakers, the amp...
I removed one of the two power transformers (moving from dual mono to stereo configuration), replaced my original dodgy Chinese PSU filter caps with Mundorf M-Lytic HC, replaced internal low voltage wiring with thick speaker wire, reconfigured grounding (so it is finally safe!) and installed balanced inputs with input transformers. What a change in sound! With my Exposure CD player, B1 clone preamp and Heresy III speakers, the amp...
Posted in Uncategorized
Someone pointed out that it's interesting to see all the components in a system, rather than just discussing them individually. I liked the idea - I think it also shows what projects ended up actually useful - so here are my systems (I have three with diy components).
The music I listen to is an eclectic mix of classical music (such as Rachmaninov and Tchaikovsky), opera (mostly arias), jazz (Armstrong) and some pop music.
The first system is the one I listen to the most and also the testbed for whatever project I may be working on:
The second is the best sounding so far, has the highest WAF and is likely to stay around for some time:
The third is my first foray into vinyl...
The music I listen to is an eclectic mix of classical music (such as Rachmaninov and Tchaikovsky), opera (mostly arias), jazz (Armstrong) and some pop music.
The first system is the one I listen to the most and also the testbed for whatever project I may be working on:
- exposure 2010S CD player
- Mac + Musical Fidelity V-Link + V-DAC
- B1 clone preamp
- Burning Amp 1 (my take on it)
- Klipsch Heresy III speakers
The second is the best sounding so far, has the highest WAF and is likely to stay around for some time:
- Sony CDP-XB920 CD Player
- Elekit TU-879S integrated amp
- Full range back loaded horns with Fostex FE206E (built from a kit)
The third is my first foray into vinyl...
Recent Comments
ok thanks for the heads...



