|
|
#21 |
|
diyAudio Member
Join Date: Dec 2008
|
|
|
|
|
#22 |
|
diyAudio Member
|
My hearing goes to 16kHz on sine waves, still i can apreciate a tweeter that goes to 30kHz -3dB. I my measurements i found that "fast" tweeters perform better in the time domain. For example the "waterfall" looks cleaner even in band. Resonance higher up seem to "fold down" into the audible range. I also now about research done in Japan with older people that got exposed to high resolution audio with high sampling rate. When the response in the treble was truncated they heard a difference and the brain wave detector sampled a difference. One explanation is that higher frequency signals modulate down into the audible range, for example a 22kHz and 23kHz signal played simultanuisly over a nonlinear transduces like a loadspeaker makes an audible 1kHz intermodulation product 23kHz - 22KHz = 1kHz
|
|
|
|
#23 | |
|
diyAudio Member
Join Date: Jan 2008
|
Quote:
Now, assuming it's true that we can percieve impulses at a 5us resolution, you need a transducer capable of frequences >> 100 KHz to produce such impulses. Hopefully my square wave analogy illustrates why you don't need to think of it as a tone. |
|
|
|
|
#24 | |
|
diyAudio Member
Join Date: Oct 2009
Location: Sydney, Australia
|
Quote:
Lets say you have a woofer that is reproducing a 30Hz tone. The tone ends, the signal goes to zero. Then 5 micro-seconds later a 40Hz tone is fed into the transducer. Is the theory that the woofer must be able to reproduce frequencies > 100kHz to be able to reproduce the transition from 30Hz to 40Hz correctly? Can't say I get it. The signal going to zero means the transducer has nothing to do. So why does it have to be able to reproduce 100kHz to then handle the second (40Hz) signal? Maybe I'm missing something - happy for someone to steer me onto the right way of thinking about this. |
|
|
|
|
#25 |
|
diyAudio Member
Join Date: Jan 2008
|
Because it needs to be capable of physically moving a certain distance (corresponding to the amplitude) in a particular time, ie. the rise time of the signal. In short, it needs to be fast, and that in turn corresponds with the ability to reproduce high frequencies.
(this is probably why subwoofers with extended high frequency response are thought to sound "faster" - they're better able to reproduce signals which aren't particularly sine-wavey. In the extreme case, a square wave can be seen to be made up of a fundamental frequency and the summation of an infinite series of harmonics) |
|
|
|
#26 | |
|
diyAudio Member
Join Date: Oct 2009
Location: Sydney, Australia
|
Quote:
So what you are saying is (I think) that the ability to stop and start within such a time entails that the transducer could reproduce a 100kHz tone, if given one. Therefore, conversely, that if it can't reproduce such a 100kHz tone then it wouldn't be able to correctly reproduce signals with small time gaps. I suppose its a bit of a moot point anyway, given that the analogue signals fed to speakers are continuous in time. And of course woofers by design aren't great at reproducing 100kHz signals.
|
|
|
|
|
#27 |
|
diyAudio Member
Join Date: Jan 2008
|
That's basically my argument, yeah. That said, I'm far from convinced that any such "time detection" mechanism:
a) Exists b) Makes any difference to our perception of music I do believe, as Mark does, that having tweeters extend into the 30khz range will, as a direct result of the improvements necessary to do so, result in greater fidelity in the audio range. This is for reasons similar to my "fast" subwoofer hypothesis above. |
|
|
|
#28 |
|
diyAudio Member
Join Date: Mar 2005
Location: UK
|
Wince. Controvertial subject if ever there was one (shades of speaker / interconnect wires etc). Not being the brightest, my own observations have to be fairly clunky, & far from original, but FWIW:
1/ I'm in complete agreement with the idea that the work necessary to increase the HF bandwidth of a driver (higher quality materials, tighter manufacturing tolerences &c.) might result in improvements lower down. It may also push non-linearities up, out of the main audio-band. But 2/ This isn't a given; it depends on the quality of the engineering. Sadly, some companies do it purely in bout of 'numbers oneupmanship.' Mark doesn't, but the same doesn't necessarily hold true elsewhere. 3/ Not everyone actually benefits from massive HF extension; you might get an improvement in non-linearities lower down, but if it comes at the price of, say, more HF energy than you personally like / enjoy, then it's not really done you any favours. 4/ Massive HF extension has to be context dependent. If we're talking wide-band drivers here, a large one is going to be beaming something chronic in the extreme HF. You might get some of the potential benefits lower down, but assuming for the sake of argument (without in any way conceeding the point either way), there is some benefit purely to having, say, extension an octave above our notional HF limit, it's surely going to be extremely limited in that respect. 5/ Most of the dominant storage formats are BW limited to quite a low frequency, and if it's not on the recording, it's not going to be reproduced by the speaker. QED. 6/ Kunchur's papers make very interesting reading & it looks to me to be a field worth further exploration. I'll certainly be keeping an eye on future developments, but at present, they still appear to be largely theoretical initial studies with very small sample groups. Seem to indicate some interesting trends, but I'll probably reserve judgement until they've had chance to do a larger scale study. YMMV of course. Last edited by Scottmoose; 20th January 2010 at 05:31 PM. |
|
|
|
#29 | |
|
diyAudio Member
Join Date: Nov 2008
|
Quote:
Excellent debate going on. I'm up early ploughing through emails and just caught this contribution from Scott. I gather that the number of human test subjects was very small, mentioning a total number of 22 humans, spilt into 5 groups of varying size. This is an unrepresentative trail size. The variability risk is very high and therefore specific outcomes made by Kunchur should be considered "Unreliable". Sorry to disappoint but Kunchur's papers aren't "authoritative". Considerable care should be taken when using his work to support the argument for extended human hearing beyond 20-kHz. At least his papers are making a contributing to the general debate. I think this maybe Kunchur's intention although it would be nice to see him specifically state this. Cheers Mark. Last edited by markaudio; 20th January 2010 at 08:25 PM. Reason: typo mending |
|
|
|
|
#30 | |
|
diyAudio Member
Join Date: Jul 2006
Location: Calais, ME
|
Quote:
__________________
AmpsLab.com |
|
|
![]() |
| Thread Tools | Search this Thread |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Limits of Human Hearing | thadman | Multi-Way | 18 | 7th October 2009 12:25 AM |
| ZV9 upper limits??? | sandyhooker | Pass Labs | 4 | 27th December 2008 03:24 AM |
| Harmonics above 20Khz - "Hi-Fi" and the limits of human hearing | percy | Everything Else | 62 | 12th March 2008 05:27 PM |
| Human Hearing................. | Gavinator68 | Everything Else | 25 | 26th January 2006 02:15 AM |
| human hearing | sss | Solid State | 123 | 8th September 2003 07:57 PM |
| New To Site? | Need Help? |