|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| The Lounge A place to talk about almost anything but politics and religion. |
|
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
![]() |
|
|
Thread Tools | Search this Thread |
|
|
#8361 |
|
diyAudio Member
Join Date: Sep 2004
Location: Belgrade, Serbia
|
Nige, it could be so much more than that.
Suppose you arranged two of them in a bridged configuration. I reckon each could effectively deliver up to 18V peak, which is some 40 Watts into 4 ohms. Theoretically, in a bridged configuration, you should have twice the voltage and twice the current, or 4 times the power - this is rarely quite so, but say 3 times the power should be real enough. That's still say 120 W into 4 Ohms. At that voltage, the BD 249/250 C can deliver way over 10 Amps no problemo, using low voltage high capacity capacitors, say 22,000 uF/40V. You might consider running it off higher voltages, say +/- 25V, and use zener diodes to regulate to say +/- 22V for the op amp, but compensating for voltage drops across the output stage. And so forth - the point being that many opportunities arise, some of them being very interesting.
__________________
Such is life, baby! Ета жизњ, бејби! |
|
|
|
#8362 |
|
diyAudio Member
Join Date: Mar 2007
Location: Oxfordshire
|
Lets say 1 R also and make sure it can drive it . Still will be a simple amp . On my old Ferrograph distortion analyzer it might say zero distortion ! That is if I can work out how to use it ?
|
|
|
|
#8363 | |
|
diyAudio Member
Join Date: Sep 2004
Location: Belgrade, Serbia
|
Quote:
![]() As for 1 Ohm, given proper design, that should not be too much of a problem, although beside our old buddy Wayne, I am not aware of anyone else being a Member of the Sub 1 Ohm League. Normally, bridged amps have problems with very low impedance loads, I am told, but in this case, given the low voltage rails and the prodigious currents the BD pair can handle with safety, this may well not apply to you.
__________________
Such is life, baby! Ета жизњ, бејби! Last edited by dvv; 6th February 2013 at 04:44 PM. |
|
|
|
|
#8364 |
|
diyAudio Member
Join Date: Mar 2007
Location: Oxfordshire
|
Good question . Ferrograph mostly .
1 R at 15 Vrms , nice . |
|
|
|
#8365 |
|
diyAudio Member
Join Date: May 2008
Location: Front Row Center
|
What about feedback, when doing low -z , does the feedback amt change, is more necessary ...?
__________________
A man should look for what is, and not for what he thinks should be. -Albert Einstein |
|
|
|
#8366 |
|
diyAudio Member
Join Date: Mar 2007
Location: Oxfordshire
|
I always say I am too lazy to do simulations . Usually I rush out to my shed and solder up a few things . With this one I would love Dvv to see what he comes up with . Even 7 Vrms into 1 R would be interesting . I think I would follow the advice of Douglas Self and use 0R1 emitter resistors . I would start with 2N3055/2955 and BD139/140 . From my tests the complimentary feedback pair is the only option . Ideally 3 A of standing current would be used . That would be about 200 W of heat to get rid of . In bridged mode isn't worth talking about .
Casting aside that option a conversational class AB might be interesting . I would base it on the Quad 303 . I would use the 2N3055 . The standing current is 10 mA , we can be generous and use 20 sets in bridge . 100 mA and will only be 2W of waste heat . I will now say something which is seldom said . Regardless of transistor type or any other consideration this circuit has seldom been beaten for how easily it works . It would laugh at 1 R . I suspect even better to use 2N3055/2955 are driver ( 303 is a triple ) . Gogny made an amp like this in 1967 with just 2 x 2N3055 diving the load , it was 50 W into 0.8R ( 0R8 ) . +/-18 V rails and 10A fuses as emitter resistors . This would be a loop feedabck amp . It's crossover distortion is very low and predictable . I would expect problems if " better " transistor were used . Off to the garage now and I am late , forgive any typo's . |
|
|
|
#8367 |
|
diyAudio Member
Join Date: Sep 2004
Location: Belgrade, Serbia
|
Of course, others among us might wonder why does Nige always insist on the one output stage known to be difficult to get right without oscillating, when he could have used a nice triple Darlington emiiter follower configuration, well known for proving the best possible control of the load an amp will do even with reasonably low global NFB figures, and, MOST important, offers the lowest output impedance. This alone would suggest its use in a balanced cofiguration as the most recommended, given that whatever you have will halve in a balaced setup.
Nige, it's better to think it all through at least one scenario before you're off to solder somethig.
__________________
Such is life, baby! Ета жизњ, бејби! |
|
|
|
#8368 |
|
diyAudio Member
Join Date: Mar 2007
Location: Oxfordshire
|
Cfbp like most old wives tales is exactly that . Op-amps oscillating when used with boosters is common regardless of output stage . OPA 604 seems very obliging . The 303 circuit is very stable . Another old wives tale was the 303 has many tweaks to get it stable , I never saw where they were . It has output tipples which I feel have never been creditor with how they completely they eliminate most of the problems . Not least the use of all NPN outputs which makes for rugged designs . BTW , The bottom half of Quasi comp is Cfbp . People dream up all sorts of reason not to use this proven arrangement , old fashioned is not valid I feel .
|
|
|
|
#8369 |
|
diyAudio Member
Join Date: Sep 2004
Location: Belgrade, Serbia
|
Blimey Nige, whyever would you want to use a quasi-complementary output stage in this day and age?
40 years ago it may have been necessary, as there was a shortage of reliable high power transistors, but today?
__________________
Such is life, baby! Ета жизњ, бејби! |
|
|
|
#8370 |
|
diyAudio Member
Join Date: Mar 2007
Location: Oxfordshire
|
Because it is better ? This debate raged in Wireless World for years . Reluctantly it was agreed that an NPN with 100 % local negative feedback becomes a PNP to all intents and purposes . The addition of a cheap diode solves most of the asymmetry . Even to this day the way a PNP works is more difficult in terms of transition speed and durability . The fact the PNP's look so good is testament to the hard work done. Some say all NPN sound more alive and punchy . In the 303 and Crimson amps they show how good it can be . The Crimson was especially good .
|
|
![]() |
| Thread Tools | Search this Thread |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Sound Card for Measurements | Marik | Solid State | 2 | 2nd January 2012 08:59 PM |
| Sound Card Recommendations (For Audio Measurements) | dchisholm | Equipment & Tools | 5 | 16th July 2011 09:40 AM |
| How to protect sound card during amp measurements? | okapi | Everything Else | 13 | 2nd September 2008 03:06 PM |
| Quality Control differences = variations in sound quality? | KT | Class D | 0 | 14th November 2004 06:51 AM |
| Sound cards - test and measurements | jackinnj | Everything Else | 2 | 5th July 2003 03:02 PM |
| New To Site? | Need Help? |