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#1 |
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diyAudio Moderator
Join Date: Nov 2005
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hey
anyone else into that never ending fine tuning maybe its because Im also into building instruments well, it is my disorder, to tune and tune and tune I cant help it I simply have to adjust them screws hmm, maybe because I was a sailing from early childhood adjusting sails, rudder, and all that other stuff whenever I see a screw, I simply has to turn it but my bassguitar, it really changes, a lot playability, voice, everything its like night and day get it right, and its soo easy to play sheer joy anyone else into that ? |
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#2 |
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diyAudio Member
Join Date: Feb 2002
Location: Western Sydney
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Most of my guitars stay in tune OK, but not my favourite, a short scale Suzuki acoustic 'parlour' guitar, ~ 35 years old. The $%#@ B string won't stay intonate properly, no matter what I do... I've cut a new saddle; no joy. My next move is to try a heavier gauge string...
Actually, I have a short scale bass I made out of an old Strat copy, the low E is having probs intonating too, but I'm pretty sure that's because I haven't got the bridge set up right yet.... been working on that for about 5 years so far....
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Impedance varies with frequency, use impedance plots of your drivers and make crossover calculations using the actual impedance of the driver at the crossover frequency |
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#3 |
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diyAudio Member
Join Date: Dec 2010
Location: New Hampshire, USA
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My bass stays in tune until you touch the tuning keys. It's quite good at staying in tune, but the neck can bend very slightly in temperature changes.
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#4 |
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diyAudio Member
Join Date: Dec 2010
Location: New Hampshire, USA
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Also, I use a rack tuner that seems very accurate so I can get the tuning right and not some cheesy stomp box.
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#5 |
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diyAudio Moderator
Join Date: Nov 2005
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hey friends
what about the bridge ? thats the one Im mostly concerned about bridge adjustment basicly you fintune the scale size(mensur) and it seems to have huge impact on the tuning my fingers dont hurt no more, so I raised the bridge just a bit, which also helped a lot |
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#6 |
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diyAudio Member
Join Date: Feb 2002
Location: Western Sydney
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Tinitus, 'fintune the scale size' in English it's called 'setting the intonation'. In theory, you only need to do it once, unless you change your string gauges.. but in practise....??? maybe it depends on the temperature/humidity stabilty of the neck?
One of my pet hates - those grub screws which set the bridge height - half of them are too long and stick up waiting to take flesh off your hand... you have to try to cut them in half without stuffing up the thread... re: 'I use a rack tuner' - It probably the easiest and often most practical way, but I'm a tighta$$ Luddite, still use my ears...
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Impedance varies with frequency, use impedance plots of your drivers and make crossover calculations using the actual impedance of the driver at the crossover frequency Last edited by PeteMcK; 18th February 2011 at 03:45 AM. |
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#7 | |
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diyAudio Moderator
Join Date: Nov 2005
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Quote:
![]() well, yeah, having all frets in perfect tune also gives optimal 'intonation', as a result the really surpricing thing is that its a 150 dollar 29" kid's bass one reason I say this is, I think many people may have trouble because of a poorly adjusted bridge |
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#8 |
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diyAudio Member
Join Date: Jul 2005
Location: North Derbyshire
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My daughter just tunes her bass by ear, despite having two electronic tuners - that she only used when she first started. She also often gets passed guitars on stage to tune as well - it's faster for her to do it than the guitarist messing about with a tuner.
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Nigel Goodwin |
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#9 |
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Banned
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Ah, there are a few tricks to this. Sometimes a bit of graphite (pencil lead) in the grooves on the nut (plastic bit at the end of the fingerboard) can help, sometimes a new nut is required if the existing one is pocketed.
If it's an electric, adjust the bridge adjuster until the 12th. harmonic and the fretted note at the 12th. are the same. The other main thing is to treat 'em rough. Grab aholt of the string in the playing area near the end of the fingerboard and pull it away from the face hard, until it's nigh to breaking, then pull it left and right vigorously and quickly several times. Tune up to pitch and repeat the process until you get no change. My violin teacher taught me this nearly 50 years ago. She used to terrify me pulling the strings around violently while I had the violin up under my chin, I kept expecting the string to break and take out my eye. Never did though. w |
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#10 | |
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diyAudio Moderator
Join Date: Nov 2005
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Quote:
![]() hmm, first step to find the 'intonation setting' seems to learn how the bridge works by that I mean which effect it has when adjust one way, or the other to me the key word is 'detuning' final adjustments were exstremely small maybe like 3/10 mill I have almost run out of threading so my bridge is probably wrongly placed should have been closer to fretboard I suppose each instrument will be different |
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