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#1 |
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diyAudio Member
Join Date: Feb 2004
Location: Recife - Brasil Northeast
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So, no modifications allowed..but you can do it by yourself if you want.
New violines have a steel bar inside the arm... does not make sense to you dismount your violine to make it once again to include some modern features on it? regards, Carlos
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Drain issue already impeach me to be sitted soldering; http://www.youtube.com/watch?v=u8DGBc07eiQ |
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#2 |
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diyAudio Editor
Join Date: Dec 2001
Location: San Francisco, USA
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actually they do upgrade violins - even old and expensive ones! Even those of the Italian masters. I have heard that almost none are in the same state as when they were made..Someone else may know more about this..
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Burning Amp Festival Sunday, October 28th, 2012 in S.F. We need Volunteers & sign-up's for what you're bringing! Last edited by Variac; 23rd April 2010 at 10:15 AM. |
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#3 | |
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diyAudio Moderator
Join Date: Nov 2005
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Quote:
ehh, nooo, they were originally baroque instruments, made with a more straight "horisontal" neck, and using natural strings made from cats ...This kind of setup is still used by some musicians playing bach etc, where it gives that special sweet sound http://webspace.webring.com/people/n...cobus/id57.htm But most of the old violins have been rebuilt with a modern slanted neck, and mounted with steel strings Inner bass beam may also have been replaced by a stronger heavier one Astoundingly such instruments retain their superiodity, despite the radical intervention http://www.youtube.com/watch?v=hWQKNKw4J8Y |
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#4 |
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diyAudio Member
Join Date: Feb 2004
Location: Recife - Brasil Northeast
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Man...... Mr. Stradivarius will be extremelly bothered if he know people are doing these things with his masterpiece of art.
Well..... each one of us with our opinions about....i do think it is criminal to use anything but a piece of cloth to wipe dust from the Violine...to keep it protected against sunligth and inside a soft case (inside) and hard case outside to protect.... when not in use playing good music, naturally. I do think the same about Tinitus violines and other craftsman products..not done in series, or a small series..these ones are rarities, a piece of history, should be respected and protected.... the same to the first amplifier Mr.Pass made.. terrible if someone decide to replace a single resistance there. People dismounting, installing metalic reinforcements..my God!... this seems criminal to my eyes. I have listened a Stradivarius playing.... and then compared to an ordinary, common, standard violine, these ones made almost in series..... what a difference!.... even not comparing, played my the same man, you can notice it is better... but how better..only comparing. regards, Carlos
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Drain issue already impeach me to be sitted soldering; http://www.youtube.com/watch?v=u8DGBc07eiQ Last edited by destroyer X; 23rd April 2010 at 01:22 PM. |
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#5 |
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diyAudio Moderator
Join Date: Nov 2005
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You are absolutely right
Lots of these rebuilding was done years ago Today I doubt anyone would dare to change such instruments Whatever we think about it, no original barogue violin would have a chance in todays big modern orchestras You know, its really the same with regards to the music....Mozart, Beethoven, etc In their time it NEVER sounded like today We have changed their music too Or maybe we play their music the way they would have wanted to themselves Oh yes, I think Stradivarious, Beethoven etc, they would all like and approve what we do today, with their things If you have interest, there are some orchestras specialising in original music, played on original instruments btw, a strange thing most dont know about violins like Stradivari is that it wears out from hard professional use At some point it gets "tired" and worn out, and cannot be used professionally anymore Apparently its hard to be a violin too Well, I wont bother you with my crazy hobby |
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#6 |
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diyAudio Member
Join Date: Apr 2002
Location: Prague, Kitakyushu, Fukuoka
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In fact there is a growing number of these orchestra that are playing on authentic or historical instruments, and some conductors, like Harnoncourt, Gardiner, Herreweghe and others are specialized in authentic instrumentation.
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#7 |
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diyAudio Member
Join Date: Apr 2010
Location: Coffs Harbour, on the east coast
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Perhaps Tinni, you also seriously play these beautiful things. My pianist father used to swear by (and at!) recordings of solo violin to set up his Hi-fi turntable and speakers. The point being that the violin's high register might also make a very on topic listening test for the real design aim of Carlos' Blame ES/ST, if he likes the idea.
Think of it as the main performance test! - Blame ES v Paganini! best regards
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regards |
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#8 |
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diyAudio Member
Join Date: Apr 2007
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Hello Carlos and Cal
Just a last one... this one are not completely off topic... Cal, if you want to delete it, wait a day, so few guys my be interest to know a bit more about the subject. Like an amplifier a violin do need a good frequency response, depending of the tickness and quality of the woods, you will have a tone from a violin, we call it tap tone because we tap on the violin plate to eard it's tone. A good violin will have the four strings with about same level of sound wen you play them, it will not be flat as an amplifier but the frequency response of a good violin will be sort of flat with four equal peak from the four strings. And a good violin will not loss all the harmonic from the strings and the woods resonances, and the note from the violin need to have ringing, meaning some sustain, so the note will not fade to fast. A cheap violin will not have the four strings with about same level of sound wen you play it and the note will fade to fast, and it will loss lot of the harmonic from the strings and the woods resonances. A good woods for violin making, wen dry, will ring like a bell wen you knock on it (but with lower volume than a real bell). To know much more, you can go there; CAS Forum Home Page Btw, I was violin maker for few years, but since people buy more chineese violin all violin makers in the region did moved or changed job. Bye Gaetan Last edited by gaetan8888; 23rd April 2010 at 07:46 PM. |
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#9 |
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diyAudio Member
Join Date: Sep 2005
Location: Trnava, Slovakia
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Well and nice said, but here is one substantial difference.. Violin is source of sound, it is creating sound. Amplifier not, it should "only" reproduce.To make a violin is a kind of art, make an amplifier is strictly technical matter.
Last edited by BV; 23rd April 2010 at 07:46 PM. |
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#10 | |
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diyAudio Member
Join Date: Apr 2007
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Quote:
Yes, making an amplifier is technical matter, but some excellent amps designers do also use intuitions and not only technic. Hugh Dean are a example of that. And violin making are also a sciences, read from Carleen Maley Hutchins, she done lot of scientific works who help in violin making understanding. Joseph Curtin are a violin maker who use both arts and sciences to made some of the best violins in the world. I will not talk more about violin, it's becoming quite off topic. Bye Gaetan Last edited by gaetan8888; 23rd April 2010 at 08:00 PM. |
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