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#1 |
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Account disabled at member's request
Join Date: Mar 2007
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In keeping with another current project (Stratocaster build) I'm building a guitar amp.
Many of the other aspects of it's construction have been decided and I have started by selecting the drivers (two Eminence Legend 1258) and building the box to house it all. Details on this to follow but first the issues that need attention: preamp design and power amp choice. First, the preamp that I have put together with inspiration from Rod Elliott's design: GUITAR PREAMP 1.pdf Basically buffer, gain, tone, gain, buffer. Room for improvement here? I'm new to this type of thing and any input would be greatly appreciated. |
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#2 |
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diyAudio Member
Join Date: Jun 2004
Location: Dorset, UK
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You might want to put a single pole switch above or below R14 to disable the diode clipping.
Tony |
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#3 |
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diyAudio Member
Join Date: Nov 2004
Location: Suomi, Finland
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The input buffer seems pointless and has a too low input impedance to begin with. You want input Z to be closer to 1 Megaohm, like in the second stage.
Overall, I don't like the Elliot's preamp design and there are several reasons for this. The clipping diodes are a joke because due to the large bandwidth of the preamplifier they will only develop annoying buzz and fuzz. The only decent tones you'll get from this preamp are clean ones. I would seriously consider ditching this design and taking a look at the preamplifier circuits in some of the guitar amplifiers you are fond of. Study them for a moment and you'll begin to realise how awful the Rod's design actually is for this kind of application. |
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#4 |
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Account disabled at member's request
Join Date: Mar 2007
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Thanks Tony,
Good idea. Any others? I thought about making the gain adjustable on the input buffer and make away with the hi / lo inputs. What do you think? |
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#5 |
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Account disabled at member's request
Join Date: Mar 2007
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Hi teemuk,
In my usual haste to get things done, I overlooked other designs. I will take a closer look at some of the schematics I've found. Any recommendations? Remember, I don't know any guitar amps and I don't even know how to play yet. |
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#6 |
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diyAudio Member
Join Date: Apr 2008
Location: Carlisle, England
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If your looking for harmonics in the design then consider a soft limiter.
This will give a range of tones similar to a valve amp in overdrive.
__________________
http://www.murtonpikesystems.co.uk PCBCAD40 pcb design software. Last edited by nigelwright7557; 27th September 2009 at 09:50 PM. |
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#8 |
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diyAudio Moderator
Join Date: Nov 2005
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#9 |
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diyAudio Member
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Hi John; if you design for a lead guitar you need a harmonic enhancer that makes sound brighter when louder, and softer when it decay.
Here is the main idea: Si diodes in feedback (Log. converter), Ge diodes after (Exp. converter). The pot is a pedal ("Expression"): push the pedal and get more drive.
__________________
The devil is not so terrible as his mathematical model! Wavebourn: We Create Creativity! |
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#10 | |
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diyAudio Member
Join Date: Apr 2002
Location: *
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Quote:
If your preference is for heavily overdriven sounds then look at some of the early Marshall master volume model schematics. If you are more of a clean twang sort of guy then a Fender front end is the way to go. I also recommend a spring reverb unit, these sound really great and if you can stretch it a tremolo circuit as per early Fenders. Good luck T |
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