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#41 |
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diyAudio Member
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Looks like eminence has done one for a while.....
Eminence BETA-12LTA, 12" Woofer, Wide-Range from Madisound Gets you down to 29Hz (f3), but the box isn't small......
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"Throwing parts at a failure is like throwing sponges at a rainstorm." - Enzo My setup: http://www.diyaudio.com/forums/multi...tang-band.html
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#42 |
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diyAudio Moderator
Join Date: Nov 2005
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Suggestion is fine as such
But not for bass guitar use Eminence and Beyma have about the same 1.5-2mm Xmax, both small and best not use below 500hz But Beyma has advanced magnet design with shortring, cast chassis etc Whether it matters or not Butmost important, Beyma sensitivity seems a good deal better too But mms and voice coil seems about same value on both Its a bit surprising that they have totally different Qts/Vas To me, the important reason I want to do this is to use quality drivers that are way better than what you will find in most commercial bass cabs, and cheaper Last edited by tinitus; 7th December 2009 at 09:23 PM. |
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#43 |
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diyAudio Member
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Xmax is low, granted, but at 8mm Xlim, you'll be going pretty loud.
I expect that crossing such a thing over around 100Hz, then adding a designated subwoofer would create quite a nice setup... Still, I'm a guitarist, but not a bassist, so who am I to judge
__________________
"Throwing parts at a failure is like throwing sponges at a rainstorm." - Enzo My setup: http://www.diyaudio.com/forums/multi...tang-band.html
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#44 |
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diyAudio Moderator
Join Date: Nov 2005
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Just now Im thinking about making it into a bigger allround speaker
One that does ALL Guitar, bass, studio, PA, disco, party, music, or whatever you can think of Maybe even with built in "active" Its more expencive, and would even need be a pair But can do a lot more, so it might be worth it |
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#45 |
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diyAudio Member
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I saw something in a celestion cab. design book that would fit the "bigger, do it all" idea.
3-way design, using an 18" woofer, 10" mid, and compression driver. I would add some filters for different inputs. For example, most guitar speakers will be pretty flat in the low-mid, dip at 1.5kHz, peak at 3kHz, then roll off steeply. You could do that with a notch filter. Here's an example - http://www.eminence-speaker.com/pdf/manowar.pdf I presume there'll be similar shapes for bass speakers. Keyboard and vocals would be left untouched, except for a filter on the vocals for the frequency range extremes. Ultra sonic feedback is known to cook amps, and having a thud whenever you say the letter P is pretty irritating...
__________________
"Throwing parts at a failure is like throwing sponges at a rainstorm." - Enzo My setup: http://www.diyaudio.com/forums/multi...tang-band.html
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#46 |
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diyAudio Moderator
Join Date: Nov 2005
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Right
this 12" is my choise I also have a couple of horns 18" woofer is also a PD Precision Devices International Limited I consider to use a Hypex/dsp plateamp Passive xover on tweeter If you need a more tough pro speaker, its just to bridge the plateamp and use it on mid/tweeter, and connect a pro amp to plateamp sub-out Last edited by tinitus; 12th December 2009 at 08:18 PM. |
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#47 | |
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diyAudio Member
Join Date: Apr 2008
Location: Carlisle, England
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Quote:
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http://www.murtonpikesystems.co.uk PCBCAD40 pcb design software. |
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#48 |
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diyAudio Moderator
Join Date: Nov 2005
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#49 |
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diyAudio Member
Join Date: Apr 2008
Location: Carlisle, England
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I use it for disco use.
I use it in conjunction with a 2 by 12 inch full range cabinet. It lifts the bass to give a good disco beat.
__________________
http://www.murtonpikesystems.co.uk PCBCAD40 pcb design software. |
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#50 |
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diyAudio Moderator
Join Date: Nov 2005
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I consider to use this digital DSP kit from GroundSound
Last edited by tinitus; 15th December 2009 at 11:10 PM. |
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