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#1 |
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diyAudio Member
Join Date: Jan 2009
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hi all, been browsing this forum for awhile now, just taken the plunge.
i'm studying electronics at college, for the main reason of getting into audio design, but i'm still a bit of a beginner really. for my first project i fancy building an analogue tape comp simulator, as i love that natural sounding saturation/compression. i've come across this design http://home3.netcarrier.com/~lxh2/tapesat.html & have a question about it, it states that 'Any decent quality op-amps can be used' so was wondering if anyone could enlighten me on this, as i'm not sure whether it means any op-amp or an audio specific one? cheers |
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#2 |
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diyAudio Member
Join Date: Jan 2009
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I suppose a ordinary 741 will be good enough and a safe card. Otherwise, maybe NE5534?
//Erik |
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#3 |
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diyAudio Member
Join Date: Oct 2008
Location: Florida
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This is a very vague application. I have been looking at a DAT 12 track recorder that I was thinking about getting to run my digital recordings through to "warm" them up. I am curious as to where in the scheme of things this would be used? Would you put it between the instrument and the board, or after the total mix in to a final wav file? I guess I just am not getting enough info. I think it would be really cool if it worked and it would save me roughly $650 usd, but me thinks it's to good to be true?
Jman |
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#4 |
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diyAudio Member
Join Date: Jan 2009
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If you will use it on the final mix, you probably will link the channels (otherwise they will sound different and make a skew stereo image... I think you may have more use of it if you insert it on the channel you are recording. Build one and test, maybe it sounds like crap, maybe it´s perfect on some kind of instrument, you´ll never know. Maybe it gives you a really fat snare... I think you shuld go that way.
Anyway, i prefere the real stuff for tape saturation, so i should use my B62 or B67... :-) //Erik |
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#5 |
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diyAudio Member
Join Date: Oct 2008
Location: Florida
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I think I will!
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#6 |
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diyAudio Member
Join Date: Jan 2009
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thanks for the replies,
i'll probably be using it between instrument & desk(to soundcard) as i recently transferred some older 8-track recordings onto p.c & was really impressed with how well the bass track sounded. whether it works or not is a different matter of course, but it looks a cheap build to mess about with! also, if i may, is there a general rule of thumb when choosing resistors for audio, is there a best type, power rating, tolerance e.t.c? i.e. metal film/carbon comp, 0.25w/0.75w... cheers |
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#7 |
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diyAudio Member
Join Date: Oct 2008
Location: Florida
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Hey guys, I found this an interesting idea so I am going to try it also. I was wondering about this statement in the instructions:
"1. Power supply is a split supply of +/- 15 volts." I am assuming that it would be a virtual ground supply, but is that +/- 15 volt supply divided into 7.5 volts, or is it a 30 volt supply divided into 15 volts? By the way it's stated I would assume that it's the latter, but I would just be guessing. Here is the page again: http://home3.netcarrier.com/~lxh2/tapesat.html Thanks Jman |
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#8 |
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diyAudio Member
Join Date: Jan 2009
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that's right, 30 volts dividet to 2.. It's not critical unless you need +4dB out, if you are using a unbalanced circuit, 0,775 V, and if it's ok for the opamp, you can test the circuit with two 9V batteries..
question about resistors, take what you have. It doesn't matter... 5% will be fine,1/4 W, cheap and easy to find. |
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#9 |
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diyAudio Member
Join Date: Oct 2008
Location: Florida
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Thanks for the quick response unsolved. I'll let you all know how this works when I get done. I will have to order the 1n34 diodes I think.
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#10 |
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diyAudio Member
Join Date: Jan 2009
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quite by accident i stumbled across this site http://doorstopelectronics.googlepages.com/home2
there's a slight mod to the tape comp circuit on there. hey jman, was wondering if you've built one yet & how it sounds? |
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