Direct Microphone -> Headphone Amp

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Hey all,

Just a quick question. I've had a project floating around in my head for a while, and figure I'll give it a crack while I have a few free weeks.

I'm looking to make a very simple, portable amplifier that will amplify a signal from microphone level to headphone level. It needs to be battery powered and provide 48v phantom, with a volume pot. It only needs to be in mono, but I might make a stereo version later if it works out.

I have a very limited knowledge of gain staging, so my question is. Is there a way of doing this with one circuit, or would I be better off piggybacking two chips - one to amplify to line level and another to headphone level? I realise that would be pretty easy, but to make it small is another thing entirely.

Any thoughts you could give would be much appreciated.

Thanks,
BlindMelon7
 
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Just buy this and be done with it. 9v battery powered headphone out XLR in with 48v phantom. Small and portable.

IK Multimedia iRig Microphone Preamp/interface | Staples

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You can't diy it for less
 
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Just get a basic headphone amp like a Fiio A1 or similar.

https://www.amazon.com/gp/aw/d/B01LYYKP29/

My guess is that the signal from the unit if connected to your headphone would probably sound ok if you had high impedance phones (250ohm). But even a cheap $25 portable headphone can boost that to work with any headphone.
 
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Just get a basic headphone amp like a Fiio A1 or similar.

https://www.amazon.com/gp/aw/d/B01LYYKP29/

My guess is that the signal from the unit if connected to your headphone would probably sound ok if you had high impedance phones (250ohm). But even a cheap $25 portable headphone can boost that to work with any headphone.

True, but I'd still rather build something - I've been looking for a project to brush up on my soldering skills.

So would you say I'd still need two discrete gain stages or is there a way of skipping the line level and going straight to a headphone level?
 
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Yes 2 stages. 1st is high gain mic preamp. Second is headphone power amp. 4 transisotrs total.

Use Rod Elliot's preamp:

http://sound.whsites.net/project13.htm

An externally hosted image should be here but it was not working when we last tested it.


Then you could use my simple headphone amp which sounds superb.

http://www.diyaudio.com/forums/group-buys/302859-xrk971-pocket-class-headamp-gb.html

591187d1483977924-bf862-based-se-class-headamp-without-heat-pocket-class-bf862-zvn5306-ha-v1.png


Looks like this:

598314d1486711437-xrk971-pocket-class-headamp-gb-pocket-class-headamp-test-05.jpg


Since you are mono you could use only half that space and put mic preamp in other half.

Then use a small DC to DC step up to get 48v phantom.

There's probably a way to make the preamp with just two BF862 JFETs.
 

PRR

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Learn gain-staging. IMHO it is the audio-person's MAIN skill.

Yes, the 48V may be tougher than the rest.

The iRig is probably not a complete solution. (Another model only goes TO a mini microphone IN; this may be only USB out plus a loopback?)

A clever designer "could" do the gain-range in a "single stage". Should charge more than the project is worth; certainly more than an added chip.

Voltage rails is another concern. You want a 48. But headphones can blow your brains out with 10V; any more is waste heat. On the third hand a "microphone preamp" may cover such a wide range that 15V to 30V may be nice. Now your smallest load is your highest voltage, an awkward power-stack to manage.

"Phantom" implies "balanced" (differential) input. The single-ended preamps don't work this way.

Most "good" mike preamps don't go below unity gain. Most power amps (even headphone power) have a narrow range of stable gain. 0dB in pre and 26dB in power amp may be too much gain for loud voice in sensitive cans.

There is a reason almost all compact mixers have two knobs in the path: an input gain knob and a channel mix knob. (And usually a third knob for headphone gain, though if there is no other output this might be skimped-out.)

I'm thinking 9V wall-wart, a '555-based voltage multiplier to get several higher rails, the "$10 mike preamp chip" for a -good- mike input, and even a LM386 (better a LM380) power stage. But the '555 buzz-booster begs for audio trouble. Voltage boosters are cheap from Asian suppliers, but I do not know quality.
 
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