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#11 |
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diyAudio Member
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Yes but the concept is long overdue, especiall with the ortho headphones int the mix now. Believe me I have looked hard at an SET design and short of a GM70 a clean 2W into 38 ohms isn't happening.
Last edited by regal; 28th April 2012 at 12:55 PM. |
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#12 | |
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diyAudio Member
Join Date: Nov 2008
Location: Oakmont PA
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Quote:
The National LM4562 has changed part number. It seems it is pronounced to sound like an offensive term in China! |
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#13 |
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diyAudio Member
Join Date: Jul 2011
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In a way it is a great name for a piece of Hi-Fi, designed to sound brutally revealing.
It claims to be very bad at being inaccurate, cos it's a sh1t liar!
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#14 |
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diyAudio Member
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I did a little probing on my new Lyr, the tube stage is a simple common cathode, resistive loaded plates with the shared cathode ccs, operating point with my less than fresh amperex orange globes is 110V anode, 2.7V cathode, which gives me about 3mA per tube . Its a good design, not some enemic chinese SRPP run 100V B+. Its quiet with Grados so the B+ regulation must be good stuff. The p-p mosfet output is well laid out. The coupling cap in front of the output stage is a decent Wima 4.7 MKP4. If I hear a room for improvement the bass seems a bit too snappy/harsh at high high power levels (fine at normal levels).
I guess a DIY version could be done for about the same price without a whole lot gained. Would do a little better with a more linear operating point, more like 125V/5mA. I would be more interested in an no expense tube hybrid headamp. Maybe tube rectified/Salas HV B+ to 4p1l (coleman reg), to lateral mosfet p-p type buffer. Would be expensive and time consuming but could be worth it. I am surprised there isn't much interest in building a DIY ortho amp, everyone seems content to plug them into antique Sansui receivers
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#15 | |
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Richard Murdey
diyAudio Member
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Tube+MOSFET hybrid headphone amps are bit ... uninteresting. They are basically two fully independent sections, one high voltage, low current, the other low voltage, high current. Since the don't ideally share a common power supply, the circuit design quickly devolves into a tube preamplifier and a MOSFET headphone buffer that just happen to share a common chassis.
As for the Lyr, I'm sure it's a solid-by-DIY-standards design, given it's heritage. I'm most interested to know how the dynamic biasing is done: Quote:
Last edited by rjm; 6th May 2012 at 06:47 AM. |
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#16 |
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diyAudio Member
Join Date: Oct 2008
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I know they're using some type of ic for the switching. I'll order one soon. I'll post when I receive it. Then we can decipher it together.
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#17 |
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diyAudio Member
Join Date: Nov 2011
Location: UK
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#18 | |
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diyAudio Member
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Quote:
Even the lower model orthos need a solid 6Vrms swing into 38 ohms which is a challenge for SET tube folks. I think the dynamic biasing just means the output stage is push-pull biased around 100mA, and when the volume/load high enough it goes into class B just like any heavily biased class A push-pull stage. But I didn't look at the mosfet stage, the Lyr does fit your tube preamp + mofset stereotype. |
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#19 |
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diyAudio Member
Join Date: Jan 2010
Location: Colorado
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The very best sounding hybrid tube amp that I have heard is the Cavalli Audio Liquid Glass Amplifier at $3500 which has about the same power as the Lyr. Does anyone knows how that is designed?
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#20 | |
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diyAudio Member
Join Date: Jul 2011
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Quote:
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