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mnturner 31st May 2011 11:37 AM

All Discrete Class-A Headphone Amp
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Hey guys,
just got a pair of AKG K701's which sound great but are a little lacking in absolute volume when driven by my sources (mostly PC soundcard), so I'm going to build an amp for them. Going for extremely low distortion and decided to go single ended class-A because I could. Won't be portable due to power consumption, but if it was made push-pull and the quiescent current was reduced a bit it might be practical.
Replace output transistors with whatever you like, I'm just using these because I have them. Paralleling them probably isn't necessary, I'm just doing it to ensure against and beta droop induced distortion (however unlikely that is at these low levels of current).
Also use whatever CCS for the output stage you like, I'll either go discrete ring type or more likely LM317 as CCS.
This will be powered by bipolar LM317 regulated 12v rails.
Spice gives promisingly low distortion figures.
Any thoughts on this design? Based around a D. Self type front end.

Chris Daly 31st May 2011 01:48 PM

I would avoid using 2x final transistors as proper current sharing despite the emitter resistors could be problematic. Also a bootstrap is missing. The use of the caps in series for the Miller compensation is interesting. Fascinated to see if it works.

Cheers / Chris

mnturner 31st May 2011 02:46 PM

Hey thanks for the reply,
Where do you think a bootstrap is necessary? On the input?
The series miller comp caps are twin pole compensation; it's what I'm using right now on my class B 130 Watt power amp and it seems to work perfectly.
When I make the PCB I'll include provision for the second output device, if sharing is an issue I'll either increase the emittor resistors or remove the second device as at these power levels its obviously not strictly necessary unless I decide to significantly increase the quiescent current.

Chris Daly 31st May 2011 08:42 PM

Hi mnturner
A bootstrap is typically applied to the output as in 5.22 (b) of the following diagram which is what I pictured when I viewed your schematic. Its purpose is to traditionally increase AC swing, however as you are only driving headphones increased output swing may not be necessary, A bootstrap might alleviate the need for the second output device and the problems that go along with current sharing
using a second device.

I would concentrate rather researching possible benefits of properties of a bootstrap lowering distortion, Cheers / Chris

Distortion In Power Amplifiers

"When a VAS-buffer is added, the drop in distortion is dramatic, as it is for the beta-enhancement method. The gain increase is ultimately limited by Early effect in the cascode and current-source transistors, and more seriously by the loading effect of the next stage, but it is of the order of 10 times and gives a useful effect. Fig 12 plots the distortion of a model amplifier with 100 Ohm input pair degeneration resistors, showing the extra distortion from a simple VAS. However, the beta-enhanced version has the THD submerged in the noise floor for most of the audio band, being well below 0.001%. I think this justifies my contention that input-stage and VAS distortions need not be problems; we have all but eliminated Distortions 1 and 2 from the list of eight."

mnturner 1st June 2011 03:00 AM

Was it the bootstrapped VAS you were referring to? I've used an active current source for the vas instead, and the vas is buffered by the use of the darlington type output stage (q27)

Chris Daly 1st June 2011 04:20 AM

I look forward to seeing how it goes with the AKG's
Cheers / Chris

Conrad Hoffman 1st June 2011 04:28 AM

I built a low power amp almost identical to this, but with a conventional darlington output. I went with a lower feedback network impedance and a few other values differed slightly, but the performance was first rate and distortion numbers generally under .001% across the audio band. The key to achieving those numbers in the real physical design has a lot to do with how/where you ground various parts of the circuit. My transistor compliment was MPSA56 and MPSA05 for the small stuff, and output darlingtons consisting of 2N2218+TIP32A and 2N4037+TIP31A. It ran on +/- 18VDC. (I'd dump the 3055s in a heartbeat!)

Conrad Hoffman 1st June 2011 02:03 PM

Sorry, I didn't look at my schematic closely- the output pairs aren't darlingtons but npn-pnp pairs. I'm too lazy to look up the proper name at the moment.

mnturner 1st June 2011 03:05 PM

Sounds like complementary feedback pair or Sizklai pairs (or however you spell that guy's name). That's my preferred output stage topology, I've used it in a couple of class B power amps.
Did your headphone amp use complementary devices with a bias setting?
I thought about that but in this design I've just used the single ended output because it avoids having to use a Vbias transistor etc. to simplify PCB layout at the expense of efficiency.
I have a feeling using only one polarity of output device with a constant current load to set the quiescent current might possible be more linear too, but I'm not sure about that and spice sims haven't shown much difference either way.

mnturner 3rd June 2011 05:24 PM

1 Attachment(s)
I got impatient and couldn't be bothered making a PCB for the amp straight away, so in the meantime I knocked this together on perfboard. Regulated +/- 13v supply with ~50VA +/-12Vac trafo scavenged from and old integrated amp, 2200uF per rail before regulators and 470uF low ESR caps after regulators and WIMA polycarb input caps. The gain of about 4 which seems to be about right for my sources and these headphones.
I reduced the quiescent current to 125mA because I've use a pretty small heatsink (which is still only barely adequate), but even at this level the amp can still put about 480mW into my phones (more than enough to blow them up).
And all made from stuff out of the junk box
Anyway, it sounds much better than trying to run the phones straight from source and lets me get the phones up to ear-shattering levels if I'm not careful with level controls :p

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