I might do something about it later, but for now I didn't have much time.
As usual, magnificent execution
My imagination cannot conceive of a better way to package an amplifier. Of course, my imagination would have never come up with THAT, but once seen one knows that THIS is how it should be done if only one had the skills.
Mr. Pass has an unique understanding of electronic circuits but Peter Daniel has this same level of conception for execution of the circuit into "productum". I suspect even Mr. Pass took a longing look at your work.
I guess the pads looked like some kind of metal intermediary between
output device and heatsink. Your other photos make this plain to me now. Thanks for the clarification.
Beautiful.
Rick McInnis
My imagination cannot conceive of a better way to package an amplifier. Of course, my imagination would have never come up with THAT, but once seen one knows that THIS is how it should be done if only one had the skills.
Mr. Pass has an unique understanding of electronic circuits but Peter Daniel has this same level of conception for execution of the circuit into "productum". I suspect even Mr. Pass took a longing look at your work.
I guess the pads looked like some kind of metal intermediary between
output device and heatsink. Your other photos make this plain to me now. Thanks for the clarification.
Beautiful.
Rick McInnis
Hi Peter,
Everything has been worked out regarding de PCBs, a fellow member of the forum has some spares that he's just sold me.
Now I need to start looking for parts and such.
Do you have a part # for the heat sinks pictured above in posts 656 and 661? Will those work for the F3? One could hold Q1/Q2 and Q3/Q5 in the other. PCB would go in the middle and this could yield a neat monoblock configuration.
Looking at the PCBs they look like both audio and PS boards can be sawn in half to make this happen. What would be the best way to saw those boards apart - hacksaw, dremel?
Take care,
Luis
Everything has been worked out regarding de PCBs, a fellow member of the forum has some spares that he's just sold me.
Now I need to start looking for parts and such.
Do you have a part # for the heat sinks pictured above in posts 656 and 661? Will those work for the F3? One could hold Q1/Q2 and Q3/Q5 in the other. PCB would go in the middle and this could yield a neat monoblock configuration.
Looking at the PCBs they look like both audio and PS boards can be sawn in half to make this happen. What would be the best way to saw those boards apart - hacksaw, dremel?
Take care,
Luis
Hello everyone,
I'm just starting to collect parts for an F3 build and looking at the service manual I got some questions.
Please excuse me if these have been answered before and if these sound too basic, it's my first build in more than 10 years and the fist at high-end hi-fi.
- do I have to get matched JFETs and MOSFETs?
- in the schematic one can read "R5 matched to JFET" - what does this mean?
- I can't find R13 on the PCB, should I just increase P1 to 10K?
- what are you guys using for C1 / C8 / C10 coupling caps? maybe a BlackGate for C10? which one - FK is only 25V while the standard can be found in 50V and 100V? PIO or other fancy film cap for C8?
- all resistor can be 1/4W other than the ones marked 3W?
- I see lot's of 220uF - what are you guys using? Nichicon KZ 100V?
While using quality components sounds like the ticket for good performance I think that focus should be given to components in the signal path... what parts should I be paying more attention?
Thanks in advance,
Luis
I'm just starting to collect parts for an F3 build and looking at the service manual I got some questions.
Please excuse me if these have been answered before and if these sound too basic, it's my first build in more than 10 years and the fist at high-end hi-fi.
- do I have to get matched JFETs and MOSFETs?
- in the schematic one can read "R5 matched to JFET" - what does this mean?
- I can't find R13 on the PCB, should I just increase P1 to 10K?
- what are you guys using for C1 / C8 / C10 coupling caps? maybe a BlackGate for C10? which one - FK is only 25V while the standard can be found in 50V and 100V? PIO or other fancy film cap for C8?
- all resistor can be 1/4W other than the ones marked 3W?
- I see lot's of 220uF - what are you guys using? Nichicon KZ 100V?
While using quality components sounds like the ticket for good performance I think that focus should be given to components in the signal path... what parts should I be paying more attention?
Thanks in advance,
Luis
luis.martins said:
-For matching of Jfets, see pass's website on ZV9. There is a discussion at the end of it on testing and matching LU1014 to R5 resistor for least distortion. The two LU's dont need to match. I have a variable DC power supply to test this sort of thing, and can help people match them if they want.
Yes P1 is 10K.
Resistors-Yes, correct.
I am using Elna Silimic II caps on F3
I am using SLIT FOIL BHC cap for big cap. I will try it without bypassing first. Then I may but in a 47uf and use an a high-pass filter to mid range.
I am cheap and using panasonic resistors for Power, and RN55D like papa. Mills are also very nice, but more expensive. I have not assembled mine fully yet. Still playing with F5.
luis.martins said:
I bought those heatsinks 15 years ago, no part#.
Here's my F3: http://www.diyaudio.com/forums/showthread.php?s=&threadid=85590&highlight= The heatsink I'm using is from R-Theta and it's just about right size for one channel
The PCBs have a scoring line and you just break them apart, no saw needed.
?
woodturner-fran said:
Fran,
do you have photo showing how did you mount R9/10?
I am having difficulty to find out how/where to install :
- R9/10
- CL60
- and also diodes stated in your recommended BOM.
thanks for posting the earlier BOM. I managed to get all the parts I need for a mono board but haven't started soldering them yet.
OK, not a great photo but see in this pic, I have 2 PS boards (one for each channel in my amp). You can see here how I mounted the diodes using some of Peters PS boards with the diodes on the heatsinks and short wires connecting them to the main PS boards. See at the outside end of each board the resistor (kind of nearly under the heatsink)? Well thats where I put my R9/10.
You can mount the CL60 right at the IEC socket where the AC power comes into the amp. Its mounted in series with the live AC power input. Beware that whereever you mount it, it will get pretty hot, so allow it some space.
hope that helps,
Fran
An externally hosted image should be here but it was not working when we last tested it.
You can mount the CL60 right at the IEC socket where the AC power comes into the amp. Its mounted in series with the live AC power input. Beware that whereever you mount it, it will get pretty hot, so allow it some space.
hope that helps,
Fran
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