|
|
#21 |
|
diyAudio Member
Join Date: Oct 2008
|
I appreciate the easy answer.
I like IB for the easiness of adding multiple drivers. However, I don't like the idea of pressuring the whole attic. With 4th order BP, I could put multiple boxes in the attic and have ports extending through the ceiling into my room. The bad part is that I don't know much and haven't gotten any good modeling for it. Most of my friends live in 2 stories houses. If there are boxes the could fit above the ceilings, either in the attic or below the 2nd floor, they might adapt the idea of multiple subs. If I tell them to buy multiple floor subs, their wife would ban me.
|
|
|
|
|
#22 | |
|
diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
|
Quote:
Correct as well, but true IB is pretty rare and hard to do. |
|
|
|
|
|
#23 | |
|
diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
|
Quote:
SPEAK (on my website) is now free and it does a really good job of modeling bandpass enclosures. |
|
|
|
|
|
#24 |
|
diyAudio Member
Join Date: Oct 2008
|
Yes, I've been playing around with speak. Still need to RTFM.
|
|
|
|
|
#25 | |
|
diyAudio Member
Join Date: Oct 2008
|
Quote:
I guess the other complication might be the port resonance for the large (6" dia) port required. Perhaps four narrower ones grouped together (so the sound can exit from the same area) would avoid that. |
|
|
|
|
|
#26 |
|
diyAudio Member
Join Date: May 2007
|
I find the claim that a vented box cannot pressurize a room at low frequencies to be ridiculous. How does it make sound, if it does not pressurize the room? Room pressurization occurs when the wavelength is twice the longest dimension of the room or more. The pressures inside a reflex enclosure are several orders of magnitude greater than the pressures in the listening space. If you are talking about infrasound below vent tuning, a reflex box does not become a dipole unless the port is directly opposite the woofer. Otherwise it forms an acoustic short circuit, not a dipole, since the term 'dipole' describes a specific radiation characteristic. But a sealed box (or 4th-order bandpass) cannot pressurize a listening space in any meaningful way at frequencies below 1/2 Fc, either, without EQ or modal reinforcement from the room itself.
I'm sure you've encountered this opposition before, so please educate this unwashed mass. How does a small room interfere with the reflex action of a reflex enclosure, inhibiting its ability to pressurize the room within its passband? (I can think of a simple way to test this, and it involves an impedance sweep.)
__________________
If it works, but you don't know why it works, then you haven't done any engineering. Taterworks Audio (nothing for sale) Last edited by Taterworks; 14th April 2010 at 02:41 AM. |
|
|
|
|
#27 |
|
diyAudio Member
|
I believe what was specifically stated was that it couldn't pressurize the room below it's resonant frequency, i.e. the pass band. The reason given was because it's effectively a dipole source at that point, and that only monopoles can pressurize a room. I did not interpret this to be a blanket statement that a vented box is always a dipole, nor that it couldn't pressurize a room above the tuning. It's my understanding that it operates as a monopole above the tuning frequency and thus can "pressurize" a room in that range, but below that range it can not.
|
|
|
|
|
#28 |
|
diyAudio Member
Join Date: May 2009
Location: Wellington
|
There is widespread misunderstanding of "room gain" or "pressurisation". For example, it is usually plotted as a curve but in fact is constant, or a "straight line".
Go here for an explanation: modeling room gain For a sealed speaker, the "room gain" calculation is straightforward - measure the volume displaced by the cone, measure the room volume, calculate the "pressurisation" SPL. For a vented enclosure, the air volume from the port has to be added to the air volume displaced by the cone. (Or, below resonance, subtracted from the cone displacement.) As for the effect of room size on the performance of a vented system, you can model the room as an enclosure attached to the "front" (combined port and driver) of the system. You'll find that any sane size of room is going to be so much larger than the system volumes that the effect on the system tuning will be minimal. So as a practical rule of thumb, a vented system will "pressurise" a room, but only down to the system's resonant frequency. More specifically: Any system topology that has one side of the driver sealed off from the room (sealed, 4th order bandpass, infinite baffle) will exhibit "room gain" at frequencies well below the system LF resonance. Any system topoloy that allows both sides of the driver to couple to the room (vented / reflex, 6th order bandpass, open baffle / dipole) will not exhibit significant "room gain" at frequencies well below the system LF resonance. |
|
|
|
|
#29 |
|
diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
|
The one factor that is missing in the discussion is the room "leak". Room gain assume a zero leak of pressure or at least a leak that is slower and less than the level of the sound. This is seldom the case, since all rooms leak (or we would suffocate). This leak then becomes the dominate factor in the SPL as the frequency goes to DC.
|
|
|
|
|
#30 |
|
diyAudio Member
Join Date: May 2009
Location: Wellington
|
True, most rooms are full of holes. Personally, I assume no room gain and treat any that occurs as a bonus - just roll off the bass drive to suit.
But a well designed home theatre / dedicated listening room shouldn't leak very much. (Concrete slab floor, cinder block or brick walls, prestressed concrete beam ceiling, solid doors with gaskets, HVAC ducts long enough to tune to infrasonic frequencies.) Even without special construction techniques, room gain should still be taken into consideration in many cases. For example, small rooms usually have fewer openings - often, just one door and a window. In the UK, the room will often have a small window, brick walls and heavy timbered floor and ceiling (the ceiling being the floor of a second storey.) And for a given driver volume displacement, small rooms exhibit more room gain than larger rooms. I believe that room gain is a significant factor in the popularity of bookshelf sized speakers in the UK. |
|
|
![]() |
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
|
|
| New To Site? | Need Help? |
| Page generated in 0.14329 seconds (79.83% PHP - 20.17% MySQL) with 11 queries |