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#221 | |
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diyAudio Member
Join Date: Oct 2005
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Quote:
...has been public already best, LC |
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#222 |
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diyAudio Member
Join Date: Jun 2003
Location: Chamblee, Ga.
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Greets!
Not the design per se, it's ancient history, but a program to accurately model it and what you can get by playing with lengths, CSA, and particularly driver and/or vent location. GM
__________________
Loud is Beautiful if it's Clean! As always though, the usual disclaimers apply to this post's contents. |
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#223 | |
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diyAudio Member
Join Date: Jun 2003
Location: Chamblee, Ga.
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Quote:
http://db.audioasylum.com/cgi/m.mpl?...ex&r=&session= GM
__________________
Loud is Beautiful if it's Clean! As always though, the usual disclaimers apply to this post's contents. |
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#224 |
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diyAudio Member
Join Date: Nov 2005
Location: slovenia
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I also believe that tapped horn is something similar. I experimented with that kind of enclosures and results are promising (at least for PA). I am looking for the smalest and loudest pa sub ( uff. problematic statement)
Cheers Bostjan Skok |
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#225 | |
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Account disabled at member's request
Join Date: Feb 2002
Location: Clifton Park, NY
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Hi Bostjan,
Quote:
I thought about the problem yesterday and concluded that a worksheet to model this type of enclosure is possible. It would require some rearranging and extension of the math but I believe it could be done. Unfortunately, it is not on my list of priorities and can only be classified as something interesting to look at if I ever run out of things to work on (there are a few other enclosures on that list also). So let me ask a couple of questions : 1. What is special about the performance of this design compared to a classic TL? 2. What performance advantages does it offer? 3. Where is this design used and over what frequency range? If there is some performance advancement possible with this geometry that would be interesting, if this is just an old design cobbled together by a very creative thinking individual that sounded good compared to state of the art at that point in time then I am not sure this is worth pursuing. Is the Jensen Transflex just another Karlson or Hageman style of exotic, outside the norm, or curiousity enclosure that appeals to a small group of enthusiasts or is it truely a high performance design that has fallen through the cracks? |
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#226 |
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diyAudio Member
Join Date: Apr 2004
Location: Pickering, Ontario
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Tom Danley posted some information about the tapped horn concept in these places -
http://srforums.prosoundweb.com/index.php/m/0/8829/32/0 http://srforums.prosoundweb.com/index.php/m/113362/0 Near as I can understand he's using 1/4 wave phenomena to compensate for the compromises introduced when deliberately making a horn 'too small'. And probably has all the math worked out to simulate and design the things. Innovation.
__________________
Benford's law of controversy - Passion is inversely proportional to the amount of real information available. |
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#227 | |
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diyAudio Member
Join Date: Mar 2005
Location: Taiwan
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Quote:
__________________
Hear the real thing! |
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#228 |
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diyAudio Member
Join Date: Apr 2004
Location: Pickering, Ontario
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__________________
Benford's law of controversy - Passion is inversely proportional to the amount of real information available. |
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#229 |
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diyAudio Member
Join Date: Jan 2005
Location: -
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Hi,
I'm already using the new worksheets and I'm very pleased. The simulation correlate *very* well with my in-room measurements. One thing I'd like to see in future versions of the worksheets is the in-room respond above 1kHz. Maybe up to 3kHz. Then I wouldn't have to use 'The Edge' anymore for my narrow baffle speakers. Bye, Elam |
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#230 |
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diyAudio Member
Join Date: Jan 2004
Location: Belgrade
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Hi
Nobody answered or comment something about my post at page 20... Thanks in advance
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