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#31 |
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diyAudio Member
Join Date: Oct 2003
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Just wonder if any one (Mr. Cain?) has tried a tapered pipe with circular cross section, in which case the area would change quadratically (rather than linearly) with pipe length.
Any advantages / disadvantages ? Thanks in advance, Patrick |
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#32 | |
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frugal-phile(tm)
diyAudio Moderator
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Quote:
Andy got the Conehead using translam before he set the project aside (forever he says but you never know) dave
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community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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#33 |
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frugal-phile(tm)
diyAudio Moderator
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Rick Shultz built a TL with a non-linear taper with good results...
http://www.t-linespeakers.org/projec...ear/curve.html Another fellow developed a TL with a reverse exponential taper -- he was going to try to get a patent, but finally just put it into the DIY community. dave
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community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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#34 | |
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diyAudio Member
Join Date: Mar 2004
Location: Western Wisconsin (almost Minnesota)
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Quote:
Should be able to sim it in MJK's sections worksheet, approximating a quadratic profile by using many different linear sections? cheesehead |
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#35 |
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diyAudio Member
Join Date: Jun 2003
Location: Chamblee, Ga.
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Greets!
AFAIK the worksheets (WS) are only using the cross sectional areas (CSA) at each end and the length to define a conical expansion of whatever its 'M' factor (taper ratio) turns out to be, so doesn't matter what CSA shape you input, ergo if you build a very high aspect ratio cab WRT width/depth, the sim won't be as accurate above the cab's compression BW. Of course if you want to define a specific 'M' factor with 'x' BW, such as exponential (M = 1), then SL and length become the variables and the 'sections' WS will need to be used. GM
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Loud is Beautiful if it's Clean! As always though, the usual disclaimers apply to this post's contents. |
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#36 | |
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diyAudio Member
Join Date: Dec 2003
Location: Near Seattle
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Quote:
circular: A = pi*r^2 -- quadratic. rectangular: A = x * y -- linear? Since the ratio of x:y stays constant because of the linear taper, x = k*y where k = x/y so: A = (k*y)*y = k*y^2 -- quadratic as well. Since MJKs worksheets just consider CSA w/rt to taper, it doesn't know whether you're using a circular or rectangular shape. However, the taper ratio is different. -- Danny |
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#37 |
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diyAudio Member
Join Date: Mar 2004
Location: Western Wisconsin (almost Minnesota)
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I think we're saying the same thing, just not reading the same thing...
In most cases, when you're changing the cross-sectional area of a speaker, only one dimension is changing. Say, rectangular baffle and triagonal side. Let h be the distance from the top of the "pipe", with a cross-sectional area (CSA) of zero at the top, then x = constant (the baffle is the same width throughout) y = c * h (the width of the side is linear with the distance from the top) CSA = x * y = c * x * h linear with distance from the top For a cylindrical pipe where the radius is linear with the distance from the top, r = c * h Then, CSA = pi * (c * h)^2 = pi * c^2 *h^2 quadratic with distance from the top You could get the same thing by building a square pyramid... In any case, I think you could use MJK's sections program, and enter a number of sections with linear increase in CSA but increasing "taper" to approximate a quadratic increase in CSA. |
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#38 | |
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diyAudio Member
Join Date: Mar 2003
Location: London, Ontario, Canada
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Quote:
I read this to mean that a cross-sectional area at any point X along the line length is predictable by equation. Any deviation from the original rate of change would make this impossible. Never mind that in practice, a stepped transition doesn't make much difference.) :)ensen.
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Those who claim to be making history are often the same ones repeating it. |
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#39 |
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diyAudio Member
Join Date: Mar 2001
Location: Quebec City
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Hello,
I finally finished my Clabby. See the attached picture. They sound great! I may have a chance to compare them with the real Abby at the Hi-Fi Montreal Festival in april. Usually there is a room with the Abby and I always spend a lot of time in it. I decided to ignore a bit all the calculation I did with MJK sheets and also take into accound the dimensions of the real Abby. It is a compromise between both design. Just for fun, I tried to use a BSC and it completely destroyed the mid-range. Basically I was using a very similar version of the BSC used by MJK for his FE164 project. I am now using them with a pair of ASL wave-8. Honessly I prefer this match over my Pass Zen V4. I will probably build the first version of the Zen (apprently better for full-range speaker?) or maybe the Zen Lite is better? Anyway, I will have to do some experiementation. Nothing special in these speakers: FE167E, silver-plated copper wire with teflon insulation, high quality binding post (but not the cardas), 5/8'' MDF, African Mahogany veneer finished with danish oil. BTW, please start a different subject if this is not to discuss about the Abby, thx.
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Imagination is more important than knowledge. knowledge is limited, imagination encircles the world. Albert Einstein FrankDIY's Audio Corner |
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#40 |
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diyAudio Member
Join Date: Feb 2004
Location: Chinook Country.Alberta
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They look good Francois.
I too am looking at building something like this. My nephew has the TL/Voight bug. His Dad gave him 2 pairs of DCM TF 250's and he loves em and wanted to "hotrod" them. I suggested that a completely new speaker might be just as easy (He still wants to mod them in addition to building some others). I have always like TLs and have heard a few. When I stumbled across the Voight pipes on the Internet I was intriqued. Email me if you would allow a couple in depth questions. nanook |
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