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#1 |
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diyAudio Member
Join Date: Dec 2011
Location: California
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I'm looking into putting a pair of Fostex FW168HR's into a horn, with a helper tweeter, which looking at the drivers specs should be pretty easy, but the design isn't going well.
I've been fighting with hornresp for quite a while now and I just can't seem to make anything better than the 15 liter recommended bass reflex enclosure which is just sad I tried a few MLTL type enclosures to limited success, a bunch of variations of back loaded horns, some transmission lines, I even used the BIB spreadsheet and modeled the results. Does anyone know of a geometry which might work well for this woofer? I'd love bass down to the 30-40 range so I could go without the sub Thanks |
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#2 |
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diyAudio Member
Join Date: Apr 2007
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Hi , it's difficult to obtain good bass from a 6" ,
and having in mind the assumption of '35/40 Hz required' it would be better to set some 'gain' points : Only subwoofers with long excursion and thermal overload control can assure ( if placed properly) a good output in that band . A basic 6" will have its F10 point at that frequency If well done , a B6 alignment with a line level tilt at Fc and HP below an octave or so - pardon if I may report the wrong ![]() For 'normal' applications , like home listening , a 6 " might be very good. I would make the box proposed by Fostex , preferably with the port on the bottom . A +3dB reinforcement in the lower octaves reproduced .. |
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#3 |
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diyAudio Member
Join Date: Feb 2004
Location: near Hamburg Germany
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in combination with the Fostex no crossover no tweeter
http://www.tb-speaker.com/detail/1230_04/w6-1916.htm in my POSAUNE horn, both with 25 mm extra baffle, and the Fostex as the back driver not invers only parallel.
__________________
http://www.hm-moreart.de |
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#4 | ||
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diyAudio Member
Join Date: Dec 2011
Location: California
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Quote:
Also I have a mid sized 12" sub I built a while back that doesn't have long excursion and thermal control and performs at normal room listening levels, i.e. able to have a normal conversation with the music playing, excellently down to 25Hz. Actually under normal listening levels the cone excursion is almost to small to see, but when I crank it becomes more visible and is wall shaking loud For PA applications what you say is absolutely right, but in room I'm not so sure. The reason I want to stretch the output is so that I don't need a 3 way design, which can be pretty expensive to get low distortion bass drivers. Although if I did go 3 way I could use sealed boxes all the way around and have less midrange coloration Quote:
Last edited by kctess5; 28th July 2012 at 06:08 PM. |
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#5 |
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diyAudio Member
Join Date: Feb 2004
Location: near Hamburg Germany
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__________________
http://www.hm-moreart.de |
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#6 | |
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diyAudio Member
Join Date: Apr 2007
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Quote:
![]() Yes , I was referring to the particular case of me , as I'm searching but can't find a good sub of 6-7" diameter . That said , I 'd love to try the little TB 3" classified as sub ![]() indeed , the double driver configuration as HM proposed is a viable solution that I've been considering , but refused eventually for the same sensitivity and SPL obtained by two drivers in series . Also the low freq. cut adds issues with coils , with cost as much as the driver,so it's better not to mess with those things |
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