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#1 |
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diyAudio Member
Join Date: Apr 2004
Location: Sydney
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Anyone have any comments about the relative strengths and weaknesses of an MLTL design (like Bob Brines' LT2000 or Martin King's project 4) verses an ML TQWT design like Martin's project 6?
Also , is the stuffing necessary in the ML TQWT, or would lining the cabinets be sufficient? |
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#2 |
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diyAudio Member
Join Date: Jan 2007
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I must be crazy to jump in here, but since no guru has taken this up, here's what I've read Bob say elsewhere (but I'm just repeating what I've read / learned):
The ML TQWT has the driver at ~50% and suppresses the 1st harmonic, but the third harmonic may not be completely suppressed (unless further optimized). In contrast, the Brines MLTL has the driver at ~25% and suppresses the third harmonic, and can end up suppressing the 1st and 5th harmonics too, and thus it may be easier to get a flatter response. It's also more compact (obviously). The LT-2000 is excellent and don't underestimate the value of driver swappability. It can take several different 8" Fostex, and various Lowther so there's an upgrade path. I have the LT-2000's and have had several different drivers, the best to my ears is the FE208-Sigma but I might be alone in thinking that. |
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#3 |
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diyAudio Member
Join Date: Jan 2007
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I found the link where I originally read this info, and there are a couple charts to boot:
http://www.audioroundtable.com/Singl...ages/1787.html |
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#4 |
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diyAudio Member
Join Date: Mar 2005
Location: UK
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An ML TQWT is actually a mass-loaded conical horn (anything that expands toward the terminus falls under the horn remit). You should be fine by lining one. As for the rest, it'd depend on the driver & design.
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#5 | |
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diyAudio Member
Join Date: Jan 2003
Location: Hot Spring Village AR
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Quote:
Wow, did you ever dig for that one! Bob |
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#6 |
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diyAudio Member
Join Date: Jan 2006
Location: uk
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speaking very tongue in cheek....
from experience I have found that the theoretical distinctions can be large(depending on perspective of course) but the practical differences are near undetectable in a good example of each...... I guess it depends how clinical you want to be Ed |
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#7 |
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diyAudio Member
Join Date: Jan 2007
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Hi Bob, actually I just read the entire Audio Round Table single-driver forum in reverse chronological order (by clicking on "Previous Posts" at the bottom of the page). It's a goldmine for newbs.
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#8 | |
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diyAudio Member
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Quote:
Also interested in OP's first question there, which none of the replies seem to address? I heard some TL speakers at the Dayton Audio '08 that I liked, particularly the bass. Unfortunately, I didn't look close enough to notice if the slot was a port, or just the open end of the TL... |
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#9 | |
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Account disabled at member's request
Join Date: Feb 2002
Location: Clifton Park, NY
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Quote:
So a quarter wave enclosure can be defined by a length, an area at the closed end S0, and an area at the open end SL. Assuming that the area varies linearly between S0 and SL (this is a simplification for this discussion, the area could vary exponentially or conically without impacting the explanation) then the resonant frequencies of the 1/4. 3/4, 5/4, .... are defined by these three geometric values. Mass loading refers to an intentional severe restriction placed at the open end that dramatically reduces the area from SL. This restriction can be a round port, a square or rectangular opening, or a narrow slot. The length of the restriction can be just the wall thickness of the enclosure or it can be significantly longer. The mass loading refers to the slug of air in the restriction since it acts like a concentrated moving mass. The benefit of mass loading a quarter wave enclosure is that it can now be made shorter in length for the same tuning frequency and the slug of air that is the mass load tends to reduce the output from the harmonics of the fundamental standing wave that is used to augment the bass output of the system. The fiber damping does not provide any mass load, it just provides damping of the internal standing wave resonances of the air in the enclosure. Mass loading can be applied to a tapered TL, a straight TL, or a expanding TL which is commonly refered to as a TQWT. It works by the same principle for each geometry. In my opinion one geometry is not better then the other two if the designs are done correctly. Optimum driver position is a finction of the shape of the enclosure and the driver is typically placed at about 0.5 x L for a TQWT and between 1/3 to 1/5 x L for a straight or tapered TL. Depending on the degree of taper or expansion there will be an optimum position for the driver that will minimize the output from the higher harmonics. |
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#10 |
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diyAudio Member
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Ok...
So, assuming I have reduced standing waves in the cabinet to the point where they are no longer an issue, using various stuffing materials to both breakup and damp them, is there any further advantage to "TL" designs over a basic BR design? |
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