Live and dj soundsystems are almost always mono on speaker level (or at least mixed mono/stereo), and many people listen to mono as their audio system is mono (small radio's, phones, ...) so it never was gone.
I prefer stereo on home and car systems, but for bigger, mono is better as the chance that you are in the sweetspot of the stereo image is very small. It gives a better sound outside that sweetspot, so everybody in the venue can have more or less the same tonal balance
I prefer stereo on home and car systems, but for bigger, mono is better as the chance that you are in the sweetspot of the stereo image is very small. It gives a better sound outside that sweetspot, so everybody in the venue can have more or less the same tonal balance
There are some beautifully printed books around.
I´m a photographer
"On this earth a shadow falls across the ravaged land" by Nick Brandt comes to mind here
Good analogy and lovely photos, thanks!Not surprising at all.
I´m a photographer and keenly aware on how to give "depth" to an image which is 2 dimensional.
In this case, by skillful use of differential focus, front to back difference in sharpness and contrast or shadows and reflections.
It was surprising to me how many depth clues mono contains. Of course once you think about, it's not so surprising - as tonal shift, timing, reflections, dry vs wet, etc all exist in mono, as well as on each channel of stereo.
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Would certainly cut back on the cost of heat sinking on class A amplifiers! OR double up for extra reliability.
Grounding is easier, chassis work a little easier, fewer cables, no mis-wired bass cancellation, no poor tracking between channels in your volume potentiometer, less noise from phono pick up - and the list goes on !
Here's a side question that I hope is not OT.
I've bought a lot of thrift store and bargain bin LPs from the 50s, 60s, 70s. Many of them are mono. And I know there were stereo versions of the same LP. Why so much mono? Were they cheaper at the time? More common? Or is it just my odd luck?
I've bought a lot of thrift store and bargain bin LPs from the 50s, 60s, 70s. Many of them are mono. And I know there were stereo versions of the same LP. Why so much mono? Were they cheaper at the time? More common? Or is it just my odd luck?
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