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#21 |
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diyAudio Moderator
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Fred, by whacking it with a screwdriver (my patent-pending excitation method), I'm subjecting it to several orders of magnitude more mechanical shock than it ever sees in service- including the vibration from the power transformer. Music or no music running through it, the amp remains unperturbed. What else can I want from it?
Microphonics in caps is more of an issue with poorly wound caps (some of the expensive brands are the worst offenders) and for precision low-level measurement circuits. Like my phono amp, where the tube microphonics will overwhelm anything else. Or that crappy interconnect I referred to earlier.
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“Listening to records is like ****ing a picture of Brigitte Bardot.” - Sergiu Celibidache |
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#22 | |
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diyAudio Member
Join Date: Jun 2001
Location: UK
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Quote:
SY, I prefer to assess things with the sound of music, rather than the sound of screwdrivers (good trick for PLL's though, especially those nice hexagonal ones rotated against a board) Andy. |
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#23 | |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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se |
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#24 | |
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diyAudio Member
Join Date: Jun 2001
Location: UK
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My sole purpose here is to encourage others to listen / measure / analyse effects I know are relevant, along with a significant number of major designers and manufacturers out there. Whether anyone takes any notice, is their problem. Although in the long term it may result in my not posting anything - I don't do this just to lead people up the garden path, purely to share knowledge. There's enough mumbo-jumbo in audio as it is, but it's possibly the most demanding discipline in electronics design anywhere, the reason there so much crap out there, is because so many believe it's simple and details don't matter. In systems with sufficient resolution (read: ability to hear the effect) the effect of vibration on the electronics is clearly audible. Maybe those that can't hear it, haven't reached that point, or took design steps to deal with it, but I doubt it. Andy. |
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#25 |
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diyAudio Member
Join Date: Jun 2002
Location: Left Coast
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Is it just my cynical nature or have I spotted something. It seems that claims that some magical unobtanium placed strategicly in or on an audio component will yield miraculosly earth shatering results but which can only be detect by the golden ear annointed ones, often come from the same quarter that claim cures for audio problems caused by variations in some material or process that is measurable only in nano-seconds and femto-volts or based on data from Fermi-Lab?
(I'm not giving specific examples because I don't want to start down one of those slippery slopes to discussion futiliy.) |
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#26 | |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Where has it been shown to be ACTUALLY audible? If addressing vibration issues results in that which sounds better to you, great. I address vibration issues in my designs as well for the same reason. But when it comes to objective claims of audibility, that puts things in a whole different ballpark and empty claims do not suffice as proof. se |
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#27 |
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diyAudio Moderator
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Steve, for clarity, we ought to refer to sound and "sound." It will save you a lot of typing.
__________________
“Listening to records is like ****ing a picture of Brigitte Bardot.” - Sergiu Celibidache |
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#28 | |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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se |
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#29 | |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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se |
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#30 | ||
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diyAudio Member
Join Date: Jun 2001
Location: UK
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You tell me first how you PROVE it's audible. By definition it involves listening (with ears), there's NO other way. "audible \Au"di*ble\, a. [LL. audibilis, fr. L. audire, auditum, to hear: cf. Gr. ? ear, L. auris, and E. ear.] Capable of being heard; loud enough to be heard; actually heard; as, an audible voice or whisper" Quote:
What is your purpose on this forum Steve - what are you contributing? Andy. |
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